Julie Karagina in the novel War and Peace essay image characterization. movement of the soul

Boris did not succeed in marrying a rich bride in St. Petersburg, and he came to Moscow for the same purpose. In Moscow, Boris was indecisive between the two richest brides - Julie and Princess Marya. Although Princess Marya, despite her ugliness, seemed more attractive to him than Julie, for some reason he felt awkward courting Bolkonskaya. On her last meeting with her, on the old prince’s name day, to all attempts to talk to her about feelings, she answered him inappropriately and, obviously, did not listen to him. Julie, on the contrary, although in a special way peculiar to her, willingly accepted his courtship. Julie was twenty-seven years old. After the death of her brothers, she became very rich. She was now completely ugly; but I thought that she was not only just as good, but even much more attractive now than she was before. She was supported in this delusion by the fact that, firstly, she became a very rich bride, and secondly, the fact that the older she became, the safer she was for men, the freer it was for men to treat her and, without accepting undertake no obligation to take advantage of her dinners, evenings and the lively company that gathered at her place. A man who ten years ago would have been afraid to go every day to the house where there was a seventeen-year-old young lady, so as not to compromise her and tie himself down, now went to her boldly every day and treated her not as a young lady-bride, but as a acquaintance who has no gender. The Karagins' house was the most pleasant and hospitable house in Moscow that winter. In addition to evening parties and dinners, every day a large company gathered at the Karagins’, especially men, who dined at twelve o’clock in the morning and stayed until three o’clock. There was no ball, theater, or celebration that Julie missed. Her toilets were always the most fashionable. But, despite this, Julie seemed disappointed in everything, told everyone that she did not believe in friendship, nor in love, nor in any joys of life and was only waiting for reassurance there. She adopted the tone of a girl who had suffered great disappointment, a girl as if she had lost a loved one or had been cruelly deceived by him. Although nothing like this had happened to her, she was looked at as such, and she herself even believed that she had suffered a lot in life. This melancholy, which did not prevent her from having fun, did not prevent the young people who visited her from having a pleasant time. Each guest, coming to them, paid his debt to the melancholy mood of the hostess and then engaged in small talk, dancing, mental games, and Burime tournaments, which were in fashion with the Karagins. Only some young people, including Boris, delved deeper into Julie’s melancholy mood, and with these young people she had longer and more private conversations about the vanity of everything worldly and to them she opened her albums, filled with sad images, sayings and poems. Julie was especially affectionate towards Boris: she regretted his early disappointment in life, offered him those consolations of friendship that she could offer, having suffered so much in life herself, and opened her album to him. Boris drew two trees for her in the album and wrote: “Arbres rustiques, vos sombres rameaux secouent sur moi les ténèbres et la mélancolie.” Elsewhere he drew a picture of a tomb and wrote:

La mort est secourable et la mort est tranquille
Ah! contre les douleurs il n"y a pas d"autre asile

Julie said it was lovely. - Il y a quelque chose de si ravissant dans le sourire de la mélancolie! - she told Boris word for word the passage she had copied from the book. - C "est un rayon de lumière dans l" ombre, une nuance entre la douleur et la désespoir, qui montre la consolation possible. To this Boris wrote her poetry:

Aliment de poison d"une âme trop sensible,
Toi, sans qui le bonheur me serait impossible,
Tendre mélancolie, ah! viens me consoler,
Viens calmer les tourments de ma sombre retraite
Et mêle une douceur secrete
A ces pleurs, que je sens couler.

Julie played Boris the saddest nocturnes on the harp. Boris read aloud to her " Poor Lisa” and more than once interrupted his reading from the excitement that took his breath away. Meeting at big society, Julie and Boris looked at each other as the only people in a sea of indifferent people who understood each other. Anna Mikhailovna, who often went to the Karagins, making up her mother’s party, meanwhile made correct inquiries about what was given for Julie (both Penza estates and Nizhny Novgorod forests were given). Anna Mikhailovna, with devotion to the will of Providence and tenderness, looked at the refined sadness that connected her son with the rich Julie. “Toujours charmante et mélancolique, cette chère Julie,” she said to her daughter. — Boris says that he rests his soul in your house. “He has suffered so many disappointments and is so sensitive,” she told her mother. - Oh, my friend, how attached I am to Julie Lately“,” she told her son, “I can’t describe it to you!” And who can not love her? This is such an unearthly creature! Ah, Boris, Boris! “She fell silent for a minute. “And how I feel sorry for her maman,” she continued, “today she showed me reports and letters from Penza (they have a huge estate), and she, poor thing, is all alone: she is being so deceived! Boris smiled slightly as he listened to his mother. He meekly laughed at her simple-minded cunning, but listened and sometimes asked her carefully about the Penza and Nizhny Novgorod estates. Julie had long been expecting a proposal from her melancholic admirer and was ready to accept it; but some secret feeling of disgust for her, for her passionate desire to get married, for her unnaturalness, and a feeling of horror at the renunciation of the possibility true love still stopped Boris. His vacation was already over. He spent whole days and every single day with the Karagins, and every day, reasoning with himself, Boris told himself that he would propose tomorrow. But in the presence of Julie, looking at her red face and chin, almost always covered with powder, at her moist eyes and at the expression of her face, which always expressed a readiness to immediately move from melancholy to the unnatural delight of marital happiness, Boris could not utter a decisive word; despite the fact that in his imagination he had long considered himself the owner of Penza and Nizhny Novgorod estates and distributed the use of income from them. Julie saw Boris's indecisiveness, and sometimes the thought occurred to her that she was disgusted with him; but immediately the woman’s self-delusion came to her as a consolation, and she told herself that he was shy only out of love. Her melancholy, however, began to turn into irritability, and shortly before Boris's departure she undertook a decisive plan. At the same time that Boris’s vacation was ending, Anatol Kuragin appeared in Moscow and, of course, in the Karagins’ living room, and Julie, unexpectedly leaving her melancholy, became very cheerful and attentive to Kuragin. “Mon cher,” Anna Mikhailovna said to her son, “je sais de bonne source que le prince Basile envoie son fils à Moscou pour lui faire épouser Julie.” I love Julie so much that I would feel sorry for her. What do you think, my friend? - said Anna Mikhailovna. The thought of being left in the cold and wasting this entire month of difficult melancholy service under Julie and seeing all the income from the Penza estates already allocated and properly used in his imagination in the hands of another - especially in the hands of the stupid Anatole - offended Boris. He went to the Karagins with the firm intention of proposing. Julie greeted him with a cheerful and carefree look, casually talked about how much fun she had at yesterday's ball, and asked when he was leaving. Despite the fact that Boris came with the intention of talking about his love and therefore intended to be gentle, he irritably began to talk about women's inconstancy: how women can easily move from sadness to joy and that their mood depends only on who looks after them. Julie was offended and said that it was true that a woman needs variety, that everyone will get tired of the same thing. “For this, I would advise you...” Boris began, wanting to say a caustic thing to her; but at that very moment the offensive thought came to him that he could leave Moscow without achieving his goal and losing his work for nothing (which had never happened to him). He stopped in the middle of his speech, lowered his eyes so as not to see her unpleasantly irritated and indecisive face, and said: “I didn’t come here at all to quarrel with you.” On the contrary...” He looked at her to make sure whether he could continue. All her irritation suddenly disappeared, and her restless, pleading eyes were fixed on him with greedy expectation. “I can always arrange it so that I rarely see her,” thought Boris. “And the work has begun and must be done!” He blushed, looked up at her and said to her: “You know my feelings for you!” “There was no need to say any more: Julie’s face shone with triumph and self-satisfaction, but she forced Boris to tell her everything that is said in such cases, to say that he loves her and has never loved any woman more than her. She knew that she could demand this for the Penza estates and Nizhny Novgorod forests, and she got what she demanded. The bride and groom, no longer remembering the trees that showered them with darkness and melancholy, made plans for the future arrangement of a brilliant house in St. Petersburg, made visits and prepared everything for a brilliant wedding.

“Rural trees, your dark branches shake off darkness and melancholy on me”

Death is saving, and death is calm.

MARRIAGES BUILDED BY CALCULATION (BASED ON THE NOVEL BY L.N. TOLSTOY'S "WAR AND PEACE")

Konstantinova Anna Alexandrovna

2nd year student of group S-21 GOU SPO

"Belorechensky Medical College" Belorechensk

Maltseva Elena Alexandrovna

scientific supervisor, teacher of Russian language and literature of the highest category, Belorechensk

Every girl dreams of marriage. Someone is dreaming of a happy family life with a once and for all chosen companion, and someone finds happiness in profit. Such a marriage, concluded by mutual consent, where each party pursues material wealth instead of love, is usually called a marriage of convenience.

There is an opinion that such marriages are extremely popular right now because people have become more materialistic, but in fact this concept appeared a long time ago. For example, in ancient times, kings married their daughters to the sons of another king in order to receive more from this union. strong army to destroy a common enemy or to make peace between kingdoms. At that time, children did not really decide anything; more often than not, their marriage was planned even before they were born. It would seem that with the advent of democracy, equal rights for men and women , marriage of convenience should have disappeared. Unfortunately no. If earlier parents were the initiators, now children calculate their fate. Their calculations when concluding a marriage are very different. Some want to raise their status and increase their well-being; others - to get the opportunity to register and improve their living conditions. Girls are afraid of being left alone, being branded as “old maids,” and “the child needs a father.”

There are other reasons to enter into a marriage of convenience: the desire to gain fame, a higher social status, marry a foreigner. In the latter case, the calculation is not material, but rather psychological. The financial condition of the future spouse is important, but not paramount; In a “prudent” union, women hope to find psychological comfort and stability. According to statistics, marriages of convenience are more durable, but if other people’s money is involved, then there is no need to talk about happiness. This is a deal that benefits both. Unfortunately, Russian statistics say: more than half of marriages break up.

Marriages of convenience are not only unions entered into for the sake of money. These are weddings played after analysis and reflection, when it is not the heart that pushes down the aisle, but the mind. People who are tired of looking for an ideal soul mate and are ready to take what at least suits them, or those who did not have a good relationship with their mother in childhood, who saw the tragedy of their parental family, are prone to such enterprises. By choosing a person on whom they have little emotional dependence, they seem to insure themselves against possible pain.

If for one spouse marriage is just a calculation, and for the other it is feelings, then you will hear about them famous saying: “One loves, the other allows himself to be loved.” The danger of such a union is that it rests on the will and mind of one of the partners. If both people deliberately enter into an arranged marriage, then the danger lies mainly in love! If she “unexpectedly turns up” and one of the spouses decides that the marriage is not beneficial for him, then it will be almost impossible to prevent him from leaving for his lover. As life shows, unions concluded wisely, into which love and affection then came, are the most viable.

In our article we would like to compare how the calculation in the construction differs modern family and the heroes of Tolstoy's novel "War and Peace". Having collected and systematized material about arranged marriages and families in the novel, we aimed to show young people negative sides marriage of convenience, because marriage is a serious act that determines the fate of later life.

How about this one? life experience reflected in L. N. Tolstoy’s novel “War and Peace”?

The author realized that the truth of life lies in maximum naturalness, and the main thing life value- family. There are many families in the novel, but we will focus on those that are opposed to Tolstoy’s favorite families: the “mean breed of Kuragins,” the cold Bergs and the calculating Drubetsky. An officer of not very noble origin, Berg serves on the headquarters. He always turns out to be at the right time and in the right place, makes the necessary contacts that are beneficial to him, and therefore has advanced far in his career. He told everyone for so long and with such significance about how he was wounded in Battle of Austerlitz, that he still received two awards for one wound. “According to Tolstoy’s classification, he belonged to the little “Napoleons”, like the vast majority of staff workers.” Tolstoy denies him any honor. Berg has no “warmth of patriotism”, so during Patriotic War 1812 he is not with the people, but rather against them. Berg is trying to make the most of the war. When everyone was leaving Moscow before the fire and even noble, rich people abandoned their property in order to free the carts and transport the wounded on them, Berg bought furniture at bargain prices. His wife is a match for him - Vera, eldest daughter in the Rostov family.

The Rostovs decided to educate her according to the then existing canons: from French teachers. As a result, Vera completely falls out of the friendly, warm family where love reigned supreme. Even her mere appearance in the room made everyone feel awkward. Not surprising. She was beautiful girl, who regularly attended social balls, but received her first proposal from Berg at the age of 24. There was a risk that there would be no new proposals for marriage, and the Rostovs agreed to marry an ignorant person. And here it is necessary to note Berg’s commercialism and calculation: he demanded 20 thousand rubles in cash as a dowry and another bill for 80 thousand. Berg's philistinism knew no bounds. This marriage is devoid of sincerity; they even treated their children unnaturally. “The only thing is that we don’t have children so soon.” . Children were considered a burden by Berg; they contradicted his selfish views. Vera fully supported him, adding: “Yes, I don’t want this at all.” The Berg family is an example of a certain immorality. Tolstoy really doesn’t like that in this family everything is assigned, everything is done “like people”: the same furniture is bought, the same carpets are laid, the same evening parties are held. Berg buys expensive clothes for his wife, but when he wanted to kiss her, he first decided to straighten the curled corner of the carpet. So, Berg and Vera had neither warmth, nor naturalness, nor kindness, nor any other virtues that were so important for the humanist Lev Nikolaevich Tolstoy.

According to the Bergs, Boris Drubetskoy. The son of Princess Anna Mikhailovna was raised from childhood and lived for a long time in the Rostov family. "A tall, blond young man with the right subtle features calm and beautiful face", Boris has been dreaming of a career since his youth, he is very proud, but he accepts his mother’s troubles and is lenient with her humiliations if it benefits him. A.M. Drubetskaya, through Prince Vasily, gets her son a place in the guard. Once in military service, Drubetskoy dreams of making it in this area brilliant career. In the world, Boris strives to make useful contacts and uses his last money to give the impression of a rich and successful person. Drubetskoy is looking for a rich bride, choosing at the same time between Princess Marya and Julie Karagina. The extremely rich and wealthy Julie attracts him more, although she is already somewhat older. But for Drubetsky, the ideal option is a pass into the world of “light.”

How much irony and sarcasm sounds from the pages of the novel when we read the declaration of love of Boris Drubetsky and Julie Karagina. Julie knows that this brilliant but poor handsome man does not love her, but demands a declaration of love according to all the rules for his wealth. And Boris, saying the right words, thinks that you can always arrange it so that you rarely see your wife. For people like the Kuragins and Drubetskys, all means are good, just to achieve success and fame and strengthen their position in society.

The Kuragin family also turns out to be far from ideal, in which there is no homely warmth or sincerity. Kuragins do not value each other. Prince Vasily notices that he does not have a “bump parental love" "My children are the burden of my existence". Moral underdevelopment, primitiveness vital interests- these are the features of this family. The main motive accompanying the description of the Kuragins is “imaginary beauty”, external shine. These heroes shamelessly interfere in the lives of the Bolkonskys, Rostovs, Pierre Bezukhov, cripple their destinies, personifying lies, debauchery, and evil.

The head of the family, Prince Kuragin, is a typical representative of secular Petersburg. He is smart, gallant, dressed according to latest fashion, but behind all this brightness and beauty lies a completely false, unnatural, greedy, rude person. The most important thing in his life is money and position in society. For the sake of money, he is even ready to commit a crime. Let us remember the tricks he goes to in order to bring the rich but inexperienced Pierre closer to him. He successfully gets his daughter Helen married. But behind her beauty and the sparkle of diamonds there is no soul. She is empty, callous and heartless. For Helen, family happiness does not lie in the love of her husband or children, but in spending her husband’s money. As soon as Pierre starts talking about offspring, she laughs rudely in his face. Only with Natasha is Pierre truly happy, because they “made concessions to one another, merged into one harmonious whole.”

The author does not hide his disgust for the “vile breed” of the Kuragins. There is no place for good motives and aspirations in it. “The world of the Kuragins is a world of “secular rabble,” dirt and debauchery. The selfishness, selfishness and base instincts that reign there do not allow these people to be called a full-fledged family. . Their main vices are carelessness, selfishness and an insatiable thirst for money.

Tolstoy, assessing the lives of his heroes from a moral point of view, emphasized the decisive importance of the family for the formation of a person’s character, his attitude to life, to himself. If not moral core in the parents, then it will not be in the children.

Many of our contemporaries choose arranged marriage. The most correct calculation is one that takes into account the interests of everyone, including children. If it is based on mutual respect and even benefit, then such a marriage can turn out to be durable. Statistical data also speaks to this. According to Western psychologists, arranged marriages break up only in 5-7% of cases. At the end of the 20th century, 4.9% of Russians married for financial reasons, and now almost 60% of young women marry for convenience. But men are not averse to joining “ unequal marriage" It is no longer uncommon for a pretty young man to marry a successful, wealthy lady who is old enough to be his mother. And - imagine! - according to statistics, such marriages do not fall into the “short-term” category.

At the end of the 20th century, an interesting survey was conducted among married couples with great experience. 49% of Muscovites and 46% of St. Petersburg residents surveyed claimed that the reason for getting married was love. However, opinions about what exactly holds a marriage together have changed over the years. Recently, only 16% of men and 25% of women consider love to be the bonding factor of a family. Others put other priorities first: good job(33.9% of men), material wealth (31.3% of men), family well-being (30.6% of women).

The disadvantages of arranged marriages include the following: lack of love; total control of who finances the marriage; life in a “golden cage” is not excluded; in case of violation of the marriage contract, the “offending party” risks being left with nothing.

We conducted a sociological survey among students of the Belorechensk Medical College, in which 85 people took part, 1st and 2nd year students aged from 16 to 19 years. Young people preferred marriage for financial reasons, and this once again proves that our contemporaries strive to financial stability, even at the expense of others. This is exactly what Tolstoy was afraid of when talking about the loss of moral principles. The exception was 1% of those who believe that the calculation can be noble (help to a loved one, sacrificing his future fate).

And yet our contemporaries would like to get married for love. Some out of a desire to quickly escape from parental care, others - succumbing to a bright feeling. More and more often modern people prefer to live in civil marriage, without burdening themselves with the burden of responsibility for the fate of another person, they build families according to convenience, without “including feelings,” with a sober head. At the same time, they do not suffer from love and inattention; they enter into marriage contracts, eliminating possible risks.

Our respondents believe in love as a bright, all-consuming feeling and do not want to build their families on the basis of commercialism. Main components happy family they consider love, mutual respect, trust. A family cannot be considered happy if there are no children in it.

So what is more important: feeling or reason? Why are there more and more people agreeing to arranged marriages? On human relations the era leaves its mark. People value predictability and convenience more, and a marriage of convenience guarantees the future. Everyone will decide for themselves what kind of marriage to enter into and with whom. The strength of both marriages will become approximately the same in a few years. It all depends on how to build a relationship with your loved one. And the truth is: “Find golden mean between heart and mind - and be happy!”

Bibliography:

Enikeeva Y.S. Which calculation is the most correct? - [electronic resource] - Access mode. - URL: http://www.yana.enikeeva.ru/?p=510
Roman L.N. Tolstoy's "War and Peace" in Russian criticism / Comp., intro. Art. and comment. I.N. Sukhikh. - L.: Publishing house Leningr. state University, 1989. - 407 p.
Roman L.N. Tolstoy “War and Peace” / Historical, moral, aesthetic in the “great work of the great writer” - Russian literature of the 18th-19th centuries. Reference materials. - M., “Enlightenment” 1995. - 463 p.
Tolstoy L.N. Selected Works in three volumes. - M., “ Fiction" 1988. - vol. 1, - 686 p.
Tolstoy L.N. Selected works in three volumes. - M., “Fiction” 1988. - vol. 2, - 671 p.

IN novelL. N. Tolstoy female images play significant role. It is with these that the theme of “peace” is connected in the novel, that is, society, family, happiness. The writer showed us different families: Rostovs, Bolkonskys, Kuragins, Bezukhovs, Drubetskys, Dolokhovs and others. The women in them are different, but their role is significant everywhere. The fate of the family, its way of life, and the formation of moral values depend on the character of women, on their mental makeup.

Tolstoy loves two of his heroines most of all: Natasha Rostova and Marya Bolkonskaya. Girls who read the novel really like the cheerful, spontaneous and unpredictable Natasha.

I like both girls. But if I had to choose one of them as a friend, I would choose Princess Marya. Maybe with Natasha it would be more fun, brighter, but with Marya I would be more interesting and more reliable.

It was not easy for her to live with her old father and her French governess. Ugly, lonely, with all the wealth of the Bolkonskys, she is deprived of much: she has no close friends, no mother. The despotic father and the coldly reserved brother, busy with work and his own problems, were not conducive to communication and the manifestation of tender feelings.

But Princess Marya built her spiritual castle, strict and pure. She's smart for real kind and natural in every step. Even her religiosity evokes respect, because for Princess Marya God is, first of all, justice, her faith is demanding of herself; She begs weakness for everyone else, never for herself.

There is no vanity, no frivolity in the actions and words of Princess Marya. Her self-esteem does not allow her to cheat, keep silent, or not stand up for a person she respects. When Julie Kuragina wrote in a letter about Pierre that he “always seemed to her an insignificant person,” the princess answered her: “I cannot share your opinion about Pierre. It seemed to me that he always had a wonderful heart, and this is the quality that I value most in people.” Princess Marya in a letter expresses her sympathy for Pierre: “So young to be burdened with such a huge fortune, how many temptations will he have to go through!”

An amazing understanding of people and the complexities of life for a young girl!

She will be able to understand Natasha who stumbled, she will be able to understand and forgive her father, she understands the situation of the peasants and orders the master’s bread to be given to them.

The death of her father freed Princess Marya from eternal fear, from constant control and guardianship. But now, surrounded by enemies, with a young nephew in her arms, she had to make decisions herself. IN difficult moments The determination and dignity of her father and brother awakened in her: “So that Prince Andrei knows that she is in the power of the French! So that she, the daughter of Prince Nikolai Andreevich Bolkonsky, asks Mr. General Rameau to provide her with patronage and enjoy his benefits!” And her offended pride results in quick and decisive action. During this difficult period for the princess, Nikolai Rostov appears as a savior and protector. She drives away the thoughts that she would like to see him as her future husband. Self-doubt prevents her from believing that happiness has come to her too.

The inner beauty of Princess Marya, her intelligence, purity, and naturalness make us forget about her external ugliness. Nikolai Rostov also sees only her radiant, shining eyes, which by the end of the novel are filled with a radiance of happiness.

Of course, every girl should have a thirst for life, love and happiness, like Natasha Rostova. But every girl must also have Princess Marya, with her self-doubt, with her secret conviction that love will come to anyone but her, with a deeply hidden dream of happiness. Without this, she will turn into Helen Bezukhova.

In the section for the question Help please!!! I urgently need something based on the image of Julie Kuragina from the novel War and Peace! given by the author Grow up the best answer is The image of Julie Karagina FROM Tolstoy's novel "War and Peace". This is a typical secular young lady. Old Prince Bolkonsky, with whose daughter she corresponds, does not want Princess Marya to be like people like Julie, empty and false young ladies. Julie doesn't have hers own opinion, evaluates people only as they are evaluated in the world (her opinion about Pierre) Her goal is to get married, and she never hides it. Soon Sonya is jealous of Nikolai when he begins to talk animatedly with her. Subsequently, she has a chance to arrange her destiny when her two brothers die and she becomes a rich heiress. It was then that Boris Drubetskoy began to court her. Barely hiding his disgust for Julie, he proposes to her, and she, knowing full well that he cannot love her, still forces her to say the right things (Togstoy ironically notes that Karagina’s estate was worth these false words of love).
Once again we see Julie, now Princess Drubetskaya, as she tries to flaunt her “patriotism” during the War of 1812. For example, her letters to Princess Marya are already different: ““I am writing to you in Russian, my good friend, - wrote Julie, - because I have hatred for all the French, as well as for their language, which I cannot hear spoken... We in Moscow are all delighted through enthusiasm for our beloved emperor. My poor husband endures labor and hunger in Jewish taverns; but the news I have makes me even more excited. "Also" in Julie's society, as in many societies in Moscow, it was expected to speak only Russian, and those who made the mistake of speaking French words, paid a fine in favor of the donations committee." Drubetskaya was one of the first to leave Moscow, even before the Battle of Borodino.
We don't meet with her anymore. But one more detail. Tolstoy does not describe her face in detail, saying only that it is red and covered in powder. It immediately becomes clear how he feels about his heroine.

Julie Karagina is one of minor characters books by Leo Nikolaevich Tolstoy entitled "War and Peace".

The girl comes from a noble and wealthy family. About Us early childhood is friends with Marya Bolkonskaya, but over the years they have practically stopped communicating.

Julie is approximately twenty years old. She is still unmarried, which at the time described in literary work, it was very late, so the girl passionately wanted to go down the aisle as quickly as possible, in order to meet someone, Karagina constantly visits various exhibitions, theaters and others social events. Karagina really doesn’t want to become an “old maid” and makes every effort to turn into a married lady. She has a huge inheritance that was left after the death of her parents and brothers: two luxurious mansions and plots of land, as well as cash savings.

Julie is in love with Nikolai Rostov and would willingly marry him, because she believes that this sympathy is absolutely mutual. But the young man behaves nobly towards her and does not want to tie the knot just for the sake of his potential bride’s money, because as a lover and future wife he doesn't perceive it. The girl continues to be jealous of Nikolai, but she was never able to win his favor. Boris Drubetskoy, on the contrary, diligently looks after Julie in order to take possession of her fortune. He doesn’t like her at all, but Boris proposes marriage to her, pursuing exclusively selfish goals, and Karagina agrees.

The girl is stupid and narcissistic. She pretends to be another person, tries to seem better than she really is. Karagina even demonstrates her feigned patriotism to others in order to earn public approval and praise. Julie knows how to play the harp and often entertains guests of her estate with various musical compositions. Karagina is constantly among representatives of the Moscow elite and knows the rules of conduct in secular society, but she is not an interesting conversationalist, so many people are friends with her solely out of politeness.

The girl considers herself a real beauty, but others have a different opinion. She has round face, big eyes, short stature. She spares no expense on her outfits and is always dressed in the latest fashion.

Julie doesn't have her own own point view on various topics and imitates the reasoning and opinions of others. This pushes people away from her, because, for example, Julie’s husband secretly hates his wife, considers her a burden and feels only irritation towards her, even her long-time friend Marya Balkonskaya stopped seeing and communicating with her because Karagina became uninteresting to her.

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