Vasily Kuragin

Prince, father of Helen, Anatole and Hippolyte. This is a very famous and quite influential person in society; he occupies an important court post. Prince V.'s attitude towards everyone around him is condescending and patronizing. The author shows his hero “in a courtly, embroidered uniform, in stockings, shoes, under the stars, with a bright expression on a flat face,” with a “perfumed and shining bald head.” But when he smiled, there was “something unexpectedly rude and unpleasant” in his smile. Prince V. specifically does not wish harm on anyone. He simply uses people and circumstances to carry out his plans. V. always strives to get closer to people who are richer and higher in position than him. The hero considers himself an exemplary father; he does everything possible to arrange the future of his children. He is trying to marry his son Anatole to the rich princess Marya Bolkonskaya. After the death of the old Prince Bezukhov and Pierre receiving a huge inheritance, V. notices a rich groom and cunningly marries his daughter Helene to him. Prince V. is a great intriguer who knows how to live in society and make acquaintances with the right people.

Anatol Kuragin

Son of Prince Vasily, brother of Helen and Hippolyte. Prince Vasily himself looks at his son as a “restless fool” who constantly needs to be rescued from various troubles. A. very handsome, dandy, impudent. He is frankly stupid, not resourceful, but popular in society because “he had both the ability of calm and unchangeable confidence, precious for the world.” A. Dolokhov’s friend, constantly participates in his revelries, looks at life as a constant flow of pleasures and pleasures. He doesn't care about other people, he is selfish. A. treats women with contempt, feeling his superiority. He was used to being liked by everyone without experiencing anything serious in return. A. became interested in Natasha Rostova and tried to take her away. After this incident, the hero was forced to flee Moscow and hide from Prince Andrei, who wanted to challenge the seducer of his bride to a duel.

Kuragina Elen

Daughter of Prince Vasily, and then wife of Pierre Bezukhov. A brilliant St. Petersburg beauty with an “unchanging smile”, white full shoulders, glossy hair and a beautiful figure. There was no noticeable coquetry in her, as if she was ashamed “of her undoubtedly and too powerfully and victoriously acting beauty.” E. is unperturbed, giving everyone the right to admire herself, which is why she feels like she has a gloss from many other people’s glances. She knows how to be silently dignified in the world, giving the impression of a tactful and intelligent woman, which, combined with beauty, ensures her constant success. Having married Pierre Bezukhov, the heroine reveals to her husband not only limited intelligence, coarseness of thought and vulgarity, but also cynical depravity. After breaking up with Pierre and receiving a large part of the fortune from him by proxy, she lives either in St. Petersburg, then abroad, or returns to her husband. Despite the family breakup, the constant change of lovers, including Dolokhov and Drubetskoy, E. continues to remain one of the most famous and favored ladies of St. Petersburg society. She is making very great progress in the world; living alone, she becomes the mistress of a diplomatic and political salon, gaining a reputation as an intelligent woman

Anna Pavlovna Sherer

Maid of honor, close to Empress Maria Feodorovna. Sh. is the owner of a fashionable salon in St. Petersburg, the description of the evening in which opens the novel. A.P. 40 years old, she is artificial, like all the high society. Her attitude towards any person or event depends entirely on the latest political, courtly or secular considerations. She is friends with Prince Vasily. Sh. is “full of animation and impulse”, “being an enthusiast has become her social status" In 1812, her salon shows false patriotism, eating cabbage soup and being fined for speaking French.

Boris Drubetskoy

Son of Princess Anna Mikhailovna Drubetskaya. From childhood he was brought up and lived for a long time in the house of the Rostovs, to whom he was a relative. B. and Natasha were in love with each other. Outwardly, he is a “tall, blond young man with the right subtle features calm and beautiful face" Since his youth, B. has dreamed of a military career and allows his mother to humiliate herself in front of her superiors if it helps him. So, Prince Vasily finds him a place in the guard. B. is going to do brilliant career, makes many useful contacts. After a while he becomes Helen's lover. B. manages to be in the right place at the right time, and his career and position are especially firmly established. In 1809 he meets Natasha again and becomes interested in her, even thinking about marrying her. But this would hinder his career. Therefore, B. begins to look for a rich bride. He eventually marries Julie Karagina.

Count Rostov

Rostov Ilya Andreevi - count, father of Natasha, Nikolai, Vera and Petya. A very good-natured, generous person, loving life and not very good at calculating his funds. R. is capable of hosting a reception or a ball better than anyone; he is a hospitable host and an exemplary family man. The count is accustomed to living in grand style, and when his means no longer allow this, he gradually ruins his family, from which he suffers greatly. When leaving Moscow, it is R. who begins to give carts for the wounded. So he deals one of the last blows to the family budget. The death of Petya's son finally broke the count; he comes to life only when he prepares a wedding for Natasha and Pierre.

Countess of Rostov

The wife of Count Rostov, “a woman with an oriental type of thin face, about forty-five years old, apparently exhausted by children... The slowness of her movements and speech, resulting from weakness of strength, gave her a significant appearance that inspires respect.” R. creates an atmosphere of love and kindness in his family and is very concerned about the fate of his children. The news of the death of her youngest and beloved son Petya almost drives her crazy. She is accustomed to luxury and fulfillment of the slightest whims, and demands this after the death of her husband.

Natasha Rostova

Daughter of Count and Countess Rostov. She is “black-eyed, with a big mouth, ugly, but alive...”. Distinctive features N. - emotionality and sensitivity. She is not very smart, but she has an amazing ability to read people. She is capable of noble deeds and can forget about her own interests for the sake of other people. So, she calls on her family to take out the wounded on carts, leaving their property behind. N. takes care of his mother with all his dedication after Petya’s death. N. has a very beautiful voice, she is very musical. With her singing, she is able to awaken the best in a person. Tolstoy notes N.’s closeness to to the common people. This is one of her best qualities. N. lives in an atmosphere of love and happiness. Changes in her life occur after meeting Prince Andrei. N. becomes his bride, but later becomes interested in Anatoly Kuragin. After a while, N. understands the full force of her guilt before the prince; before his death, he forgives her, she remains with him until his death. True love N. has feelings for Pierre, they understand each other perfectly, they feel very good together. She becomes his wife and completely devotes herself to the role of wife and mother.

Nikolay Rostov

Son of Count Rostov. “A short, curly-haired young man with an open expression on his face.” The hero is distinguished by “impetuousness and enthusiasm”, he is cheerful, open, friendly and emotional. N. participates in military campaigns and the Patriotic War of 1812. In the Battle of Shengraben, N. goes on the attack very bravely at first, but is then wounded in the arm. This wound causes him to panic, he thinks about how he, “whom everyone loves so much,” could die. This event somewhat diminishes the image of the hero. After N. becomes a brave officer, a real hussar, remaining faithful to duty. N. had a long affair with Sonya, and he was going to do a noble deed by marrying a dowry woman against the will of his mother. But he receives a letter from Sonya in which she says that she is letting him go. After the death of his father, N. takes care of the family and retires. She and Marya Bolkonskaya fall in love and get married.

Petya Rostov

Younger son Rostov. At the beginning of the novel we see P. as a small boy. He is a typical representative of his family, kind, cheerful, musical. He wants to imitate his older brother and follow the military line in life. In 1812, he was full of patriotic impulses and joined the army. During the war, the young man accidentally ends up with an assignment in Denisov’s detachment, where he remains, wanting to take part in the real deal. He accidentally dies, having shown his best in relation to his comrades the day before. best qualities. His death - greatest tragedy for his family.

Pierre Bezukhov

The illegitimate son of the wealthy and socially famous Count Bezukhov. He appears almost before his father’s death and becomes the heir to the entire fortune. P. is very different from people belonging to high society even externally. He is a “massive, fat young man with a cropped head and glasses” with an “observant and natural” look. He was brought up abroad, received there a good education. P. is smart, has a penchant for philosophical reasoning, he has a very kind and gentle disposition, and he is completely impractical. Andrei Bolkonsky loves him very much, considers him his friend and the only “living person” among all high society.
In pursuit of money, P. is entangled by the Kuragin family and, taking advantage of P.’s naivety, they force him to marry Helen. He is unhappy with her, he understands that this scary woman and breaks off relations with her.
At the beginning of the novel we see that P. considers Napoleon his idol. Afterwards he becomes terribly disappointed in him and even wants to kill him. P. is characterized by a search for the meaning of life. This is how he becomes interested in Freemasonry, but when he sees their falsehood, he leaves from there. P. tries to reorganize the lives of his peasants, but he fails due to his gullibility and impracticality. P. participates in the war, not yet fully understanding what it is. Left in burning Moscow to kill Napoleon, P. is captured. He experiences great moral torment during the execution of prisoners. There P. meets with the exponent of “people's thought” Platon Karataev. Thanks to this meeting, P. learned to see “the eternal and infinite in everything.” Pierre loves Natasha Rostova, but she is married to his friend. After the death of Andrei Bolkonsky and the revival of Natasha to life, best heroes Tolstoy is getting married. In the epilogue we see P. a happy husband and father. In a dispute with Nikolai Rostov, P. expresses his beliefs, and we understand that before us is a future Decembrist.

Sonya

She is “a thin, petite brunette with a soft look, shaded by long eyelashes, a thick black braid that wrapped around her head twice, and a yellowish tint to the skin on her face and especially on her bare, thin but graceful arms and neck. With the smoothness of her movements, the softness and flexibility of her small limbs, and her somewhat cunning and restrained manner, she resembles a beautiful, but not yet formed kitten, which will be a lovely cat.”
S. is the niece of the old Count Rostov, and is being brought up in this house. Since childhood, the heroine has been in love with Nikolai Rostov, and is very friendly with Natasha. S. is reserved, silent, reasonable, and capable of sacrificing herself. The feeling for Nikolai is so strong that she wants to “love always, and let him be free.” Because of this, she refuses Dolokhov, who wanted to marry her. S. and Nikolai are bound by word, he promised to take her as his wife. But the old Countess of Rostov is against this wedding, he reproaches S... She, not wanting to pay with ingratitude, refuses the marriage, releasing Nikolai from his promise. After the death of the old count, he lives with the countess in the care of Nicholas.

Dolokhov

“Dolokhov was a man of average height, curly hair and with light blue eyes. He was about twenty-five years old. He did not wear a mustache, like all infantry officers, and his mouth, the most striking feature of his face, was completely visible. The lines of this mouth were remarkably finely curved. In the middle, the upper lip energetically dropped onto the strong lower lip like a sharp wedge, and something like two smiles constantly formed in the corners, one on each side; and all together, and especially in combination with a firm, insolent, intelligent look, it created such an impression that it was impossible not to notice this face.” This hero is not rich, but he knows how to position himself in such a way that everyone around him respects and fears him. He loves to have fun, and in a rather strange and sometimes cruel way. For one case of bullying a policeman, D. was demoted to soldier. But during hostilities he regained his rank of officer. He is a smart, brave and cold-blooded person. He is not afraid of death, he is reputed an evil person, hides his tender love to mother. In fact, D. does not want to know anyone except those he really loves. He divides people into harmful and useful, sees mostly harmful people around him and is ready to get rid of them if they suddenly get in his way. D. was Helen's lover, he provokes Pierre into a duel, dishonestly beats Nikolai Rostov at cards, and helps Anatole arrange an escape with Natasha.

Nikolai Bolkonsky

The prince, general-in-chief, was dismissed from service under Paul I and exiled to the village. He is the father of Andrei Bolkonsky and Princess Marya. He is a very pedantic, dry, active person who cannot stand idleness, stupidity, or superstition. In his house, everything is scheduled according to the clock; he has to be on the job all the time. The old prince did not make the slightest changes to the order and schedule.
ON THE. short in stature, “in a powdered wig... with small dry hands and gray drooping eyebrows, sometimes, as he frowned, obscuring the brilliance of intelligent and seemingly young sparkling eyes.” The prince is very restrained in expressing his feelings. He constantly torments his daughter with nagging, although in fact he loves her very much. ON THE. proud, clever man, constantly cares about preserving family honor and dignity. He instilled in his son a sense of pride, honesty, duty, and patriotism. Despite his withdrawal from public life, the prince is constantly interested in political and military events taking place in Russia. Only before his death does he lose sight of the scale of the tragedy that happened to his homeland.

Andrey Bolkonsky

Son of Prince Bolkonsky, brother Princess Marya. At the beginning of the novel we see B. as an intelligent, proud, but rather arrogant person. He despises people of high society, is unhappy in his marriage and does not respect his pretty wife. B. is very reserved, well educated, and has a strong will. This hero is experiencing great spiritual changes. First we see that his idol is Napoleon, whom he considers a great man. B. gets into war and is sent to the active army. There he fights along with all the soldiers, showing great courage, composure, and prudence. Participates in the Battle of Shengraben. B. was seriously wounded in the Battle of Austerlitz. This moment is extremely important, because it was then that the spiritual rebirth of the hero began. Lying motionless and seeing the calm and eternal sky of Austerlitz above him, B. understands all the pettiness and stupidity of everything that is happening in the war. He realized that in fact there should be completely different values ​​in life than those that he had until now. All exploits and glory do not matter. There is only this vast and eternal sky. In the same episode, B. sees Napoleon and understands the insignificance of this man. B. returns home, where everyone thought he was dead. His wife dies in childbirth, but the child survives. The hero is shocked by the death of his wife and feels guilty towards her. He decides not to serve anymore, settles in Bogucharovo, takes care of the household, raising his son, and reads a lot of books. During a trip to St. Petersburg, B. meets Natasha Rostova for the second time. A deep feeling awakens in him, the heroes decide to get married. B.'s father does not agree with his son's choice, they postpone the wedding for a year, the hero goes abroad. After his fiancee betrays him, he returns to the army under the leadership of Kutuzov. During the Battle of Borodino, he was mortally wounded. By chance, he leaves Moscow in the Rostov convoy. Before his death, he forgives Natasha and understands true meaning love.

Lisa Bolkonskaya

Prince Andrei's wife. She is the darling of the whole world, an attractive young woman whom everyone calls “the little princess.” “Her pretty upper lip, with a slightly blackened mustache, was short in teeth, but the more sweetly it opened and the more sweetly it sometimes stretched out and fell onto the lower one. As is always the case with quite attractive women, her shortcomings - short lips and half-open mouth - seemed to be special, actually her beauty. It was fun for everyone to look at this pretty expectant mother, full of health and vivacity, who endured her situation so easily.” L. was everyone’s favorite thanks to her always liveliness and courtesy secular woman, she could not imagine her life without high society. But Prince Andrei did not love his wife and felt unhappy in his marriage. L. does not understand her husband, his aspirations and ideals. After Andrei leaves for the war, L. lives in the Bald Mountains with the old Prince Bolkonsky, for whom he feels fear and hostility. L. has a presentiment of his imminent death and actually dies during childbirth.

Princess Marya

D the daughter of old Prince Bolkonsky and the sister of Andrei Bolkonsky. M. is ugly, sickly, but her whole face is transformed by beautiful eyes: “... the princess’s eyes, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so beautiful that very often, despite the ugliness of her whole face , these eyes became more attractive than beauty." Princess M. is distinguished by her great religiosity. She often hosts all kinds of pilgrims and wanderers. She has no close friends, she lives under the yoke of her father, whom she loves but is incredibly afraid of. Old Prince Bolkonsky had a bad character, M. was absolutely overwhelmed by him and did not believe in her personal happiness at all. She gives all her love to her father, brother Andrei and his son, trying to replace little Nikolenka’s deceased mother. M.'s life changes after meeting Nikolai Rostov. It was he who saw all the wealth and beauty of her soul. They get married, M. becomes a devoted wife, completely sharing all the views of her husband.

Kutuzov

A real historical figure, commander-in-chief of the Russian army. For Tolstoy, he is the ideal of a historical figure and the ideal of a person. “He will listen to everything, remember everything, put everything in its place, will not interfere with anything useful and will not allow anything harmful. He understands that there is something stronger and more significant than his will - this is the inevitable course of events, and he knows how to see them, knows how to understand their meaning and, in view of this meaning, knows how to renounce participation in these events, from his personal will directed to something else." K. knew that “the fate of the battle is decided not by the orders of the commander-in-chief, not by the place where the troops stand, not by the number of guns and killed people, but by that elusive force called the spirit of the army, and he followed this force and led it, as far as it was in his power." K. blends in with the people, he is always modest and simple. His behavior is natural; the author constantly emphasizes his heaviness and senile weakness. K. - spokesman folk wisdom in the novel. His strength lies in the fact that he understands and knows well what worries the people, and acts in accordance with this. K. dies when he has fulfilled his duty. The enemy has been pushed beyond the borders of Russia, more than that folk hero nothing to do.
Epic novel "War and Peace" a brief description of characters:

Any book you read is an additional life lived. “War and Peace” by Leo Nikolaevich Tolstoy is a unique work, which has no analogues either in Russian or in foreign literature. The events in the novel span 15 years and take place in Russia and abroad, at balls on magnificent estates and in the courtyards where simple serfs live, in peacetime and during military operations. The author reveals to his reader not one, but several destinies of heroes with rich and contradictory inner world. Not all the characters mentioned by Tolstoy occupy dominant positions on the pages of the novel; many only complement big picture while playing cameo roles, or serve as auxiliary factors for the full disclosure of the images of the main characters, which are discussed below in this article.

Brief description and characteristics of the main characters of the novel “War and Peace”

The main character of the work is the Russian people. By “people” Tolstoy means not just a category of society, but all the best that is in the Russian nation. The author refers to the “people” not only as peasants, but also as those aristocrats who are characterized by self-sacrifice and mercy. The people's representatives are opposed by the regulars of the Scherer salon, for example, Helen and Anatole Kuragin, and Napoleon. These heroes are negative.

Literary scholars tend to divide folk characters into two groups:

• People with a “simple consciousness”, guided in their life choice by the dictates of the heart: Platon Karataev, Natasha Rostova, Kutuzov and others.
• And people “searching for themselves”: Andrei Bolkonsky and Pierre Bezukhov.

The latter are characterized by personal development and Tolstoy subjects them to severe life tests.

Image Andrey Bolkonsky in the novel "War and Peace"

The author introduces the reader to twenty-seven-year-old Andrei Bolkonsky at the very beginning of the novel. Andrey is the son of a wealthy prince. He is good-looking, short in stature with “dry” facial features. His mother is no longer alive and he has a sister, Marya. His best friend is Pierre Bezukhov. In his youth, the hero finds happiness next to Lisa Meinen, who is Kutuzov’s niece. Lisa dies during childbirth, leaving Andrei with a newborn son, Nikolenka.

The prince does not like secular society. In search of himself, he goes to war. Military actions “sober” the hero and he understands that glory earned on the battlefields is worth nothing, a person’s life is much more valuable. After the death of his wife,

Andrey loses his meaning own life and finds him again, having fallen in love with young Natasha Rostova. The couple did not have a happy life together - they broke up because of Natasha's passion for Anatoly Kuragin. At the Battle of Borodino, Bolkonsky was seriously wounded and soon died.

Image Natasha Rostova in the novel "War and Peace"

Natasha is a cheerful, subtle, loud and stubborn girl, but not particularly beautiful. But she has a beautiful voice that captivates everyone around her. The heroine's romance with Andrei Bolkonsky ends due to her betrayal with Anatole, about which she reproached herself for a long time. The death of the prince in the war becomes in her life turning point. At the end of the story, little remains of the “living” Natasha. In the epilogue, she is the quiet, plump wife of Pierre Bezukhov, the mother of four children.

Image Pierre Buzukhov in the novel "War and Peace"

The author's favorite hero, who has a highly noble character and treats the common people with understanding. Pierre is moderately lazy, not practical, absent-minded and peaceful in all respects. He is Andrei Bolkonsky's best friend. Rich aristocrat. The hero had an outstanding appearance: large to the point of clumsiness in physique, but with an intelligent, albeit timid look.

According to the plot, Pierre experiences many emotional experiences, while he retains his good nature, remains responsive, ready to help. The hero's first marriage did not work out. He married a beautiful, but completely “alien” woman to him - Elen Kuragina. Pierre actively took part in the hostilities; the Battle of Borodino is shown to the reader entirely through his eyes. He was in French captivity, survived the death of his wife and best friend, was interested in Freemasonry.

Having fallen in love and married Natasha, the hero found happiness. But unlike his wife, he did not focus only on the family; his plans are to transform society for the better.

Image Marya Bolkonskaya in the novel "War and Peace"

An interesting and unforgettable image in the novel is the young Princess Bolkonskaya, in the development of the plot - Rostova. The author describes her as thin and weak in body, but attractive with her deep and radiant eyes. Marya is a pious, caring and kind girl.

At first she directed her love to her family, then to the family of her husband, Nikolai Rostov.

Image Nikolai Rostov in the novel "War and Peace"

Important characters in the novel include Nikolai, the eldest child in the Rostov family. A young man of short stature, curly hair, with open to the world and people face. He is friendly, honest and strives to military glory, romanticizing her.

After participating in hostilities, the hero lost his illusions about battles and battles. He realized how absurd and cruel war is. Nikolai found happiness and peace next to Marya Bolkonskaya, who turned out to be very close to him in spirit.

Image Sonya Rostova in the novel "War and Peace"

Sonya is the niece of Count Rostov and lives in his family. The heroine is petite and slender, with long eyelashes, her black hair tied up in a thick braid. The author speaks of her as a reasonable, quiet and kind girl. Sonya is in love with Nikolai Rostov, but when she realizes that her chosen one has chosen Marya, she calmly lets him go, not wanting to interfere with the happiness of her dear person.

Image Elen Kuragina in the novel "War and Peace"

A bright and beautiful female character in the novel. Helen shone in secular society and turned the men's heads. But under the mask of her charm there was a false and not gifted personality. She knew Napoleon personally and married the wealthy Count Pierre Bezukhov. The family life of the Bezukhov couple did not work out. Helen died of a sore throat, although there were rumors that she committed suicide.

Image Anatoly Kuragin in the novel "War and Peace"

Anatole is Helen's brother. As beautiful and effective as she is. But, unfortunately, like his sister, he did not have high moral principles. The hero, having turned the head of the naive Natasha Rostova, at that time Andrei Bolkonsky's fiancée, planned to kidnap the girl and marry her secretly, while he himself was married. His plans were destroyed. However, the union of Natasha and Prince Bolkonsky also fell apart.

Image Platon Karataev in the novel "War and Peace"

An important character, thanks to whom Pierre Bezukhov understood the meaning of life. Pierre met Plato in French captivity. He was struck by the calmness, wisdom, and folk philosophy that radiated from Karataev, a simple Russian soldier nicknamed “Falcon” by his fellow soldiers. Platon Karataev died and “bequeathed” his wisdom to a random comrade Pierre.

Images Kutuzova And Napoleon in the novel "War and Peace"

In the novel there are not only characters fictional by Tolstoy, but also heroes who have real prototypes. The main ones include Napoleon Bonaparte and Kutuzov.

Kutuzov in the plot of the novel, as in historical reality, holds the post of Commander-in-Chief of the Russian army. He is described as a white-haired man with a plump face, a disfigured scar and an aquiline nose. This is a majestic, serious figure in the novel. Tolstoy characterizes the character as cunning, diplomatic, attentive and thoughtful in military campaigns.

Another historical figure who definitely deserves attention is the Emperor of France Napoleon. At the beginning of the novel, the hero is something of a model for imitation and admiration of Andrei Bolkonsky and Pierre Bezukhov. Napoleon is confident that the whole world and everything that happens in it depends only on him. The hero is overly complacent and needs constant admiration from people.

In custody

Brief characteristics of the characters in the novel “War and Peace” allow us to notice unbreakable connection in their destinies. Just like all events in the work, the meetings and partings of its heroes depend on the irrational law of mutual influence. Due to this law, according to the author of the novel, destinies are decided and the views of the heroes are formed.

He not only wrote the wonderful work “War and Peace,” but also showed Russian life over several decades. Researchers of Tolstoy’s work have calculated that the writer depicted more than 600 characters on the pages of his novel. Moreover, each of these characters has a clear and apt description of the writer. This allows the reader to draw a detailed portrait of each character.

The system of characters in the novel "War and Peace"

Of course, the main character of Tolstoy’s work is the people. According to the author, this is the best thing that the Russian nation has. According to the novel, the people include not only ordinary people who have nothing, but also nobles who live not for themselves, but for others. But the people in the novel are contrasted with aristocrats:

1. Kuragins.
2. Visitors to the salon Anna Scherer.

From the description you can immediately determine that everything these heroes are negative characters novel. Their life is soulless and mechanical, they commit artificial and lifeless actions, are incapable of compassion, and selfish. These heroes cannot change even under the influence of life.

Lev Nikolaevich portrays his positive characters in a completely different way. Their actions are guided by their hearts. These positive actors include:

1. Kutuzova.
2. Natasha Rostova.
3. Platon Karataev.
4. Alpatych.
5. Officer Timokhin.
6. Officer Tushin.
7. Pierre Bezukhov.
8. Andrey Bolkonsky.

All these heroes able to empathize, develop and change. But it was the War of 1812, the trials it brought, that makes it possible to understand which camp the characters in Tolstoy’s novel belong to.

Peter Rostov - the central character of the novel

Count Peter Rostov is youngest child in the family, Natasha's brother. At the beginning of the novel, the reader sees him as just a child. So, in 1805 he was only 9 years old. And if at this age the writer only notices that he is fat, then to the description of Peter at the age of 13 is added the fact that the teenager turns out to be handsome and cheerful.

At the age of 16, Peter goes to war, although he should have gone to university, and soon becomes a real man, an officer. He is a patriot and worries about the fate of his Fatherland. Petya spoke excellent French and could feel sorry for the captive French boy. Going to war, Petya dreams of doing something heroic.

And despite the fact that his parents at first did not want to let him go to serve, and then found a place where it was safer, he still joined the active army with his friend. As soon as he was appointed assistant general, he was immediately taken prisoner. Having decided to take part in the battle with the French, helping Dolokhov, Petya dies, having been wounded in the head.

Natasha Rostova will name her only son after him, who will never be able to forget her brother, with whom she was so close.

Minor male characters

There are many minor characters in the novel War and Peace. Among them, the following heroes stand out:

1. Drubetskoy Boris.
2. Dolokhov.

Tall and blond Boris Drubetsky was brought up in the Rostov family and was in love with Natasha. His mother, Princess Drubetskaya, was a distant relative of the Rostov family. He is proud and dreams of military career.

Having entered the guard thanks to the efforts of his mother, he also took part in the military campaign of 1805. The writer’s characterization of him is unflattering, since Boris tries to make only “useful” acquaintances. So, he is ready to spend all the money to become known as a rich man. He becomes the husband of Julie Kuragina, since she is rich.

Guard officer Dolokhov - bright minor character novel. At the beginning of the novel, Fyodor Ivanovich is 25 years old. He was born to the respectable lady Marya Ivanovna, who belonged to the poor noble family. Women liked the officer of the Semenovsky regiment because he was handsome: of average height, with curly hair and blue eyes. Dolokhov's firm voice and cold gaze harmoniously combined with his education and intelligence. Despite the fact that Dolokhov is a gambler and loves a carousing life, he is still respected in society.

Fathers of the Rostov and Bolkonsky families

General Bolkonsky has been retired for a long time. He is rich and respected in society. He performed his service during the reign of Catherine II, so Kutuzov is his good comrade. But the character of the father of the Bolkonsky family is difficult. Nikolai Andreevich happens not only strict, but also harsh. He monitors his health and values ​​order in everything.

Count Ilya Andreevich Rostov is a positive and bright hero of the novel. His wife is Anna Mikhailovna Shinshina. Ilya Andreevich is raising five children. He is rich and cheerful, kind and self-confident by nature. The old prince is very trusting and is easy to deceive.

Ilya Andreevich - man of heart, patriot. He receives wounded soldiers in his home. But he did not monitor the family’s condition at all, so he becomes the culprit of ruin. The prince dies in 1813, trying to survive the tragedies of his children.

Minor female characters

In the work of L.N. Tolstoy there are many secondary characters who allow us to understand the events that the author describes. In the work "War and Peace" female characters are represented by the following heroines:

1. Sonya Rostova.
2. Julie Kuragina.
3. Vera Rostova.

Sonya Rostova is the second cousin of Natasha Rostova, the main character of the novel War and Peace. Sofya Alexandrovna is an orphan and homeless. Readers first see her at the beginning of the novel. Then, in 1805, she was barely 15 years old. Sonya looked beautiful: her waist was thin and miniature, her large and thick black braid wrapped around her head twice. Even the look, soft and withdrawn, was captivating.

The older the girl got, the more beautiful she looked. And at 22, according to Tolstoy’s description, she was somewhat like a cat: smooth, flexible and soft. She was in love with Nikolenka Rostov. She even denies her love to her “brilliant” groom Dolokhov. Sonya knew how to read skillfully in front of different audiences. She usually read in a thin voice and very diligently.

But Nikolai chose to marry Marya Bolkonskaya. And the thrifty and patient Sonya, who managed the household so skillfully, remained to live in the house of the young Rostov family, helping them. At the end of the novel, the writer shows her at the age of 30, but she is also not married, but is busy with the Rostov children and caring for the sick princess.

Julie Kuragina is a minor heroine of the novel. It is known that after the death of her brothers in the war, remaining with her mother, the girl becomes a rich heiress. At the beginning of the novel, Julie is already 20 years old and the reader learns that she is from a decent noble family. She was raised by virtuous parents, and in general Julie had known the Rostov family since childhood.

Julie had no special external characteristics. The girl was chubby and ugly. But she dressed fashionably and tried to always smile. Because of her red face, badly powdered, and wet eyes, no one wanted to marry her. Julie is a little naive and very stupid. She tries not to miss a single ball or theatrical production.

By the way, Countess Rostova dreamed of marrying Nikolai favorably to Julie. But for the sake of money, Boris Drubetskoy marries her, who hates Julie and hopes to see her very rarely after the wedding.

Another minor female character in Leo Tolstoy's novel War and Peace is Vera Rostova. This is the eldest and unloved daughter of Princess Rostova. After marriage she became Vera Berg. At the beginning of the novel, she was 20 years old, and the girl was four years older than her sister Natasha. Vera is a beautiful, intelligent and well-mannered and educated girl with in a pleasant voice. Both Natasha and Nikolai thought that she was too correct and somehow insensitive, as if she had no heart at all.

Alexey Durnovo talks about the prototypes of the heroes of the famous epic by Leo Tolstoy.

Prince Andrei Bolkonsky

Nikolay Tuchkov

One of those characters whose image is more fictional than borrowed from specific people. Like unattainable moral ideal, Prince Andrei, of course, could not have a specific prototype. Nevertheless, in the facts of the character’s biography one can find many similarities, for example, with Nikolai Tuchkov.

Nikolai Rostov and Princess Marya are the writer’s parents

He, just like Prince Andrei, received a mortal wound in the Battle of Borodino, from which he died in Yaroslavl three weeks later. The scene of the wounding of Prince Andrei at the Battle of Austerlitz was probably borrowed from the biography of Staff Captain Fyodor (Ferdinand) Tiesenhausen. He died with a banner in his hands when he led a Little Russian grenadier regiment against enemy bayonets in that very battle. It is possible that Tolstoy gave the image of Prince Andrei the features of his brother, Sergei. At least this applies to the story of the failed marriage of Bolkonsky and Natasha Rostova. Sergei Tolstoy was engaged to Tatyana Bers, but the marriage, postponed for a year, never took place. Either because of the inappropriate behavior of the bride, or because the groom had a gypsy wife with whom he did not want to part.

Natasha Rostova

Sofya Tolstaya - the writer's wife

Natasha has two prototypes at once, the already mentioned Tatyana Bers and her sister, Sophia Bers. Here it should be noted that Sophia is none other than the wife of Leo Tolstoy. Tatyana Bers married Senator Alexander Kuzminsky in 1867. Most She spent her childhood in the writer’s family and managed to become friends with the author of War and Peace, even though she was almost 20 years younger than him. Moreover, under the influence of Tolstoy, Kuzminskaya herself took up literary creativity. It seems that every person who went to school knows about Sofya Andreevna Tolstaya. She actually rewrote War and Peace, the novel main character which had a lot common features with the author's wife.

Rostov

Ilya Andreevich Tolstoy - the writer’s grandfather

The surname Rostov was formed by replacing the first and last letters in the surname Tolstoy. “R” instead of “t”, “v” instead of “th”, well, minus “l”. So the family occupying important place in the novel, acquired a new name. The Rostovs are the Tolstoys, or rather the writer’s relatives paternal line. There is even a coincidence in names, as in the case of the old Count Rostov.

Even Tolstoy did not hide the fact that Vasily Denisov is Denis Davydov

The writer’s grandfather, Ilya Andreevich Tolstoy, is hiding under this name. This man, in fact, led a rather wasteful lifestyle and spent colossal sums on entertainment events. And yet, this is not the good-natured Ilya Andreevich Rostov from War and Peace. Count Tolstoy was the governor of Kazan and a well-known bribe-taker throughout Russia. He was removed from his post after auditors discovered the theft of almost 15 thousand rubles from the provincial treasury. Tolstoy explained the loss of money as a “lack of knowledge.”

Nikolai Rostov is the father of the writer Nikolai Ilyich Tolstoy. The prototype and the hero of “War and Peace” have more than enough similarities. Nikolai Tolstoy served in the hussars and went through all the Napoleonic wars, including the Patriotic War of 1812. It is believed that the descriptions of war scenes with the participation of Nikolai Rostov were taken by the writer from his father’s memoirs. Moreover, Tolstoy Sr. completed the financial ruin of the family with constant losses at cards and debts, and to correct the situation he married the ugly and reserved princess Maria Volkonskaya, who was four years older than him.

Princess Marya

Leo Tolstoy's mother Maria Nikolaevna Volkonskaya, by the way, is also the full namesake of the book heroine. Unlike Princess Marya, she had no problems with the sciences, in particular with mathematics and geometry. She lived for 30 years with her father in Yasnaya Polyana (Bald Mountains from the novel), but never got married, although she was a very enviable bride. The fact is that old prince, in fact, had a monstrous character, and his daughter was a closed woman and personally rejected several suitors.

Dolokhov's prototype probably ate its own orangutan

Princess Volkonskaya even had a companion - Miss Hanessen, who was somewhat similar to Mademoiselle Bourrienne from the novel. After the death of her father, the daughter began to literally give away property, after which her relatives intervened and arranged Maria Nikolaevna’s marriage to Nikolai Tolstoy. Judging by the memoirs of contemporaries, the marriage of convenience turned out to be very happy, but short-lived. Maria Volkonskaya died eight years after the wedding, having given birth to her husband four children.

Old Prince Bolkonsky

Nikolai Volkonsky, who left the royal service to raise his only daughter

Nikolai Sergeevich Volkonsky is an infantry general who distinguished himself in several battles and received the nickname “Prussian King” from his colleagues. His character is very similar to the old prince: proud, self-willed, but not cruel. Left service after the accession of Paul I, retired to Yasnaya Polyana and began raising his daughter.

The prototype of Ilya Rostov is Tolstoy’s grandfather, who ruined his career

He spent all his days improving his farm and teaching his daughter languages ​​and sciences. An important difference from the character from the book: Prince Nikolai survived the War of 1812 perfectly, and died only nine years later, a little short of reaching seventy.

Sonya

Tatyana Ergolskaya is Nikolai Tolstoy’s second cousin, who was raised in his father’s house. In their youth they had an affair that never ended in marriage. Not only Nikolai’s parents, but also Ergolskaya herself opposed the wedding. IN last time She rejected a marriage proposal from her cousin in 1836. The widowed Tolstoy asked Ergolskaya's hand in marriage so that she could become his wife and replace the mother of his five children. Ergolskaya refused, but after the death of Nikolai Tolstoy she really began raising his sons and daughter, devoting the rest of her life to them.

Dolokhov

Fyodor Tolstoy-American

Dolokhov also has several prototypes. Among them, for example, is Lieutenant General and partisan Ivan Dorokhov, the hero of several major campaigns, including the War of 1812. However, if we talk about character, Dolokhov has more similarities with Fyodor Ivanovich Tolstoy the American, a famous brethren, gambler and lover of women in his time. It must be said that Tolstoy is not the only writer who included the American in his works. Fyodor Ivanovich is also considered the prototype of Zaretsky, Lensky’s second from Eugene Onegin. Tolstoy received his nickname after he made a trip to America, during which he was thrown off a ship and ate his own monkey.

Kuragins

Alexey Borisovich Kurakin

IN in this case it is difficult to talk about the family, because the images of Prince Vasily, Anatole and Helen are borrowed from several people who are not related. Kuragin Sr. is undoubtedly Alexey Borisovich Kurakin, a prominent courtier during the reign of Paul I and Alexander I, who made a brilliant career at court and made a fortune.

Prototypes of Helen - Bagration's wife and mistress of Pushkin's classmate

He had three children, exactly like Prince Vasily, of whom his daughter caused him the most trouble. Alexandra Alekseevna really had a scandalous reputation; her divorce from her husband made a lot of noise in the world. Prince Kurakin, in one of his letters, even called his daughter the main burden of his old age. Looks like a character from War and Peace, doesn't it? Although, Vasily Kuragin expressed himself a little differently.

Anatol Kuragin, apparently, does not have a prototype, except for Anatoly Lvovich Shostak, who at one time seduced Tatyana Bers.

Ekaterina Skavronskaya-Bagration

As for Helen, her image was taken from several women at once. In addition to some similarities with Alexandra Kurakina, she has much in common with Ekaterina Skvaronskaya (Bagration’s wife), who was known for her careless behavior not only in Russia, but also in Europe. In her homeland she was called the “Wandering Princess,” and in Austria she was known as the mistress of Clemens Metternich, the Minister of Foreign Affairs of the Empire. From him, Ekaterina Skavronskaya gave birth - of course, out of wedlock - a daughter, Clementina. Perhaps it was “The Wandering Princess” that contributed to Austria’s entry into the anti-Napoleonic coalition. Another woman from whom Tolstoy could have borrowed Helen’s features is Nadezhda Akinfova. She was born in 1840 and was very famous in St. Petersburg and Moscow as a woman scandalous reputation and wild disposition. She gained wide popularity thanks to her affair with Chancellor Alexander Gorchakov, a classmate of Pushkin. He, by the way, was 40 years older than Akinfova, whose husband was the chancellor’s great-nephew.

Vasily Denisov

Denis Davydov

Every schoolchild knows that the prototype of Vasily Denisov was Denis Davydov. Tolstoy himself admitted this.

Julie Karagina

There is an opinion that Julie Karagina is Varvara Aleksandrovna Lanskaya. She is known exclusively for the fact that she conducted a long correspondence with her friend Maria Volkova. Using these letters, Tolstoy studied the history of the War of 1812. Moreover, they were almost completely included in War and Peace under the guise of correspondence between Princess Marya and Julie Karagina.

Pierre Bezukhov

Peter Vyazemsky

Alas, Pierre does not have any obvious or even approximate prototype. This character has similarities both with Tolstoy himself and with many historical figures who lived during the time of the writer and in the years Patriotic War. There is, for example, an interesting story about how the historian and poet Pyotr Vyazemsky went to the site of the Borodino battle. Allegedly, this incident formed the basis of the story about how Pierre traveled to Borodino. But Vyazemsky was a military man at that time, and arrived on the battlefield not due to an internal call, but due to official duties.

The image of Pierre Bezukhov in the novel “War and Peace”. Essay based on Tolstoy's novel - War and Peace. Pierre Bezukhov, by his character and by his make-up, is predominantly an emotional person. Character traits his is a mind prone to “dreamy philosophizing”, free-thinking, absent-mindedness, weakness of will, lack of initiative. This does not mean that Prince Andrei is not capable of experiencing deep feelings, and Pierre is a weak thinker; both are complex natures. The terms “intellectual” and “emotional” mean in this case the predominant features of the spiritual forces of these extraordinary individuals. Pierre stands out sharply from the crowd of people in the Scherer salon, where we first meet him. This is “a massive, fat young man with a cropped head, glasses, light trousers in the fashion of the time, a high frill and a brown tailcoat.” His look is “intelligent and at the same time timid, observant and natural.” His main feature is the search for “calmness, agreement with oneself.” All life path Pierre - a constant search for the meaning of life, a search for a life that would be in harmony with the needs of his heart and would bring him moral satisfaction. In this he is similar to Andrei Bolkonsky.

Pierre's path, like the path of Prince Andrei, this is the way to the people. Even during the period of his passion for Freemasonry, he decides to devote his energies to the improvement of the peasants. He considers it necessary to set his serfs free; he is thinking about establishing hospitals, orphanages and schools in his villages. True, the cunning manager deceives Pierre and only creates the appearance of reforms. But Pierre is sincerely confident that his peasants are now living well. His real rapprochement with the common people begins in captivity, when he meets the soldiers and Karataev. Pierre begins to feel the desire to become simpler, to completely merge with the people. The lordly life, the social salons, the luxury of the tomyaga do not satisfy Pierre. He painfully feels his isolation from

Images of Natasha and Princess Marie in the novel “War and Peace”. But Natasha and Princess Marya also have common features.. Both of them are patriots. Natasha did not hesitate to sacrifice the wealth of the Moscow Rostov house to save the wounded. And Princess Marya abandons the estate to the mercy of fate as the French approach. When the homeland is in danger, family traits awaken in it - pride, courage, firmness. This is what happened in Bogucharovo, when her French companion invited her to stay on the estate and trust the mercy of the French general, the mercy of the enemies of Russia, her homeland. And “although it didn’t matter to Princess Marya no matter where she stayed and no matter what happened to her, she at the same time felt like a representative of her late father and Prince Andrei. She involuntarily thought with their thoughts and felt them with their feelings.” And there is one more feature that makes Natasha and Princess Marya similar. Princess Marya marries Nikolai Rostov, and Tolstoy, depicting their family life, speaks of the happiness that she, like Natasha, found in the family. This is how Tolstoy solves the question of the purpose of a woman, limiting her interests to the framework of family life.

Let us recall another episode of Nikolai Rostov’s meeting with Sonya, when he, having arrived on vacation, does not know how to behave with his beloved girl. “He kissed her hand and called her you - Sonya, but their eyes, having met, said “you” to each other and kissed tenderly.”

Tolstoy's favorite heroes are people with a complex spiritual world. In revealing such characters, Tolstoy resorts to different techniques: to direct characterization from the author, to self-characterization of the hero, to internal dialogues and reflections, etc. Internal monologues and internal dialogues allow the author to discover such innermost thoughts and moods of the characters, which can be conveyed in another way (for example, using direct author's characteristics) would be difficult without violating the laws of artistic realism. Tolstoy resorts to such monologues and dialogues very often. Sample " inner monologue“The reflections of the wounded Prince Andrei in Chapter XXXII of the third volume of the novel can serve as elements of dialogue. Here is another example of an “inner monologue” - the reflections of Natasha, childishly and spontaneously reasoning about herself: “What a charm this Natasha is!” - she said again to herself in the words of some third collective male person. “She’s good, she has a voice, she’s young, and she doesn’t bother anyone, just leave her alone” (Chapter XXIII of the second volume).

The image of Andrei Bolkonsky. External world with his things and phenomena is also skillfully used by Tolstoy to characterize the heroes. Thus, describing Natasha’s mood after the unexpected departure of Andrei Bolkonsky (before the matchmaking), Tolstoy reports that Natasha completely calmed down and “put on that old dress that she was especially known for the joy it brought in the morning.” Tolstoy is a brilliant landscape painter. He will note the young “green sticky leaves” of the birch, and the bush turning green somewhere, and the “juicy, dark green of the oak,” and the moonlight bursting into the room, and the freshness of the spring night. Let us remember the wonderfully described hunt in Otradnoye. Both people, animals, and nature act here as indicators powerful force life, its fullness. The landscape serves various functions in the novel. Most common feature Tolstoy's landscape is the correspondence of this landscape to the mood of the hero. The disappointment and gloomy mood of Prince Andrei after the break with Natasha colors the surrounding landscape in gloomy tones. “He looked at the strip of birch trees, with their motionless yellow, green and white bark, glistening in the sun. “To die... so that they would kill me, tomorrow, so that I wouldn’t exist... so that all this would happen, but I wouldn’t exist...” He is tormented by terrible premonitions and painful thoughts about death. And these birches with their light and shadow, and these curly clouds, and this smoke from the fires - all this around was transformed for him and seemed something terrible and threatening. And the poetry of Natasha’s nature, on the contrary, is revealed against the backdrop of a spring moonlit night in Otradnoye. In other cases, the landscape directly affects a person, enlightening and making him wise. Prince Andrei, wounded at Austerlitz, looks at the sky and thinks: “Yes! Everything is empty, everything is deception, except this endless sky.” The oak tree, which Prince Andrei meets twice on his way, reveals to him the “meaning of life” in completely different ways: in one case it seems to Prince Andrei the personification of hopelessness, in the other - a symbol of joyful faith in happiness.

Finally, Tolstoy uses landscape as a means of characterizing the real situation. Let us just remember the heavy fog that spread like a continuous milky-white sea over the outskirts of Austerlitz. Thanks to this fog, which covered the French positions, the Russian and Austrian troops were put in a worse position, since they did not see the enemy and unexpectedly came face to face with him. Napoleon, standing at a height where it was completely light, could accurately lead his troops.

The image of Napoleon in the novel "War and Peace". Napoleon confronts in the novel Napoleon. Tolstoy debunks this commander and outstanding historical figure. Drawing appearance Napoleon, the author of the novel says that it was " small man” with an “unpleasantly feigned smile” on his face, with “fat breasts,” a “round belly,” and “fat spoons of short legs.” Tolstoy shows Napoleon as a narcissistic and arrogant ruler of France, intoxicated with success, blinded by glory, attributing to his personality a driving role in the course of historical events. Even in small scenes, in the slightest gestures, one can feel, according to Tolstoy, the insane pride of Napoleon, his acting, the conceit of a man accustomed to believing that every movement of his hand scatters happiness or sows grief among thousands of people. The servility of those around him raised him to such a height that he truly believed in his ability to change the course of history and influence the destinies of nations.

In contrast to Kutuzov, who does not attach decisive importance to his personal will, Napoleon puts himself, his personality above all else, and considers himself a superman. “Only what happened in his soul was of interest to him. Everything that was outside of him did not matter to him, because everything in the world, as it seemed to him, depended only on his will.” The word "I" is Napoleon's favorite word. Napoleon emphasizes selfishness, individualism and rationality - traits that are absent in Kutuzov, the people's commander, who thinks not about his own glory, but about the glory and freedom of the fatherland. Revealing ideological content novel, we have already noted the originality of Tolstoy's interpretation of individual themes of the novel. Thus, we have already said that Tolstoy, going against the revolutionary peasant democracy, obscures in the novel the severity of the class contradictions between the peasantry and the landowners; revealing, for example, the restless thoughts of Pierre Bezukhov about the plight of the serf slaves, he at the same time paints pictures of the idyllic relationships between landowners and peasants on the Rostov estate and house. We also noted the features of idealization in the image of Karataev, the originality of the interpretation of the role of the individual in history, etc.

How can these features of the novel be explained? Their source must be sought in Tolstoy’s worldview, which reflected the contradictions of his time. Tolstoy was a great artist. His novel “War and Peace” is one of the greatest masterpieces of world art, brilliant work, in which the breadth of epic scope was combined with amazing depth of penetration into spiritual life of people. But Tolstoy lived in Russia in a transitional era, in an era of disruption of the social and economic foundations of life, when the country was moving from a feudal-serf system to capitalist forms of life, violently protesting, in the words of Lenin, “against all class domination.” Tolstoy, landowner and aristocrat , found a way out for himself in the transition to the position of the patriarchal peasantry. Belinsky, in his articles about Tolstoy, revealed with remarkable depth all the contradictions that affected Tolstoy’s worldview and work in connection with his transition to the position of the patriarchal peasantry. These contradictions could not help but be reflected in the artistic structure of the novel War and Peace. Tolstoy, great realist and the Protestant ultimately defeated Tolstoy, religious philosopher, and created a work that has no equal in world literature. But reading the novel, we still cannot help but feel the contradictions in the worldview of its author.

The image of Kutuzov in the novel "War and Peace". In the novel, Tolstoy ridicules the cult of “great personalities” created by bourgeois historians. He correctly believes that the course of history is decided by the masses. But the assessment of the role the masses takes on a religious connotation. He comes to the recognition of fatalism, arguing that all historical events are predetermined from above. Tolstoy makes the commander Kutuzov the exponent of his views in the novel. The basis of his view is the consciousness that the creator of history and historical events is the people, and not individuals (heroes), and that all sorts of rationalistically constructed theories, no matter how good they may seem, are nothing compared to the force that is the mood, the spirit of the masses.

"Long years of military experience“, Tolstoy writes about Kutuzov, “he knew and with his senile mind understood that it was impossible for one person to lead hundreds of thousands of people fighting death, and he knew that the fate of the battle is not decided by the orders of the commander-in-chief, not by the place where the troops stand, not by the number guns and killed people, and that elusive force called the spirit of the army, and he watched over this force and led it, as far as it was in his power.” Tolstoy also attributed to Kutuzov his erroneous fatalistic view of history, according to which the outcome of historical events was predetermined. Andrei Bolkonsky says about Kutuzov: “He won’t come up with anything, won’t do anything, but he will listen to everything, remember everything, put everything in its place, won’t interfere with anything useful and won’t allow anything harmful. He understands that there is something stronger and more significant than his will - this is the inevitable course of events - and he knows how to see them, knows how to understand their meaning and, in view of this meaning, knows how to renounce participation in these events, from his personal will aimed at other..."

Denying the role of personality in history, Tolstoy sought to make Kutuzov only a wise observer of historical events, only a passive contemplator of them. This, of course, was Tolstoy's mistake. It inevitably had to lead to a contradictory assessment of Kutuzov. And so it happened. The novel features a commander who extremely accurately assesses the course of military events and unerringly directs them. With the help of a well-thought-out plan of counter-offensives, Kutuzov destroys Napoleon and his army. Consequently, in a number of essential features, Kutuzov is shown historically correctly in the novel: he has great strategic skill, spends long nights thinking through the campaign plan, acts as an active figure, hiding enormous volitional tension behind external calm. This is how the realist artist overcame the philosophy of fatalism. Carrier folk spirit and the people's will, Kutuzov deeply and correctly understood the course of things, in the midst of events he gave them the correct assessment, which was confirmed later. Thus, he correctly assessed the significance of the Battle of Borodino, saying that it was a victory. As a commander, Kutuzov stands above Napoleon. For reference people's war, what the war of 1812 was like, and such a commander was needed, says Tolstoy. With the expulsion of the French, Kutuzov's mission was completed. Transferring the war to Europe required a different commander in chief. “The representative of the Russian people, after the enemy was destroyed, Russia was liberated and placed on the highest level of its glory, the Russian person, as a Russian, had nothing more to do. The representative of the people's war had no choice but death. And he died."

Portraying Kutuzov as people's commander, as the embodiment people's thoughts, will and feelings. Tolstoy never falls into schematism. Kutuzov is a living person. We get this impression primarily because Tolstoy clearly, vividly paints us a portrait of Kutuzov - his figure, gait and gestures, facial expressions, his eyes, now glowing with a pleasant, affectionate smile, now taking on a mocking expression. Tolstoy gives it to us either in the perception of persons of different character and social status, or draws it from himself, delving into the psychological analysis of his hero. What makes Kutuzov deeply human and alive are scenes and episodes depicting the commander in conversations with people close and pleasant to him, such as Bolkonsky, Denisov, Bagration, his behavior at military councils, in the battles of Austerlitz and Borodino. Kutuzov's speech is diverse in its lexical composition and syntactic structure. He is fluent in high society speech when speaking or writing to the tsar, generals and other representatives of aristocratic society. “I say only one thing, General,” says Kutuzov with a pleasant elegance of expressions and intonations, forcing you to listen carefully to every leisurely spoken word. “I only say one thing, General, that if the matter depended on my personal desire, then the will of His Majesty Emperor Franz would have been completed long ago." But he also has an excellent command of simple folk language. “Here’s what, brothers. I know it’s difficult for us, but what can we do! Be patient: there’s not long left... We’ll see the guests out, then we’ll rest,” he told the soldiers, meeting them on the road from Krasny to Dobroye. And in a letter to the old man Bolkonsky, he reveals the archaic features of the clerical style of this era: “I flatter myself and you with hope that your son is alive, for otherwise, among the officers found on the battlefield, about whom the list was submitted to me through parliamentarians, he would was named."