A.M. Gerasimov “After the Rain”: description of the painting, means of artistic expression


To write an essay on the topic “After the Rain” with a description of the painting, we will draw up a plan according to which the text itself will then be written.

Essay plan

In the introduction it is worth mentioning common words about the time of painting and the personality of the artist. Then - about how the picture was painted, what is depicted on it. Next, you need to talk about the impression this work made on you. At the end of the essay you should make a short conclusion.

So, the plan for an essay on the topic “After the Rain” is as follows:

Introduction.

1. The history of the creation of the painting.

2. What and how is depicted.

3. My impressions of the picture.

Conclusion.

Introduction

Painting by Alexander Mikhailovich Gerasimov “After the Rain” (the second version of the title is “ Wet terrace") was painted in 1935, when the artist had already become mature master. His work today is usually attributed to the movement socialist realism. Gerasimov painted many paintings. Among them are portraits, genre scenes, landscapes, and still lifes. Such a quantity required enormous efficiency and creative concentration from the master. Think, most of his life was spent on canvas.

As you know, Gerasimov was especially popular with Joseph Stalin. Today it is even customary to say that he was the leader’s favorite artist. The painter has many canvases depicting Stalin, Lenin, Voroshilov and other communist figures. The creation of these official and pretentious canvases imposed demands on the artist for increased responsibility. Any errors or inaccuracies were unacceptable. This is approximately the same as if a student from our school began to paint a portrait of the school principal or even the mayor of the city. Although, of course, in the case of Stalin everything was much more serious.

I am writing all this because it is clear that such a number of “commissioned” works could not but be created by the artist precisely at the request of the leader. It would hardly have been possible otherwise at that time. Moreover, as you know, Klimenty Voroshilov once saved Gerasimov’s family from dispossession (the artist’s father was a merchant-cattle breeder), helped preserve the estate and introduced him to the leader.

Well, and then - “master of socialist realism”, “Stalin’s favorite artist”, as well as quite official regalia (the first president of the USSR Academy of Arts, four times laureate of the Stalin Prize, folk artist THE USSR). And all this had to be justified by constant and fruitful work. Which, it seems to me, could not but leave an imprint on the artist’s work as a whole.

The history of the painting

One of the indicators of this is the painting “After the Rain. Wet terrace." The artist’s sister said that the artist created it in literally three hours, inspired by the view of the terrace and garden refreshed after a rainstorm.

According to the memoirs of contemporaries, Alexander Gerasimov, as a person and an artist, was partial to flowers. His favorite flowers were always peonies and roses. The artist’s brushes include many canvases with images of various bouquets or simply flowers growing in a meadow. And in the garden of his house in the provincial town of Kozlov (now the city of Michurinsk) both peonies and roses grew.

Alexander Mikhailovich himself said that he felt it was his duty as an artist to reflect “these beautiful creatures of nature.” But, he added, “Konstantin Alekseevich Korovin, of course, did it better than me. His roses have more tenderness, poetry, and airiness. As a steppe dweller, I have something else in my roses: power and abundance earthly forces black earth fertility."

Yes, his writing style is close to Korovin’s (as you know, Konstantin Korovin was his teacher), but why is the sophistication and lyricism of Korovin’s style so clearly felt in comparison with some of the simplicity and clumsiness of Gerasimov’s? Even when Korovin does not write down the details, but paints almost sketchily, the faces of his portraits are so interesting that you want to peer into them and figure out who these people were, how they lived, what they thought. On the faces and poses of the heroes of Gerasimov’s portraits, the artist depicted everything he wanted to depict, and there is no need to unravel anything. Compare the canvases with images of people or genre scenes of both of these artists, and you will understand what I am talking about.

What and how is shown

Gerasimov’s painting “Wet Terrace” depicts a terrace flooded after the rain, on which there is a table with a bouquet of flowers. Behind the terrace is a garden, soaked and disturbed by the downpour.

Of course, the painting was made by a master. There can be no doubt about this. It has a lot of space and light colors. And the wet floors of the terrace, and the bench, and the table, and the flowers - everything was painted with love and skill, with confident and at the same time soft strokes. The rain-drenched terrace and table turned out to be especially realistic.

But for some reason it seems to me that some moments in this picture are far-fetched and the whole composition is built in such a way that everything is immediately clear to the person looking at it. As they say - “head on”.

There is an overturned glass on the table. The artist seems to be saying: “It started to rain, it blew strong wind, the glass was knocked over by a gust of this wind, feel it!" Why didn’t the glass roll off the table and fall to the floor? It’s just that the bad weather ended as suddenly as it began, everything calmed down.

What about a bouquet of peonies? After all, everyone knows: peonies are very delicate flowers, they fall off easily. If the wind had blown so hard that the glass had tipped over, the bouquet would have lost many more petals than shown in the picture. It is possible, and even most likely, that the vase would not have stood. But the petals under the vase are drawn, or rather, marked, only slightly so that we believe in artistic production.

The table seems alien on this canvas. It stands on the side, completing the composition and filling the hole leading out of the terrace. It was necessary for an artist who was solving a specific compositional problem. And he saw first the terrace and the wet garden, typed full breasts humid summer air and admired. And then he brought and set the table, a bouquet of peonies, after shaking them so that they dropped a few petals. Nearby, he carefully placed a glass on its side - so that we could understand: a man was sitting at the table, drinking something, looking into the garden, admiring the flowers on the table, thinking... And suddenly - rain! And such a wind that the man from the terrace rushed into the house, leaving everything behind.

Opposite the terrace, behind the trees, there is an old barn. I will never believe that people who own such a generally simple and not very well-kept household would put a finely crafted table with bent elegant legs on the terrace to deteriorate in the rain and winds. But this can be called just nitpicking, I understand.

My impressions

Overall, I was not impressed with the picture. The simplest things prevented me from perceiving all these lyrics, which the viewer should have to imagine here - the humid air, the freshness, the fragrance of wet grass and trees, the quiet breeze, which is already only hinting at the passing thunderstorm, which I talked about in my essay on the topic " After the Rain" based on a painting by Gerasimov. In my opinion, the composition of the picture is empty and something is missing in it - something more lively and interesting than an overturned glass. Therefore, as a viewer, I became bored.

When Gerasimov later called this painting “favorite,” he probably meant the admiration from the terrace that he experienced, and the very process of working on the painting. But the admiration was not conveyed to me personally. But a table and a bouquet placed in the right place is not enough.

Conclusion

An essay on the topic “After the Rain” (6th grade) is dedicated to the painting of the same name by Gerasimov. It's really beautiful picture. It is no coincidence that today it is on display at the State Tretyakov Gallery.

Gerasimov’s canvas is light and should please, but it’s not interesting to me. But I’m not an artist, and in my essay on the topic “After the Rain” I can talk about this viewer’s impression of mine.

I bring one of possible options understanding this work of art in this mini-essay on the topic "After the Rain". It is hardly possible for everyone to agree on this picture. As well as about any story, poem, song.

If a person likes or doesn’t like something, let him ask himself - why? It is not enough to trust emotions; you must try to comprehend what you see or listen to. In my essay on the topic “After the Rain” (Gerasimov A.M.) I did exactly this.

The artist in his painting tried to convey something to us. Whether he succeeded, only we will decide, but each in his own way.

Alexander Mikhailovich Gerasimov - bright representative socialist realism in painting. He became famous for his portraits depicting party leaders. But there are also very lyrical works in his work, landscapes, still lifes, images of Russian life. Thanks to them, “After the Rain” is known today (description of the painting, history of creation, expressiveness) - this is the topic of this article.

curriculum vitae

Gerasimov A.M. born into the family of a merchant from the city of Kozlov (modern Michurinsk) in the Tambov region on August 12, 1881. He spent his childhood and youth in this town; he loved to come here even when he became a famous artist.

From 1903 to 1915 he studied at the Moscow art school, immediately after the end of which he was mobilized to the front, the First World War. From 1918 to 1925, the artist lived and worked in his hometown, and then returned to Moscow, joined the artists’ association and a few years later became its president.

Gerasimov A.M. survived periods of ups and downs, was loved by the artist Stalin, received a large number of professional awards and titles. And during the time of Khrushchev he fell out of favor.

The artist died in 1963, 3 weeks before his 82nd birthday.

The artist's creative path

Gerasimov studied with major painters late XIX- early 20th centuries - K.A. Korovina, A.E. Arkhipova, At the Beginning creative path he painted mainly pictures folk life, depicted Russian nature with its modest and touching beauty. During this period, the following were created: “The rye was mowed down” (1911), “Heat” (1912), “Bouquet of flowers. Window" (1914).

IN Soviet time the artist turned to Gerasimov, who discovered a talent for capturing amazingly accurately character traits, achieving a great portrait resemblance. Gradually, high-ranking people, party leaders and leaders began to predominate among the heroes of his paintings: Lenin, Stalin, Voroshilov and others. His paintings are distinguished by a solemn mood and are not without some poster pathos.

By the mid-30s of the 20th century, the artist became the largest representative of socialist realism in painting. In 1935 he left for hometown to take a break from work and spend time with your family. It was in Kozlov that A.M. wrote. Gerasimov “After the Rain” is a painting that brought him fame as a wonderful landscape painter.

During the years of Stalin's rule, Gerasimov held responsible leadership positions. He headed the Moscow branch of the Union of Artists, the Association of Soviet Artists, and the USSR Academy of Arts.

The history of the painting “After the Rain” by Gerasimov

The artist’s sister once told about the history of the painting’s creation. The family was relaxing on the terrace of their home when it suddenly began to rain heavily. But Alexander Mikhailovich did not hide from him, as the rest of the household did. He was shocked by how the drops of water that had accumulated on the leaves, on the floor, on the table shimmered different colors how fresh and clear the air became, how, having hit the ground like a shower, the sky began to brighten and clear. He ordered a palette to be brought to him and in just three hours he created a landscape stunning in its expressiveness. The artist Gerasimov called this painting “After the Rain.”

However, the landscape, painted so quickly and swiftly, was not accidental in the artist’s work. Even while studying at school, he loved to depict wet objects: roads, plants, roofs of houses. He managed to convey glare of light, bright, rain-washed colors. Perhaps A.M. has been going to this landscape for many years. Gerasimov. “After the Rain” was the result creative quests in this direction. If there were no such background, we would not have seen the painting being described.

A.M. Gerasimov “After the Rain”: description of the painting

The plot of the picture is surprisingly simple and laconic. A corner of a wooden terrace, a bouquet of flowers on a round dining table and lush green foliage making up the background. By the shine of the wooden surfaces, the viewer understands that heavy rain has recently stopped. But moisture does not create a feeling of dampness and discomfort. On the contrary, it seems that the rain muffled the summer heat and filled the space with freshness.

It feels like the painting was created in one go. There is no strain or heaviness in it. She absorbed the artist’s mood: light, peaceful. The greenery of the trees and flowers in the bouquet are written slightly carelessly. But the viewer easily forgives the artist for this, realizing that he was in a hurry to catch this wonderful moment of harmony with nature.

Expressive means

This landscape (A.M. Gerasimov “After the Rain”), description of the painting, means of expression, used by the artist, give art historians reason to talk about high painting technique author. Despite the fact that the picture looks simple and even careless, the master’s talent was revealed in it. Rainwater made the colors more saturated. Wooden surfaces not only shine, but also reflect the color of greenery, flowers and the sun, cast in silver and gold.

An overturned glass on the table also attracts attention. It would seem like this minor detail clarifies a lot and makes the plot easy to read. It becomes clear that the rain began unexpectedly and rapidly, taking people by surprise and forcing them to hastily collect the dishes from the table. Only one glass and a bouquet of garden flowers were forgotten.

One of my own best works A.M. himself believed Gerasimov - “After the Rain”. The description of the painting presented in this article shows that this work is one of the most significant not only in the artist’s work, but in all of Soviet painting.

Description and analysis

A bouquet of flowers in the form of a contrasting bright spot is painted with emphasized wide impasto strokes, thanks to which the flowers in the vase look voluminous and natural.

Properly placed lighting accents also deserve attention. They make the image on the canvas alive and a little solemn. The light sources are located outside the plane of the canvas - somewhere behind the trees. The light in the picture is diffused and dim, it does not hit the eyes, which creates the effect of the summer sun peeking through the clouds, which has passed the midday line and began to decline.

The trees depicted in the background seem to be woven from huge amount stained glass pieces shimmering with greenish hues. They are illuminated along the contour and thereby highlighted from overall composition. IN in this case Gerasimov successfully used a special technique called fine art backlight - backlight reverse side Images.

The picture is dominated by a fresh, upbeat mood. The artist managed to reliably convey the poetry and special charm of the most ordinary things.

The sincerity of feelings that Gerasimov managed to express in his work charges the viewer with a special energy of freshness. For this painting the master was awarded the Grand Prix at an exhibition in Paris. Later artist I remembered with what delight he worked on creating this canvas. Perhaps that is why the work turned out to be so delightful and truthful.

Description of the painting “After the Rain” by A. Gerasimov

Works of the famous Soviet artist A. M. Gerasimova belongs to realistic direction in fine arts. His creative collection includes many portraits, still lifes and landscapes. Gerasimov’s landscapes are simple at first glance, but each of them reveals something that touches the soul and is remembered by the viewer for a long time. The painting “After the Rain” is different from other works of the artist.

Contemplation of the painting “After the Rain” gives rise to a feeling of invigorating newness in the soul of every viewer. Washed by the rain the world looks completely new and this one A New Look looking at familiar things allows you to discover the surprising not only in everyday reality, but also in your own soul.

Description and analysis

In 1935, Gerasimov went to his homeland in the city of Kozlov to relax and retire for creativity. This is where the painting beloved by many was created.

The painting “After the Rain” was painted spontaneously, literally in one breath. At the same time, it is not a momentary creation. The artist prepared himself for a long time to create this work. He made sketches from life of foliage, grass and various items, wet from the rain. Gerasimov's acquaintances admitted that this experience was especially good for him.

Sister Gerasimova in her memoirs described the process of creating the painting: that day a heavy summer downpour began. After it, everything around looked especially picturesque and fresh - the water, shimmering with colors in the sun, sparkled on the floor of the veranda, foliage and paths; A cloudless, rain-washed sky could be seen above the trees.

Admired by the view, the master grabbed the palette and stood at the easel. In a matter of hours, he painted a most picturesque canvas, which became one of his most successful creations. Later, exhibiting the painting at various opening days along with his other works, Gerasimov noted, not without surprise, that it was she who received special attention from the audience.

What is so attractive about this light, poetic work for the average viewer? The painting depicts a seemingly ordinary landscape - a corner of the veranda with carved railings and a small bench along them.

On the right, slightly disturbing the compositional balance, the artist placed an antique table and a vase of flowers. On the left plan we see the floor, as well as a bench and veranda railing. On all the objects depicted, drops of water shine and shimmer. Immediately behind the veranda you can see the garden - wet from the rain that just passed.

The colors in the picture are crystal clear and majestic - the lush green of wet foliage, the dark bronze of wet wood, the sky blue reflected in the puddles spilled on the floor of the veranda. A bouquet of flowers in a vase is highlighted as a separate color accent – ​​intense pink color goes well with green and white strokes.

The picture does not feel contrived. The images created by the artist are fresh and truthful, distinguished by ease and purity - the virtuosity of the painter’s brush is felt in them. How is such amazing authenticity achieved?

When working on the painting, Gerasimov used a highly refined reflex technique. This visual technique involves careful elaboration of small, but important details compositions.

In the case of the painting “After the Rain,” the key points through which it is achieved special condition freshness and purity are reflections of light and reflections: lush green strokes on the walls of the veranda - reflections of green foliage; pink and blue spots on the table are reflections left on a wet surface by a bouquet of flowers.

All painting as if permeated with intricate interweavings of light and shadow. At the same time, the shadow areas do not cause a depressing feeling in the viewer, since they are made in multi-colored and colorful ways. There are a lot of silver and mother-of-pearl shades in the picture - in this way the artist conveys numerous sun glare on damp leaves and wet surfaces of objects. Working to create the visual effect of wet surfaces, the artist used the glaze technique. In the process of using this technique, paint is applied to the canvas in several layers. The first stroke is the main one, the subsequent ones are light translucent strokes. Thanks to this, the depicted surfaces look shiny, as if covered with varnish. This is especially noticeable when examining fragments of the picture that depict sections of the plank floor, a bench, and a table top.

Acquaintance with the biography and history of the creation of the painting “After the Rain”.

People's Artist of the USSR entered the history of Russian and Soviet visual arts as an author famous portraits, thematic paintings, landscapes. He created about three thousand works, many of which were included in the golden fund of Russian fine art.

I saw beauty in everything, even in the simplest and most unpretentious. He knew how to make any, sometimes banal, motive sound. We see this quality in Gerasimov’s famous “Wet Terrace,” written in his hometown of Michurinsk, in the courtyard of his house in three and a half hours.

It happened like this: I was painting a group portrait of my family on the terrace. The sun was hot, scattering bright spots across the greenery. And suddenly... gusty wind, plucking petals from roses and scattering them on the table, knocked over a glass of water. The rain poured down... I was overcome by an indescribable delight from the fresh greenery and sparkling streams of water that flooded the table with a bouquet of roses, the bench and the floorboards... I feverishly began to write...

The artist’s sister recalled how the painting was painted. Her brother was literally shocked by the appearance of their garden after one unusually heavy rain. “There was a fragrance of freshness in nature. The water lay in a whole layer on the foliage, on the floor of the gazebo, on the bench and sparkled, creating an extraordinary picturesque chord. And further, behind the trees, the sky cleared and turned white.

- Mitya, hurry up and get the palette! - Alexander shouted to his assistant Dmitry Rodionovich Panin.

In Russian painting Soviet period There are few works where the state of nature would be so expressively conveyed. The artist lived a long life, painted many canvases on various official subjects, for which he received many awards and prizes, but at the end of his journey, looking back on his journey, he considered this work to be the most significant.

4. Getting to know the picture.

His painting “After the Rain” (“Wet Terrace”), painted by him in 1935, is recognized as one of the best works in the artist’s oeuvre. Let's look at the canvas.

5.Questions about the painting:

What is a terrace?

What is the name of the painting? Why?

The painting has two names. Which one more accurately matches the author's intention?

What happens shortly before what is shown in the picture?

What details can we judge about this natural phenomenon?

Do you think it was a little rain or shower? Why?

9. Let's turn to the picture.

 What is on foreground? Describe the objects on the terrace.

What is in the background of the picture?

What colors did the artist use to create the painting?

Choose adjectives that describe the air after rain.-

What mood is permeated by the picture?

Have you ever felt delight or surprise at what you saw?

after the rain?

10. Recording words and phrases on the board and in notebooks.

Painting, railings, terrace, overturned glass, flowers in glass vase, petals, wooden table, bench, shadow from the railing, barn in the background, grass, reflections on the plank floor, warm colors, color, visible in the distance.

11.Drawing up an essay plan.

Gerasimov's painting "After the Rain". Wet terrace and objects on it. Garden after the rain. My impression of the picture.

Before us is the painting “After the Rain”. Looking at this picture, we see a picturesque motif. Nature refreshed by the rain attracts our attention.

In the foreground we see a rain-drenched terrace with a corner of the garden. Water lies in a layer on the foliage, on the floor of the terrace, on benches and railings. Part of the terrace is illuminated by the sun. Sparkling in the dim sunlight the water creates a mesmerizing spectacle. The lush reflections of garden greenery fell on the terrace, and pinkish and blue reflections fell on the wet surface of the table. The shadows are colorful, even multi-colored reflections on the boards covered with moisture are cast in silver.

On the left side of the terrace it stands on carved legs, which are also reflected in the puddles. On the table in a glass jug it flaunts lush bouquet garden flowers washed by the rain. The tones of the flowers are gentle and discreet. It seems to us that we feel their delicate aroma, which intensified after the rain. Next to the vase we see a glass lying on its side, apparently fallen from a sharp gust of wind. Both the vase and the glass are reflected in the wet surface of the table, as if in a mirror.

Everything in nature smells fresh. All the smells mixed together. The aroma of flowers and wet green foliage. The smell of rain-stained plank floors and damp earth. Together they make us delighted and rejoice.

The corner of the house opens directly onto the garden. The dense foliage of trees and bushes, washed by rain, glistens in the sun. A lilac branch bent over the bench, slowly dropping light drops of rain from its branches. And then behind the trees the sky clears and brightens. In the depths of the garden, through the branches of the bushes, you can see the roof of an old barn.

I think this is best picture. it conveys the state of nature very clearly and expressively.

The painting “After the Rain” is one of the artist’s best works. It depicts a wet terrace and a corner of the garden on a warm summer day. Just recently it rained heavily. He wet everything. The floor, benches, railings, table, tree foliage and grass - everything shines with brilliance.

It is difficult to determine the genre of this painting by Gerasimov. What is this - a still life, genre scene or landscape? The film combines elements of different genres, which is why it attracts attention. We see a terrace where quite recently there were people, perhaps reading newspapers or drinking tea. The rain, which suddenly poured down, forced them to leave. But we feel their presence.

In the center of the composition is a table on which stands a glass jug with flowers and a glass upturned by a gust of wind. This story is for typical still life written with great skill. Blue and pinkish reflections are reflected on the wet surface of the table. The flowers in the bouquet are lush, delicate, painted in light warm colors: pink, red, white, lilac. The bouquet was somewhat disheveled by the wind, washed by rain, which only intensified its aroma.

In the background we see a beautiful landscape. The foliage of the trees, wet after the rain, is illuminated by the sun and sparkles like precious ones. The artist uses all shades of green, from dark, almost black, to soft light green, when depicting foliage and grass. In the distance the roof of a barn shines.

Few artists managed to convey the beauty of nature after the rain with such skill as Gerasimov did. This is the best of his paintings, and it is not for nothing that the artist himself loved it more than others.

Essay based on the painting by A. M. Gerasimov “After the Rain”

Alexander Mikhailovich Gerasimov is a famous Russian painter. He was born on July 31, 1881 in the city of Kozlov, into a merchant family. The artist's childhood and youth passed in this provincial town, surrounded by Russian nature. The young man knew how to see beauty in the simplest everyday things. And this became the basis for many of his future works.

Only for real talented artist can notice the most inconspicuous, at first glance, details of the environment. We see this in his paintings. And we cannot help but admire this.

In his youth, the artist was attracted to impressionism. But then he became an adherent of socialist realism, the new artistic direction. Gerasimov painted portraits of political leaders of that time - Lenin, Voroshilov, Stalin and other Soviet leaders. The artist was considered a recognized master of socialist realism; he was Stalin’s personal artist. Gerasimov's works were considered canonical at that time.

However, Alexander Mikhailovich himself, already in the mid-thirties, was tired of the constant desire for official recognition. And he decides to go on vacation to his hometown of Kozlov. It was then that the artist created amazing picture"After the rain".

This work is strikingly different from all the paintings that were created by the artist. He himself believed that this was the most best work of all that he created during his life.

Alexander Mikhailovich’s sister recalled that the artist was literally shocked by the garden after the rain. It was amazing sight, which Gerasimov definitely wanted to capture on canvas. “There was a fragrance of freshness in nature. The water lay in a whole layer on the foliage, on the floor of the gazebo, on the bench and sparkled, creating an extraordinary picturesque chord. And further, behind the trees, the sky cleared and turned white.” The artist immediately demanded a palette from his assistant.

The painting was painted very quickly, in a few hours. This testifies to how great the artist’s admiration for the amazing beauty of nature was.

In fact, the creation of this picture was not accidental. Even in his youth, Gerasimov was attracted by the motif of nature after the rain.

The rain seemed to symbolize renewal. And the world around me took on different shapes, became brighter and fresher. When the artist studied at the School of Painting, he painted wet roofs, roads, and objects.

There is no carefully thought-out plot in the film “After the Rain”. It was created in one go. The work cannot leave the audience indifferent; it has sincerity and lightness.

The lush reflections of garden greenery are reflected on the terrace. Multi-colored reflections are reflected on the wet surface of the table, here they are blue and pink. The shadows are multi-colored and colorful. Silvery reflections are visible on boards covered with moisture. The state of nature is conveyed extremely expressively. This simple picture remembered by everyone who saw it.

The terrace, drenched in rain, appears before us along with a corner of the garden. Water covers the foliage, floor, benches and railings. The water together with the sun that illuminates the terrace is a truly mesmerizing sight. Water sparkles in the sunlight, acquiring a special character, sophistication and clarity.

On the left side of the terrace we see round table on carved legs. They are also reflected in puddles. On the table there is a glass jug containing a bouquet of garden flowers.

Garden flowers are amazing; there is no deliberate pomp and luxury in them. They are gentle, but at the same time invisible. Flowers are so real that you want to touch them. It seems that you are about to smell their delicate aroma. There is a glass on its side next to the vase. Probably a sharp gust of wind knocked him down. As if in a mirror, a glass and a vase are reflected in the surface of the table, drenched in rain.

After the rain there is a special atmosphere in the garden. Everything around looks extremely beautiful and harmonious. The painting gives good mood. It is impossible to be sad and sad while admiring such a beautiful painting.

The corner of the house opens into the garden, we can see how beautiful the garden is after the rain. The foliage shines in the sun. A lilac branch leans over the bench. The sky is already getting brighter. The gloomy clouds are about to disappear. And the rays of the gentle sun will rush down.

In the depths of the garden you can see the roof of an old barn. Every detail is simple and unpretentious. But taken together they take on a completely different meaning. This real life, the beauty of which we sometimes do not notice. We are busy with other things. And our attention is unlikely to be attracted by the garden after the rain, unremarkable, familiar and simple. Only a true artist is able to notice all the splendor of the colors and shades of an ordinary everyday landscape.