Artists who paint mermaids. Beautiful mermaids in paintings by famous artists

MERMAIDS IN PAINTING “Leaving water from Trinity Day and scattering, until autumn, through fields, copses and groves, mermaids choose a spreading willow tree or a weeping birch tree bent over the water, where they live. At night, under the moon, which shines brighter for them than usual, they swing on the branches, call to each other and lead cheerful round dances with songs, games and dances. Where they ran and frolicked, there the grass grows thicker and greener, and there the bread is born more abundantly. However, mermaids do not so much good as harm: when they splash in the water and play with the running waves, or jump on mill wheels and spin with them, they still do not forget to tangle the fishermen’s nets and spoil the millers’ millstones and dams. They can send crushing storms, torrential rains, and destructive hail to the fields; they steal threads, canvases and linens, spread out on the grass for whitening, from women who have fallen asleep without prayer; They unwind the stolen yarn, swinging on the tree branches, and sing boastful songs under their breath. In such cases, there are various means and methods to combat the ventures of dashing mermaids in order to make them harmless to the village household. In addition to church incense (an indispensable remedy against all evil spirits), against the spells and machinations of mermaids, another potion was found that is equivalent to the sacred willow and the candles of Holy Week - this is “wormwood, the cursed, kneeless herb.” You just need to use its power and use it skillfully in practice. When going into the forest after Trinity Day, you need to take this herb with you. The mermaid will certainly run up and ask: “What do you have in your hands: wormwood or parsley?” - Wormwood. “Hide under the tyn,” she will shout loudly and quickly run past. It is at this time that you need to have time to throw this grass right into the mermaid’s eyes. If you say “parsley,” then the mermaid will answer: “Oh, you’re my darling,” and she will begin to tickle until the person foams at the mouth and he falls face down as if dead. Although in Vladimir province. and they still remember the ancient mermaids and even recognize two of their types (aquatic and domestic), but neither one nor the other is marked by such gentle, attractive features as their southern sisters. The beliefs of northerners and southerners are connected only in the common belief that mermaids are human children who died unbaptized, or drowned or drowned girls. In many places they think that these are children exchanged at a time when the woman in labor is left alone in the bathhouse, and she lies without a cross, and the child sleeps next to her unbaptized. All mermaids are allowed to leave the water on Easter Sunday, when the shroud is carried around the church. And therefore at this time it is necessary to lock the doors to the temple as tightly as possible, for fear that mermaids might come running..." - from the chapter “Mermaids” of the book “The Unclean, Unknown and Power of the Cross” by S. V. Maksimov (1831-1901) - famous at the end of the 19th – beginning of the 20th century. writer, ethnographer-fiction writer, traveler, researcher of customs, traditions, language, beliefs of the Russian people, honorary academician of the St. Petersburg Academy of Sciences (1900).

Makovsky’s “Mermaids” was shown at the 7th Traveling Exhibition in 1879. And then she received frankly shitty criticism of the fierce scarecrows from the art of Stasov and Garshin (for “the spectacular plasticity of naked female bodies using salon-academic techniques”) and the censure of her colleagues. The rest of the Itinerants were infuriated by Makovsky’s rainbow fascination with fairy-tale women and the isolation from the people’s agenda, which was so itchy among all the faithful Itinerants.

Even worse, Alexander II, who, as already mentioned, did not understand art, was so impressed by those very spectacular plastic arts and salon techniques that he made Makovsky almost a court artist and immediately ordered him a series of family portraits. The joy of my colleagues, of course, knew no bounds.

All mermaid entertainment according to version LiveJournal Media, 2016

Why will it be easy for you to understand Makovsky?

Paradox: Makovsky managed to suffer for art that was not recognized by his colleagues, but approved by the establishment. Only he got a lot of credit for this plot, despite the fact that other members of the circle also wrote their mermaids - Repin and Kramskoy, for example.

But in Repin’s work, mermaids are just an escort for the king of the sea, to whose reception Sadko ended up. Their poses express humility and, in general, do not irritate. Again, the painting depicts an oppressed class, and this was very suitable for the Wanderers.

Kramskoy’s mermaids, created based on Gogol’s motifs, are generally completely undead; there is no talk of any eroticism or social injustice there (well, unless you assume that the dead are discriminated against by the living). The only complaint about the painting was made by the collector Tretyakov, whose family allegedly lost consciousness in the room where the mermaids were located, and one of the guests, having seen enough of the painting, even jumped to her death into the Yauza;

– This is a picture about zombies. Her heroines are not only those who sit on branches in Russian fairy tales and personify everything magical and beautiful. According to Slavic tradition, unmarried girls and betrothed brides who die during the special Mermaid Week, which runs from July 19 to July 24, become mermaids. It is at this time that clusters of cute living dead can be observed near reservoirs and in water meadows. It’s also possible in the forest, because they really love to swing on branches. This whole event with swimming, round dances and swings is called rusalia - such a Sabbath for decent, but dead girls;

"Mermaids" by Makovsky, hanging in the Russian Museum in St. Petersburg, 1879

How to read a canvas with frolicking nudes?

Clothed nudity

It is still worth agreeing that mermaids, by definition, are not naked, but permanently half-naked creatures, because they have tails and hair. The artists of Disney's "The Little Mermaid" uniquely affirmed this point by providing the upper part of Ariel's tail with an additional fold of scales, creating the effect of a bikini or bath towel on the hips.

Not childishly seductive Ariel from the cartoon

But Makovsky’s mermaids are dead Slavs, and not, for example, Germans. That's why they don't have tails. The nakedness of Eastern European mermaids is traditionally hidden by long hair. Brown hair, of course, is one of the signs of the species and one of the options for the origin of the name of a particular undead.

Its own atmosphere

Makovsky painted the picture in the most suitable place for the plot, on the Zagony estate, not far from Dikanka, on the border of the Chernigov and Poltava provinces. And he painted the quiet Ukrainian night from life, as, probably, the central figure stretching languidly in the moonlight. Makovsky was also criticized for an overly realistic depiction of girls' bodies, but he was just faithful to legend - folklore insists that mermaids do not wear any underwear, although in their plaintive and cunning songs, which can be heard on a July night, they can ask the living for clothes . But this is just a way to lure some stupid child into your circle and dance him to death.

The church will always warm them

Rusalia is a pagan and godless event, and, apparently, in order to show that everything is under the control of the Lord, Makovsky depicts an occult structure in the corner. It turned out strange: evil spirits frolic with special cynicism in front of the temple of God. Representatives of the church, in general, also did not understand the picture.

Evil transmission channels

Water, trees and the traditional witches' round dance-queue (as in European medieval engravings) are the traditional paths of transition between the worlds of the living and the dead. Makovsky piles everything into an elegant heap, and under the driftwood places a greeting to the Pre-Raphaelites - a lady lying in water lilies.

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In the bouquet of paintings by Russian artists, fantastic painting occupies a special place. This is due to our culture with many fairy tales and polytheistic beliefs. One of the artists who clearly grasped the connection between the fictional and the real was Ivan Nikolaevich Kramskoy. In his paintings there is no obvious division between fantasy and reality; these two factors smoothly intertwine and give the viewer a whole story. The principle of some nebula or even “dullness” of the surface, careful selection of images and dim colors give that very fabulousness characteristic of Ivan Nikolaevich’s paintings. For example, we can definitely say that “Mermaids” is a painting by Kramskoy, its description coincides with the characteristics of other paintings by this author: mysticism coexists with calm nature. By the way, if we talk about realism, we can see quite familiar landscapes, huts and houses with clearly drawn details.

Kramskoy: from clerk to painter

The artist was born in May 1837. His father was a clerk, so he wanted his son to follow in his footsteps. And so it happened. After graduation, Ivan worked as a clerk under the Duma in his city. But in 1853, his attention switched to other activities, he began to process photographic photographs; Tulinov, who was Kramskoy’s fellow countryman, taught him this.

Thus began the painter’s journey as an artist. Already in 1857, he entered the Art Academy in St. Petersburg to study. The young man’s successes were so obvious that Ivan Nikolaevich received a gold medal for one of his paintings.

Among the artist’s works were portraits of famous people, with the help of which he became skilled in this genre, but his most famous painting is “Christ in the Desert.” It became the peak of Kramskoy’s development in religious painting.

An unimaginable number of canvases and photographs were left to the heirs in memory of the wonderful artist, who died of heart problems at the age of fifty.

The mysticism of the painting “Mermaids”

Perhaps one of the most ardent lovers of mysticism in Russian painting is Kramskoy. The painting “Mermaids” has gathered so many rash opinions about its bad reputation that, unfortunately, it’s impossible to list everything. The history of the work is connected, oddly enough, with Gogol and his story “May Night or the Drowned Woman.” If you believe popular rumor, drowned girls became mermaids after death, inviting travelers into their nets. This is exactly what the artist wanted to depict in the painting.

Why Gogol? As you know, Nikolai Vasilyevich was also not averse to writing about something mysterious, even recalling “Viy” or “Evenings on a Farm near Dikanka,” and Kramskoy reread these works several times. Probably, this attraction to Gogol became the starting point in the field of fantastic painting. The artist wanted to convey the atmosphere of a May night in Ukraine in small details, hence the effect of co-presence. As Kramskoy himself said, the painting “Mermaids” does not fully meet his requirements, because he so wanted to depict the light of the moon, but he never managed to “catch” it. Although we see how the cold light of the night luminary slides over the images of mysterious mermaids. But this is only part of what the author himself intended.

It was believed that mystical plots were dangerous, and if you copied them from Gogol’s works, you could go crazy. Kramskoy even joked about this: “It’s good that with such a plot I didn’t completely break my neck, and if I didn’t catch the moon, then still something fantastic came out.”

And indeed, they could never find a place for her in galleries and exhibitions. The paintings next to the “Mermaids” were falling, and barely audible singing could be heard from the room and there was a breath of coolness. But after the canvas was moved to a far corner, far from the sun, the supernatural stopped; probably, the mermaids were too hot in the sunlight.

The picture is like a plausible fantastic dream

But no matter what Kramskoy himself said, the film “Mermaids” was a great success, because it made a strong impression on many, although not always positive. This is due to what the artist wanted to depict on the canvas. Both the faces of the drowned women and nature itself seem to evoke unpleasant, melancholy thoughts.

The expressions on the girls' faces betray sadness about life, dreams of the past, and hopelessness. The whole picture is a symbol of deep sadness. The unusual images of mermaid girls immediately catch your eye. They do not have tails, apparently, they move very well on their own two feet on the ground, only the viewer gets the impression of weightlessness, since the white robes of the undines make them look like ghosts.

Even though he was not entirely satisfied with Kramskoy’s work, the painting “Mermaids” was appreciated by professionals: many art critics equated this work to a magical dream, so everything is realistically depicted on it.

Pushkin's assessment

The sun of Russian poetry spoke extremely positively about Ivan Nikolaevich’s canvas. What amazed Pushkin in Kramskoy’s film “Mermaids”? Yes, everything is the same as for all connoisseurs of good creativity. He felt the atmosphere that the author was trying to convey, he admired the shades of mood, because Alexander Sergeevich saw here playfulness, dreaminess, and sadness. In the images of girls, he caught that real thing, which, alas, sometimes you don’t see in living people. It was precisely this kind of psychologism, not usually characteristic of portrait painters, that captivated Pushkin.

This work turned the world of artists upside down; it had a huge influence on the subsequent works of the same author, as well as on the works of his followers. As Kramskoy wanted, the painting “Mermaids” caught its moonlight, thanks to the competent use of subjects from folklore and culture of the Russian people on the canvas. Many schoolchildren look at the reproduction of the work as an illustration for Gogol’s “May Nights”, and then write their impressions of what they saw. However, an essay based on the painting “Mermaids” by Ivan Nikolaevich Kramskoy requires not only the ability to correctly express one’s thoughts, but also to understand the feelings of not only the characters, but also the artist himself.

In the history of classical Russian painting there are many mysterious and amazing episodes that allow us to talk about the existence of paintings with a “bad reputation.” This list includes several works by the famous Itinerant artist Ivan Kramskoy. The largest number of legends is associated with his painting “Mermaids”.

I. Repin. Portrait of the artist I. N. Kramskoy, 1882. Fragment

The artist’s idea for “Mermaids” arose under the impression of N. Gogol’s story “May Night, or the Drowned Woman.” According to popular beliefs, drowned girls became mermaids after death. It was these that Ivan Kramskoy decided to write. This topic was quite unexpected and new for the realist artist. The artist loved Gogol very much and re-read all his works many times. He wanted to convey the very atmosphere of “May Night”, to immerse the viewer in the mysterious world of Ukrainian folklore.

I. Kramskoy. Self-portrait, 1867

While working on the painting, the artist was haunted by several themes. Firstly, he was obsessed with the idea of ​​conveying the mesmerizing beauty of moonlight, which he never succeeded in: “I’m still trying to catch the moon at the moment. They say, however, that a particle of the moonlit night did end up in my picture, but not all of it. The moon is a difficult thing…” the artist lamented. The task was complicated by the fact that the moon itself was not in the picture - only its reflections on the ghostly figures of mermaids.

M. Derigus. Illustration for N. Gogol’s story *May Night, or the Drowned Woman*: Ganna, 1951

Secondly, the very topic of ghosts and the other world was said to be dangerous. Many of Kramskoy’s contemporaries seriously believed that Gogol’s subjects could drive painters crazy. “I’m glad that I didn’t completely break my neck with such a plot, and if I didn’t catch the moon, then something fantastic still came out,” said Kramskoy.

A. Kanevsky. Illustration for N. Gogol's story *May Night, or the Drowned Woman*: The Liberation of the Sister-in-Law

Critics agreed that the idea was successfully realized, and called the picture “the extreme plausibility of a fantastic dream”: “We are so tired of all these gray peasants, clumsy village women, worn-out officials... that the appearance of a work like “May Night” should make the most pleasant, refreshing impression on the public.” However, that's where the favorable responses ended. And then the mysticism began.

V. Vlasov. Illustration for N. Gogol’s story *May Night, or the Drowned Woman*: Sleeping Levko, 1946

At the first exhibition of the Association of Peredvizhniki “Mermaids,” I. Kramskoy was hung next to A. Savrasov’s painting “The Rooks Have Arrived.” At night, the landscape suddenly fell from the wall - then they joked that the mermaids did not like such a neighborhood. However, soon there was no time for jokes.

After the exhibition, P. Tretyakov purchased both paintings for his gallery. A place was immediately found for the “Rooks” - in the office, but for a long time they could not find a suitable place for the “Mermaids”, they were hung from room to room. The fact is that from the hall where Kramskoy’s painting was hung, barely audible singing could be heard at night and there was a breath of coolness, like water. The cleaners refused to enter the premises.

O. Jonaitis. Illustration for N. Gogol's story *May Night, or the Drowned Woman* | Photo: subscribe.ru

Not prone to mysticism, Tretyakov did not believe the rumors, but one day he himself noticed that he felt tired when he was near this painting for a long time. Gallery visitors also complained that it was simply impossible to look at this painting for a long time. And soon rumors appeared that the young ladies who looked at the “Mermaids” for a long time went crazy, and one of them drowned herself in the Yauza. Of course, there was no hard evidence linking the incident to the art gallery.

O. Jonaitis. Illustration for N. Gogol's story *May Night, or the Drowned Woman* | Photo: subscribe.ru

An old nanny who lived with the Tretyakov family advised that the painting be hung in a far corner so that no light would fall on it during the day: “It’s difficult for mermaids in the sunlight, that’s why they can’t calm down even at night. And as soon as they fall into the shadows, they will immediately stop chattering!” Tretyakov, far from superstitious, nevertheless listened to the advice. Since then, gallery visitors have not complained about this painting.

I. Kramskoy. Mermaids, 1871

The theme of mermaids is interesting because everyone sees them differently. It’s especially nice when your ideas coincide with others. And if they are also painted on canvas... I would like to introduce you to five famous artists whose paintings you could see on the Internet.
1. Viktor Nizovtsev, illustrator.
Victor was born in 1965 in Ulan-Ude. There he first graduated from the art academy, then entered the capital of Moldova, where he graduated from college and finally from institute. Currently, the artist lives in the USA with his wife and little daughter.
A distinctive feature of this artist’s works is the bright contrast that creates a characteristic fairy-tale atmosphere. Many of his works echo each other, such as the painting of mermaids and frogs.

In this age of high technology, most illustrations are done on computers. There are very few lovers of traditional painting in this direction. That is why the works of Viktor Nizovtsev become more attractive, because here there is only the canvas, the brush and the soul of the artist.
More photo of Viktor Nizovtsev's works with mermaids

Notice how beautifully and realistically the scales on the little mermaid are drawn. They shine, shimmer in all colors and look like real ones. The Little Mermaid appears before us as a fairy-tale creature with beautiful long hair.

2. Vladimir von Kozak
Contemporary Russian artist from Tver. About his works, he says that “most of all he likes to paint women and airplanes. On the contrary, first the planes, then the women.”
Which does not stop him from developing the theme of mermaids in his work. His plots can be completely different, from humor to tragedy.
Photos of Kazak's works with mermaids

3. Viktor Korolkov
Viktor Korolkov can be classified as a Slavic artist. Almost all of his works use the theme of old Rus', with its mythology and paganism, to reveal the plot. Before starting a new picture, Victor prefers to thoroughly study the chosen topic in order to avoid mistakes in the story. This is why his paintings depict aspects from the past so well.
Photos of the artist's works

The works represent fairy-tale images of little mermaids in Rus'.

4. Pavel Orinyansky
Initially, this artist did not plan to devote himself to art, and even graduated from the Suvorov Military School, after which he entered the Leningrad Military Topographical School. But nature took its toll and the artist re-enrolled as an art major in Mukha, where he plunged headlong into creativity.
Pavel works in the Art Nouveau style and has worked as an illustrator for various publishing houses. Many of our readers may remember him from his works for “Ruslan and Lyudmila” and “The Master and Margarita”.
The theme of mermaids did not bypass him either. Perhaps because Art Nouveau welcomes plastic forms, which we can often observe in magical half-maidens.
Photos of works

5. Boris Olshansky
Boris Olshansky is a supporter of the old school of academicism. At the beginning of his creative career (as indeed now), he trained to write works from life and from memory. His mastery completely dispels the theory that academicism kills creativity.
In the subjects of his paintings, Boris prefers the Slavic direction. Often illustrates Russian folk tales.
Photos of works

Despite the fact that now you could see many works by five artists at once, you should not forget what exactly connects them. Namely, the theme of magical mermaids