How Bazarov treats his parents. Does he love them? Gap between fathers and sons


The plot of V. Shalamov’s stories is a painful description of the prison and camp life of prisoners of the Soviet Gulag, they are similar to each other tragic destinies, in which chance, merciless or merciful, assistant or murderer, the arbitrariness of bosses and thieves rule. Hunger and its convulsive saturation, exhaustion, painful dying, slow and almost equally painful recovery, moral humiliation and moral degradation- this is what is constantly in the focus of the writer’s attention.

Funeral word

The author remembers his camp comrades by name. Evoking the mournful martyrology, he tells who died and how, who suffered and how, who hoped for what, who and how behaved in this Auschwitz without ovens, as Shalamov called the Kolyma camps. Few managed to survive, few managed to survive and remain morally unbroken.

Life of engineer Kipreev

Having not betrayed or sold out to anyone, the author says that he has developed for himself a formula for actively defending his existence: a person can only consider himself human and survive if at any moment he is ready to commit suicide, ready to die. However, later he realizes that he only built himself a comfortable shelter, because it is unknown what you will be like at the decisive moment, whether you simply have enough physical strength, and not just mental ones. Engineer-physicist Kipreev, arrested in 1938, not only withstood a beating during interrogation, but even rushed at the investigator, after which he was put in a punishment cell. However, they still force him to sign false testimony, threatening him with the arrest of his wife. Nevertheless, Kipreev continued to prove to himself and others that he was a man and not a slave, like all prisoners. Thanks to his talent (he invented a way to restore burnt-out light bulbs, repaired an X-ray machine), he manages to avoid the most difficult work, but not always. He miraculously survives, but the moral shock remains in him forever.

To the show

Camp molestation, Shalamov testifies, affected everyone to a greater or lesser extent and occurred in the most different forms. Two thieves are playing cards. One of them is lost to the nines and asks you to play for “representation”, that is, in debt. At some point, excited by the game, he unexpectedly orders an ordinary intellectual prisoner, who happened to be among the spectators of their game, to give him a woolen sweater. He refuses, and then one of the thieves “finishes” him, but the sweater still goes to the thieves.

At night

Two prisoners sneak to the grave where the body of their deceased comrade was buried in the morning, and remove the dead man’s underwear to sell or exchange for bread or tobacco the next day. Initial disgust towards removed clothes gives way to the pleasant thought that tomorrow they might be able to eat a little more and even smoke.

Single metering

Camp labor, which Shalamov clearly defines as slave labor, is for the writer a form of the same corruption. The poor prisoner is not able to give the percentage, so labor becomes torture and slow death. Zek Dugaev is gradually weakening, unable to withstand a sixteen-hour working day. He drives, picks, pours, carries again and picks again, and in the evening the caretaker appears and measures what Dugaev has done with a tape measure. The mentioned figure - 25 percent - seems very high to Dugaev, his calves ache, his arms, shoulders, head hurt unbearably, he even lost the feeling of hunger. A little later, he is called to the investigator, who asks the usual questions: name, surname, article, term. And a day later, the soldiers take Dugaev to a remote place, fenced with a high fence with barbed wire, from where the whirring of tractors can be heard at night. Dugaev realizes why he was brought here and that his life is over. And he only regrets that he suffered the last day in vain.

Rain

Sherry Brandy

A prisoner-poet, who was called the first Russian poet of the twentieth century, dies. It lies in the dark depths of the bottom row of solid two-story bunks. He takes a long time to die. Sometimes some thought comes - for example, that the bread that he put under his head was stolen from him, and it is so scary that he is ready to swear, fight, search... But he no longer has the strength for this, and the thought of bread also weakens. When the daily ration is placed in his hand, he presses the bread to his mouth with all his might, sucks it, tries to tear it and gnaw it with his scurvy, loose teeth. When he dies, he is not written off for another two days, and inventive neighbors manage to distribute bread for the dead man as if for a living one: they make him raise his hand like a puppet doll.

Shock therapy

Prisoner Merzlyakov, a man of large build, finds himself in general labor and feels that he is gradually giving up. One day he falls, cannot get up immediately and refuses to drag the log. He is beaten first by his own people, then by his guards, and they bring him to the camp - he has a broken rib and pain in the lower back. And although the pain quickly passed and the rib has healed, Merzlyakov continues to complain and pretends that he cannot straighten up, trying to delay his discharge to work at any cost. He is sent to the central hospital, to the surgical department, and from there to the nervous department for examination. He has a chance to be activated, that is, released due to illness. Remembering the mine, the pinching cold, the empty bowl of soup that he drank without even using a spoon, he concentrates all his will so as not to be caught in deception and sent to a penal mine. However, the doctor Pyotr Ivanovich, himself a former prisoner, was not a mistake. The professional replaces the human in him. Most He spends his time precisely on exposing malingerers. This pleases his pride: he is an excellent specialist and is proud that he has retained his qualifications, despite a year of general work. He immediately understands that Merzlyakov is a malingerer, and anticipates the theatrical effect of the new revelation. First, the doctor gives him Rausch anesthesia, during which Merzlyakov’s body can be straightened, and a week later, the procedure of so-called shock therapy, the effect of which is similar to an attack of violent madness or an epileptic seizure. After this, the prisoner himself asks to be released.

Typhoid quarantine

Prisoner Andreev, having fallen ill with typhus, is quarantined. Compared to general work in the mines, the position of the patient gives a chance to survive, which the hero almost no longer hoped for. And then he decides, by hook or by crook, to stay here as long as possible, in the transit train, and then, perhaps, he will no longer be sent to the gold mines, where there is hunger, beatings and death. At the roll call before the next sending to work of those who are considered recovered, Andreev does not respond, and thus he manages to hide for quite a long time. The transit is gradually emptying, and Andreev’s turn finally reaches. But now it seems to him that he has won his battle for life, that now the taiga is saturated and if there are any dispatches, it will be only for short-term, local business trips. However, when a truck with a selected group of prisoners, who were unexpectedly given winter uniforms, passes the line separating short-term missions from distant ones, he realizes with an internal shudder that fate has cruelly laughed at him.

Aortic aneurysm

Illness (and the emaciated state of the “gone” prisoners is quite equivalent to serious illness, although it was not officially considered as such) and the hospital are an indispensable attribute of the plot in Shalamov’s stories. Prisoner Ekaterina Glovatskaya is admitted to the hospital. A beauty, she immediately attracted the attention of the doctor on duty Zaitsev, and although he knows that she is on close terms with his acquaintance, prisoner Podshivalov, the head of an amateur art group (“serf theater,” as the head of the hospital jokes), nothing prevents him in turn try your luck. He begins, as usual, with a medical examination of Glowacka, with listening to the heart, but his male interest quickly gives way to purely medical concern. He finds Glowacka has an aortic aneurysm - a disease in which any careless movement can cause fatal outcome. The authorities, who have made it an unwritten rule to separate lovers, have already once sent Glovatskaya to a penal women's mine. And now, after the doctor’s report about dangerous disease prisoner, the head of the hospital is sure that this is nothing more than the machinations of the same Podshivalov, who is trying to detain his mistress. Glovatskaya is discharged, but as soon as she is loaded into the car, what Dr. Zaitsev warned about happens - she dies.

The last battle of Major Pugachev

Among the heroes of Shalamov’s prose there are those who not only strive to survive at any cost, but are also able to intervene in the course of circumstances, stand up for themselves, even risking their lives. According to the author, after the war of 1941–1945. Prisoners who fought and were captured by Germans began to arrive in the northeastern camps. These are people of a different temperament, “with courage, the ability to take risks, who believed only in weapons. Commanders and soldiers, pilots and intelligence officers..." But most importantly, they had an instinct for freedom, which the war awakened in them. They shed their blood, sacrificed their lives, saw death face to face. They were not corrupted by camp slavery and were not yet exhausted to the point of losing strength and will. Their “fault” was that they were surrounded or captured. And Major Pugachev, one of these not yet broken people, is clear: “they were brought to death - to replace these living dead” whom they met in Soviet camps. Then the former major gathers equally determined and strong prisoners to match himself, ready to either die or become free. Their group included pilots, a reconnaissance officer, a paramedic, and a tankman. They realized that they were innocently doomed to death and that they had nothing to lose. They've been preparing their escape all winter. Pugachev realized that only those who pass through the winter can survive the winter and then escape. general work. And the participants in the conspiracy, one after another, are promoted to servants: someone becomes a cook, someone a cult leader, someone who repairs weapons in the security detachment. But then spring comes, and with it the planned day.

At five o'clock in the morning there was a knock on the watch. The duty officer lets in the camp cook-prisoner, who has come, as usual, to get the keys to the pantry. A minute later, the guard on duty finds himself strangled, and one of the prisoners changes into his uniform. The same thing happens to the other duty officer who returned a little later. Then everything goes according to Pugachev’s plan. The conspirators break into the premises of the security detachment and, having shot the duty officer, take possession of the weapon. Holding the suddenly awakened soldiers at gunpoint, they change into military uniform and stock up on provisions. Having left the camp, they stop the truck on the highway, drop off the driver and continue the journey in the car until the gas runs out. After that they go into the taiga. At night - the first night of freedom after long months of captivity - Pugachev, waking up, remembers his escape from a German camp in 1944, crossing the front line, interrogation in a special department, being accused of espionage and sentenced to twenty-five years in prison. He also remembers the visits of General Vlasov’s emissaries to the German camp, who recruited Russian soldiers, convincing them that for Soviet power All of them, captured, are traitors to the Motherland. Pugachev did not believe them until he could see for himself. He looks lovingly at his sleeping comrades who believed in him and stretched out their hands to freedom; he knows that they are “the best, the most worthy of all.” And a little later a battle breaks out, the last hopeless battle between the fugitives and the soldiers surrounding them. Almost all of the fugitives die, except for one, seriously wounded, who is cured and then shot. Only Major Pugachev manages to escape, but he knows, hiding in the bear’s den, that they will find him anyway. He doesn't regret what he did. His last shot was at himself.

Varlam Tikhonovich Shalamov reflected the theme of camps in Russian literature in his work. Amazingly accurately and reliably, the writer reveals the entire nightmare of camp life in the book “ Kolyma stories" Shalamov's stories are piercing and invariably leave a painful impression on readers. Varlam Tikhonovich's realism is not inferior to the skill of Solzhenitsyn, who wrote earlier. It would seem that Solzhenitsyn sufficiently revealed the topic, however, Shalamov’s manner of presentation is perceived as a new word in camp prose.

Future writer Shalamov was born in 1907 into the family of a Vologda priest. As a teenager he began to write. Shalamov graduated from Moscow University. The writer spent many years in prisons, camps and exile. He was first arrested in 1929, accused of distributing V. Lenin's false political will. This charge was enough to get him into the court system for twenty years. At first, the writer spent three years in camps in the Urals, and then from 1937 he was sent to Kolyma. After the 20th Congress of the CPSU, Shalamov was rehabilitated, but this did not compensate for the lost years of life.

The idea of ​​describing camp life and creating its epic, amazing in its impact on the reader, helped Shalamov survive. " Kolyma stories" are unique in their merciless truth about the lives of people in the camps. Ordinary people, close to us in ideals and sentiments, innocent and deceived victims.

The main theme of “Kolyma Tales” is the existence of man in inhuman conditions. The writer reproduces situations he has seen repeatedly and an atmosphere of hopelessness and moral impasse. The state of Shalamov’s heroes is approaching “beyond human”. Prisoners lose every day physical health and risk losing their mental health. Prison takes away from them everything “superfluous” and unnecessary for this scary place: their education, experience, connections with normal life, principles and moral values. Shalamov writes: “The camp is a completely negative school of life. No one will take anything useful or necessary out of there, neither the prisoner himself, nor his boss, nor his guards, nor involuntary witnesses - engineers, geologists, doctors - neither superiors nor subordinates. Every minute of camp life is a poisoned minute. There is a lot there that a person should not know, and if he has seen it, it is better for him to die.”

Shalamov is thoroughly familiar with camp life. He has no illusions and does not instill them in the reader. The writer feels the depth of the tragedy of everyone with whom fate has confronted him over the long twenty years. He uses all his impressions and experiences to create the characters in “Kolyma Tales.” He argues that there is no measure to measure the suffering of millions of people. For an unprepared reader, the events of the author’s works seem phantasmagorical, unreal, and impossible. Nevertheless, we know that Shalamov adheres to the truth, considering distortions and excesses, incorrect placement of emphasis, unacceptable in this situation. He talks about the life of prisoners, their sometimes unbearable suffering, labor, struggle for food, illness, death, death. He describes events that are terrible in their static nature. His the brutal truth deprived of anger and powerless exposure, there is no longer the strength to be indignant, feelings have died.

The material for Shalamov’s books and the problems arising from it would be the envy of realist writers of the 19th century. The reader shudders from the realization of how “far” humanity has gone in the “science” of inventing torture and torment for their own kind.

Here are the words of the author, spoken on his own behalf: “The prisoner learns to hate work there - he cannot learn anything else there. There he learns flattery, lies, small and large meanness, and becomes an egoist. Returning to freedom, he sees that not only did he not grow during the camp, but that his interests narrowed, became poor and rude. Moral barriers have moved somewhere to the side. It turns out that you can do mean things and still live... It turns out that a person who has committed mean things does not die... He values ​​​​his suffering too highly, forgetting that every person has his own grief. He has forgotten how to be sympathetic to the grief of others - he just doesn’t understand it, doesn’t want to understand it... He has learned to hate people.”

In the story “Sentence,” the author, as a doctor, analyzes the condition of a person whose only feeling remains anger. The worst thing in the camp, worse than hunger, cold and disease, was humiliation, which reduced a person to the level of an animal. It brings the hero to a state where all feelings and thoughts are replaced by “half-consciousness.” When death recedes and consciousness returns to the hero, he joyfully feels that his brain is working, and floating out of the subconscious forgotten word"maxim".

The fear that turns a person into a slave is described in the story “Typhoid Quarantine.” The heroes of the work agree to serve the bandit leaders, to be their lackeys and slaves, in order to satisfy such a familiar need for us - hunger. The hero of the story, Andreev, sees in the crowd of such slaves Captain Schneider, a German communist, educated person, an excellent expert on Goethe’s work, who now plays the role of “heel scratcher” for the thief Senechka. Such metamorphoses, when a person loses his appearance, also affect those around him. The main character of the story does not want to live after what he sees.

“Vaska Denisov, the Pig Thief” is a story about hunger and the state to which it can bring a person. Main character Vaska sacrifices his life for food.

Shalamov claims and tries to convey to the reader that the camp is a well-organized state crime. Here there is a deliberate substitution of all the categories familiar to us. There is no place here for naive reasoning about good and evil and philosophical debates. The main thing is to survive.

Despite all the horror of camp life, the author of “Kolyma Stories” also writes about innocent people who were able to preserve themselves in truly inhuman conditions. He affirms the special heroism of these people, sometimes bordering on martyrdom, for which no name has yet been invented. Shalamov writes about people “who were not, were not able to and did not become heroes,” because the word “heroism” has a connotation of pomp, splendor, and short-lived action.

Shalamov’s stories became, on the one hand, a piercing documentary evidence of the nightmares of camp life, and on the other, a philosophical understanding of an entire era. The totalitarian system appears to the writer to be in the same camp.

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  • “Fathers and Sons” was iconic for its time. Written in the second half of the 19th century, it fully reflected the problems of the era and the conflict between elders and younger generation. Prominent representatives The older generation in it are Bazarov's parents - Vasily Ivanovich and Arina Vlasevna Bazarov. These are the only people who accepted their son for who he is, because they sincerely loved him.

    Despite the fact that the author did not pay as much attention to them as to the Kirsanov family, we understand that these are people of the old school, brought up in accordance with strict rules and on traditional dogmas. Vasily Ivanovich, like his son, is a doctor. In the eyes of others, he tries to seem progressive, but he is betrayed by a lack of trust in modern methods medicine. Arina Vlasevna is a real Russian woman. She is illiterate and very pious. Overall, it makes a pleasant impression on the reader. The author notes that she should have been born two hundred years ago.

    Both father and mother treat their son with reverence. They dote on him, despite his sharply liberal views. For them, it doesn’t matter whether Evgeniy is close or far away, the main thing is that everything is fine with him. Bazarov’s own attitude towards his parents can hardly be called love. Sometimes they openly irritate him. It cannot be said that he appreciates the parental warmth with which they diligently surrounded him. He is not pleased with their attempts to show joy in his presence. That’s why he calls himself a “nihilist” in order to deny all the rules that have developed in society.

    Vasily Ivanovich and Arina Vlasevna know about their son’s views and his aversion to increased attention, so they try to hide their true feelings. Perhaps Bazarov himself loves his parents in his soul, but he does not know how to openly show any emotions. Take, for example, his attitude towards Anna Sergeevna, whom he seriously liked and with whom he was really in love. Eugene never told her the most important thing, but only deliberately drowned out his feelings. Only, when he was already dying, he wrote her a letter reminding her of his love and asking her to come.

    As it became clear at the end of the work, all his reactions were ostentatious. He was absolutely normal, loving and good man, just to stand out from the crowd, I chose such an extraordinary way. Moreover, in a letter to Odintsova, he did not forget to mention his old people, begging her to keep an eye on them. The following lines testify precisely to his love for his parents: “There are people like them in your big world you can’t find it during the day with fire.”

    Lesson topic: Bazarov and his parents.

    The purpose of the lesson: consider the images of father and mother, identify Bazarov’s relationship with his parents, expand psychological picture Main character; develop students' reading interest and communication skills; instill a sense of duty in children towards their parents.

    Equipment: epigraphs for the lesson, illustrations for the novel, presentation for the lesson.

    During the classes.

      Organizing time.

    Guys, tell me, how often do you say words of love, confess your love? Who do you say “I love you” to most often? Of course, first of all, to your favorite girls. Remember when you were in last time told their parents: “I love you. Thank you for having me." But they, no less than your girls, need our words of love, our support. They need us.

      Recording an epigraph for the lesson.

    You probably guessed it, today in class we will talk about relationships with parents, about the attitude of our hero Yevgeny Bazarov towards his parents. Let's turn to our first epigraph.

    “People like them cannot be found in our wide world during the day.” ( Bazarov about parents).

    Every child can say this about their parents.

      Work on the topic of the lesson.

    1) Let's first remember who Bazarov is and what you learned about him.Working with portraits Bazarova. Turgenev gives a short description of his hero’s appearance. We learn more about him from other heroes. (Bazarov is a nihilist. Bazarov is a future doctor, he is studying at a medical university. After three years of absence from home, he comes to his homeland, where his parents are eagerly awaiting him.) What can you say when looking at Bazarov’s portraits? How does he appear to you?

    2) Yes, Bazarov is a nihilist. Who is a nihilist? How does Bazarov characterize himself? (We deny everything!) This means that nihilists also deny love, romanticism, and sentimentalism. When others don't think so. Therefore, we can say that Bazarov is lonely.

    3) Let's remember when Bazarov comes to his parents. Straightaway? (No, almost a month after his arrival from St. Petersburg. He comes to his parents after a difficult conversation with Anna Sergeevna Odintsova. He, a nihilist who denies all living things, fell in love with this woman. And she rejected his feeling. It was unbearable for him. And for In order to forget Odintsova, Bazarov tries to distract himself by going to his parents).

    4) Tell us how his parents met Bazarov.

    5) Who are they, what do they do? (Vasily Ivanovich is a very kind man. He treats peasants for free, although he has already refused to work as a doctor. He strives to expand his knowledge. Vasily Ivanovich is a hospitable host, he gladly welcomes Arkady, offers him a comfortable room, albeit in an outbuilding. Vasily Ivanovich loves to talk a lot. Arina Vlasyevna is superstitious and ignorant, she was afraid of frogs, she didn’t read books. She loved to eat, sleep and “knew a lot about housekeeping.” She didn’t understand politics. She is very kind and caring: she won’t go to bed if her husband has a headache; She loves her son more than anything in the world. Arina Vlasevna is a person of a different way of life than her son.)

    6) How do Eugene’s father and mother treat him? (Mother affectionately calls him Enyushka; they were afraid to disturb him again)

    7) Is it possible to name Bazarov good son? (Yes, you can. He cares about their financial condition, during his studies he did not ask them for a penny. Being near death, he asks Odintsova to take care of his parents: “After all, people like them cannot be found in your big world during the day...")

    8) What is the reason for his “dry” communication with his parents? (With a break with Odintsova)

    9) Can we say that Bazarov is insensitive towards his parents? (No, he doesn’t want to upset his parents, so he decides to tell about his departure only in the evening.)

    10) Why does the life of his parents seem “deaf” to Bazarov?

    11) How does Bazarov relate to his parents? (Bazarov loves his parents, he directly says to Arkady: “I love you, Arkady.” And this is a lot in his mouth. In the first moments of meeting his father, he looks at him with love and understands how he, poor fellow, turned gray. His father’s kindness finds in him proper assessment. But Bazarov cannot close his eyes to the difference in views and goals of life. Bazarov cannot accept such a deaf life. Bazarov does not want to fight with the little things in life, his task is to remake the foundations of life: there will be no diseases to correct society. But to remake the foundations of life parents are not allowed; any attempt to scold them would, at the very least, upset them and be of no use).

    12) Death of Bazarov. Why does Bazarov die? How does Bazarov feel about his death? (An experienced and understanding doctor, Bazarov knows perfectly well what needs to be done in case of infection, but does not do it.)

    13) Tell us about the experiences of Bazarov’s parents during his illness.

      Working from a painting. In 1874, the artist V. Perov painted a painting based on the novel “Fathers and Sons” “Old Parents at the Grave of their Son.”

      Work with text. How does this picture make you feel? (For parents, there is nothing more painful than the loss of their child).

      I want to read you a parable.One young man was unlucky in Love. Somehow he always came across the wrong girls in his life. He considered some to be ugly, others to be stupid, and others to be grumpy. Tired of searching for an ideal, the young man decided to seek wise advice from the elder of the tribe.

    After listening carefully young man, the elder said:

    I see that your trouble is great. But tell me, how do you feel about your mother?

    The young man was very surprised.

    What does my mother have to do with this? Well, I don’t know... She often irritates me: with her stupid questions, annoying concerns, complaints and requests. But I can say that I love her.

    The elder paused, shook his head and continued the conversation:

    Well, I'll tell you the most main secret Love. There is happiness, and it lies in you precious heart. And I planted the seed of your well-being in Love very important person in your life. Your mother. And how you treat her is how you will treat all women in the world. After all, mom is the first Love who accepted you into her caring arms. This is your first image of a woman. If you love and honor your mother, you will learn to appreciate and respect all women. And then you will see that one day the girl you like will respond to your attention with a tender gaze, a gentle smile and wise speeches. You will not be prejudiced against women. You will see them as True. Our attitude towards Rod is the measure of our happiness.

    The young man bowed to the wise old man with gratitude. Setting off on his way back, he heard the following behind him:

    Yes, and don’t forget: look for that girl in Life who will love and honor her father!

    What is this parable about? What conclusion can be drawn?

    We, children, are indebted to our parents, we are obliged to protect them in old age, to be support and hope. They should not worry about our terrible actions, bad grades, bad behavior. We have the power to make the lives of parents happier. The poet M. Ryabinin has the following lines (epigraph of the lesson):

    Bow down to your mother's earth

    And bow down to your father...

    We owe them an unpaid debt -

    Remember this sacredly all your life.

    I asked you to write an essay about your parents. What do they mean to you? You began to ask what to write, how to write. What they do for us cannot be described in words. And everyone said that they mean EVERYTHING to you!

    “I love and appreciate my parents very much. Sometimes we have disagreements, but we still make peace. My dad taught me to play hockey and now I'm on the team. And mom will always help in difficult times. In any difficult situation, parents will give advice and are always there.”

    "I love my parents very much. I owe them my life. They raised me and taught me everything they know.”

    “I very often think that my mother can and knows everything in the world, starting with motorcycle repair, delicious pies and ending with the ability to mentally communicate with me and understand me. At my mom's Good friends, because it can’t be any other way, she’s the best. “I love, appreciate, proud and respect my mother very much.”

    “It happened in my life that I live with my father. Dad is strict with me. He always says: “Remain human in any situation.” My father wants me to achieve everything on my own. It was only thanks to him that I fell in love with sports. I am very grateful to my dad for his care and love."

    “Two years ago I had an obnoxious character, very often I quarreled with my parents. I am very grateful to my parents for putting up with my evil character. And today I have a warm relationship with them. I want everything to continue like this, only to get better.”

    “Parents are the most precious thing in our lives. Every person must and must respect, love, appreciate and value them. I have a big and very Friendly family. It so happened that my brothers and sister were left without parents, But we still do not stop loving and remembering them. They are also alive for us. They are always near us. I have a brother I can rely on. IN difficult moments We always help each other, lend a helping hand. Our beloved grandmother also lives with us, who has partially replaced our parents. She dotes on us, protects us from life’s adversities, always side by side with us, both in sorrow and in joy. We sincerely wish her good health and patience in raising us. My brothers and sister and I understand what difficult, titanic work this is. For our part, we also help her with housework and babysit her sister. I am sure that we will all overcome all the difficulties and adversities of life that fate has in store for us. Take care of your parents and your loved ones during your lifetime. Give them your warmth and love while your hearts are beating."

    “My mother was the best, the most caring. She was a good housewife, a good mother and a good wife. Free time my parents always paid attention to me. Every Sunday we went to church for services, she sang in the choir and baked prosphora. Every morning she took me to kindergarten. I will never forget her!!! I love her very much and often feel her presence next to me."

      Presentation (photo with parents). Look at happy faces your parents. They are happy that we are near them. So don't make your parents sad. Support them, talk to them, be silent with them, be always with them. It’s not for nothing that I ended the presentation with a photo of your master. After all, here at the lyceum, she is your mother. Therefore, do not upset her with your bad behavior, your bad grades. Guys, don’t forget to hug your parents when you come home and tell them that you love them very much. Don't forget to congratulate your dear mothers Happy Mother's Day.

    What could be more valuable than family?

    Welcomes with warmth Father's house,

    They are always waiting for you here with love,

    And they send you off on your way with kindness!

    Love it! And appreciate happiness!

    It is born in a family

    What could be more valuable than her?

    On this fabulous land.

    8. Summing up. Grading.

    The images of Bazarov’s parents are also types of “fathers,” but they have nothing in common with the Kirsanovs. Bazarov’s parents are poor people, plebeians, “little people” and are written by Turgenev surprisingly warmly and brightly. They are remembered for a long time and excite with their kindness, warmth, and sincerity. Bazarov's mother is a typical patriarchal noblewoman of old times. She, according to the writer, should have “lived over two hundred years, in old Moscow times.”

    Arina Vlasevna is a religious, fearful and sensitive woman who believed in all kinds of fortune telling, conspiracies, dreams, omens, the end of the world, etc. She devoted herself entirely to caring for her son. Arina Vlasyevna thought most of all about not disturbing or boring him. For her, her whole life and its whole meaning lay only in him. Evgeny always felt the kindness and care of his mother and highly valued him. Deep down he loved her. Sick, he asked her to comb his hair. Bazarov dies thinking about his mother. "Mother? Poor thing! Will she feed anyone now with her amazing borscht?” he said in a semi-delirious state. And although Turgenev wrote that such female types disappeared, yet in them he found that simple, humane thing that was dear and close to him.

    Bazarov’s father is an original person, a cheerful “headquarters doctor”, a provincial philosopher. This is a man of work, action; at the same time, he loved to dream, to talk about the greats of this world - about Rousseau, Horace, Cincinnatus, mythological heroes. He had to see a lot in life, rub himself in various fields, to visit the war against Napoleon, where he, as a medic, felt the pulse of Prince Wittgenstein and Zhukovsky. Vasily Ivanovich freely uses, although not accurately enough, Latin and scientific terminology. Living in the village, he strives not to become overgrown with moss and not to lag behind the times in science. Evgeniy’s father feels the changes taking place in life and believes that now the time has come, “... that everyone should with my own hands get food for yourself, there is nothing to rely on others: you have to work yourself.”

    Main life principles Vasily Ivanovich are labor and freedom. He himself loves to work in the garden, vegetable garden, and provides medical assistance to surrounding villagers. Vasily Ivanovich considers himself a man who has become obsolete; in his son he sees his replacement. All his thoughts and thoughts were connected with him, he asked Arkady about him. A sense of pride began to rise in my father when Arkady told him that Evgeniy was “one of the most wonderful people I've ever met."

    Vasily Ivanovich believed that Evgeniy would glorify his name, would be famous as a scientist, would gain fame in the future not only as a doctor, but, obviously, as a public figure. Stoically and courageously he endured the suffering and illness of his son. Knowing the hopelessness of his condition, Vasily Ivanovich tried to console himself and his wife with the thought of recovery. With what delight he spoke about the arrival of Anna Sergeevna and the doctor. “My Eugene is still alive, alive and now he will be saved! - said Bazarov the father. - Wife! wife! .. An angel from heaven comes to us.”
    But this was only the last and hopeless cry of complacency. In the images of the modest, inconspicuous old men of the Bazarovs, Turgenev showed such people whom, as Eugene put it, you will not find in the big world during the day with fire. The writer created them with the most sincere love. He poeticized his parents in the epilogue, saying touching words about them.