How to draw an hourglass with a pencil step by step. Drawing an hourglass in Photoshop

Good afternoon Today it's time for a drawing lesson in which we will tell you how to draw a clock! Clocks, as you know, can be wall, wrist, or giant - mounted on architectural buildings, and, of course, soft. Alas, we will not be considering the work of the brilliant Salvador Dali today, but the clocks that we will draw will be quite realistic. Let's start a drawing lesson and find out!

It is quite possible that someone will consider wall clocks a thing from the past, because now everyone has a clock on their cell phone and other devices. However, every interior will become much cozier and more pleasant if there are well-chosen wall clocks on the wall. Actually, let's start drawing!

Step 1

First, let's mark out our workspace with these perpendicular (that is, intersecting at right angles) lines. Of course, it’s very cool to draw this without a ruler, but if you’re not entirely sure, use a ruler.

Step 2

Then let's draw a circle like this. You can use a compass or some round object, but it’s best, of course, to try to draw by hand.

Step 3

On top of the circle from the previous step, draw another one, slightly larger in diameter.

Step 4

Using the markings from the first step, we will apply the strokes of each hour along the entire circumference of the dial. First we draw 12, 3, 6 and 9 o'clock, between them there are equal distance we outline the rest.

Step 5

We mark the second divisions with very small strokes. Watch the distance, it should be strictly the same between all divisions.

Step 6

Great, now let's put numbers near each hour mark. Try to same numbers were drawn identically at each hour.

Step 7

We put even arrows - in our case they intersect and show seven o'clock. You can set any time, the main thing is to correctly convey the size and shape of the hands

Let's draw time, or rather its shell in the form of an hourglass, for this we will need time itself, Corel and a lot of patience!

1. Using the Ellipse Tool (F7), draw a circle to even circle hold down Ctrl, then convert the circle to a curve Arrange-Convert to curves(Ctrl+Q)
Taking the bottom point, lower it down, like mine!

2. Copy this oval (Shift+ drag the Pick Tool to the middle of the object) and modify its shape a little - make it a little dumber (by the way, copy this inner oval and put it somewhere in the corner, we will need it later!)

3. select the first two objects and copy them down (select the Pick tool, hold down Ctrl and drag)
Let's extend the resulting objects a little from the top point - note, as in my drawing. By the way, mine is not very visible - yours should be sharper! We do this on purpose because we will be looking at our future watches a little from above!

4. Now use the Elipse Tool (F7) to draw an oval, copy it and place it as in my drawing, on top Rectangle tool Tool draw a rectangle!

5. Trim the square with circles - to do this, first select the circle, then the square (holding Shift) and click on the Trim button.
We repeat this all with the second circle.

6. Now select the two large ovals and the current object - and press Weld! Let's see what happened!
By the way, at this stage, when merging, you may end up with extra points; they need to be deleted, and if you need to change the type of point

7. We do the same trick with internal ovals! voila!
we already have a flask for sand - of course there is one, but I will call it two objects - a large flask and a small (inner) one
Take the inner “flask” and cut a hole in the larger one! But don’t cut it!

8. Now take the Elise Tool (F7) again, draw an oval (like mine), then copy it and place two copies at the top,
The higher the circle, the narrower it should be! Let's draw two rectangles, as in the picture!

9. Select the last five shapes, copy and drag them down the object (mirror them) - and forget about them for a while!

10. Let's focus on the top!
Let's combine the lower oval with a large rectangle - you already know how to combine objects!
Now let's combine a medium oval and a small rectangle. If you fill these objects, it will turn out like mine!

11. Fill the objects with the Fountain Fill Dialog tool (F11) or click on the palette on the side with the left mouse button!

If suddenly, your objects will be arranged in a different sequence so that the top oval is the top one
press Shift+Page Up (lowest Shift+Page Down) if you need to shift only one layer Ctrl+Page Up(Down)
Don't pay attention to the filling now - we'll talk about it later!

12. Now let's go down. Why don't we just copy the top part? Because the horizon line above the object below is visible to us more!
and the view there will be completely different!
I draw all the objects again and you use what you first dragged down to the storage room!
Take the oval, pay attention to how it is located and stretch it in height - now we see it more! Feel free to copy it into the middle!
Cut a smaller hole in the larger one. I'll mark it yellow! We’ll put the smaller one on the side and use it later!

13. copy the ring and make it a little smaller - look like mine! To make it clearer, I will name the rings 1 (larger) and 2 (smaller).
Take ring 1 - draw any shape and cut the ring with it, I cut it with the oval that we set aside! Pay attention to the corners!

14. Take spare ring 2, arrange it like mine, then draw an oval and cut the ring with it, using Intersectin. I highlighted the resulting form in green. Now let's combine them!

What is this, you ask? This will be our refraction by glass! And if we had a background with patterns, it would also have to be refracted!

16. Well, we finish drawing the base of the stand using the same method as the top!. I’m using a combination of ready-made shapes here, because it’s important for us to make a symmetrical object! Let’s take the oval set aside and place it at the very bottom!

17. Well, it's almost ready! I fill the smaller “flask” and make it transparent with the Interactive transparenci Tool
I’m filling everything in so you can understand what we have! And this is a clock without sand!

18. Now let’s draw the sand itself! First, we draw an oval and tilt it—for me, the sand flows a little obliquely.
Then we draw a rectangle. First, select the small “flask”, then the newly created rectangle and click Intersect!
We adjust the points to a narrow shape and fill them with the color of sand! I extend this object downwards and draw a kind of falling stream of sand. You can draw the grains of sand directly - I don’t have time for that anymore!))))
Let's add a few grains of sand for decoration!

19.On the topmost oval of sand, draw a smaller one and fill it with more dark color and apply interactive blending - Interactive Blend Tool
Below we will draw a small hill of fallen sand! To be honest, I no longer have the strength to do this - I just fill it with a gradient fill!

20. And now the most important thing - we draw the highlights, everyone does this according to their laziness! The more highlights, the better! We can copy the smaller flask - and by deforming it at several points - we can also add highlights! It is very convenient to take it as its basis - because the highlights should follow exactly its shape! Here the oval set aside at the beginning of the lesson will be useful to us; it is also more convenient to adjust it to the shape of the flask!

1. The command called Ellipse Tool (F7) is designed to create circles. In order for our circle to be even, we need to hold down the Ctrl button for a while, and then transfer it to another line Arrange-Convert to curves (Ctrl+Q). The lowest point of the figure goes lower.

2. The resulting oval shape should be copied and slightly modified so that it looks even more like component hourglass vessel. In addition, this oval will be useful to us in subsequent stages of work.

3. Now the first two shapes need to be fixed and copied at the bottom. A combination of the following Pick tool and Ctrl commands will help us with this. At this stage, they can be lengthened at the top. All these machinations are depicted in detail in the figure above. Only slight stretching of objects is applied, since we will be looking at the finished image from a position from above.

4. Using the Elipse Tool (F7), we will draw a new oval shape, then copy it and add it to big picture, and using the Rectangle Tool we will also place a rectangular shape on top.

5. The square will need to be trimmed in circles, so alternately fix the circle and square area using the Shift and Trim buttons. Similar actions will need to be repeated with another circle.

6. After fixing the resulting object and oval shapes, execute the Weld function. The result will not take long to arrive. You will also need to refine the merging of the shapes, getting rid of the extra points. In some cases, their format may need to be changed.

7. Internal ovals must go through all the same steps and operations. The contours of the sand flask have already begun to be visible, but we will still consider its outer and inner ovals as separate elements to be worked on. To begin, make a small hole in the inner flask. There is no need to delete the figure.

8. Go back to the Elise Tool(F7) to draw an oval, then copy it, placing duplicates at the top of the screen. How more value the height of the circle, the narrower its shape should be. Next, we complement the image with a pair of rectangular areas.

9. We save the five resulting figures for ourselves and leave them alone for a while.

10. Now we work with top part. The lower oval shape needs to be connected to a large rectangle. We have already used this function before. Then you will need to make a single whole from a medium oval shape and a small rectangle. The result should look something like the image below:

11. Use the Fountain Fill Dialog (F11) function to load or open the palette.

It is important that the objects are located in exactly this sequence, otherwise the top oval will never turn out to be the topmost element. This can be prevented by shifting the layer using a combination of the Shift+Page Up and Ctrl+Page Up(Down) commands. You shouldn't get too hung up on the filling, as you'll have to work with it later.

12. Return to the bottom of the work area. It would be possible to simply copy the upper part, at first glance, but due to the mismatch of the horizon lines, in this case we will not get a useful result. Let's start drawing everything again necessary objects, using previously saved shapes. Now the oval can be well stretched in height and copied to the center. Now it’s time to cut a hole in the large oval, which is marked in yellow in the picture. The inner oval remains unchanged for now.

13. Make a duplicate of the ring and cut down its dimensions. We again have a division of figures into a large and small ring. By using free form cut off the first ring. The example used a previously saved oval. Particular attention should be paid to the corners.

14. Use the Intersectin function to cut the second ring with an oval. We also get the form shown in the figure green. After this, the objects will need to be combined with each other.

This is done to show the refraction of glass, as is the case with patterns on a glass bulb.

15. In a similar way, we form the lower element of the hourglass stand. If you get everything right, the bottom oval will be slightly wider than the top oval.

16. We continue to work on the design of the stand. It is better to use a combination of already formed shapes to obtain a symmetrical figure. We take out the preserved oval from the bins and lower it down.

17. There’s still quite a bit left! Fill the inner flask with color, applying transparency to it like the Interactive Transparenci Tool. Do not forget that at this stage the flask is not yet filled with sand.

18. Only after this we move directly to drawing the sand filler. We form an oval shape again, only this time at an angle. Then we create a small rectangle and attach it to the small flask using the Intersect function. We complete the work on the local points and apply a fill in the color of sand. By extending the object in the southern direction, we get a falling stream of sand. You can also draw several individual grains of sand for clarity.

19. Draw a little sand at the top of the oval and fill it dark shade, using the Interactive Blend Tool command, and below we will add a miniature mound of sand, which has already had time to pour out. You can make it easier by using a gradient fill.

20. It's time to finalize the highlights. This is not necessary, but the more there are, the more colorful your creation will look. We duplicate the inner bulb and give its shape slight deformations in order to obtain a glare effect. The oval, which we saved before and have used more than once, will help to significantly simplify the work.

Having decided on specific deformation points, we draw small highlights, and then do not forget about interactive transparency.

21. Let's work a little on the fill and shadow effects.

To do this, create an oval shape and apply the Interactive Drop Shadow Tool to it. After separating the shadow, you can remove the auxiliary oval.

Don't forget about shadow effects in the upper part of the stand.

You can also add thinned support legs. You can draw them by combining ovals and squares.
Finally our hourglass purchased their perfect shape. Of course, it can be improved even better, but this is a matter of perseverance and patience. All in your hands! Adding colorful patterns on glass, additional color elements and decorations for the body is welcome. Successful creative work to you!

An hourglass is commonly used as a souvenir or as a timer for short-term medical procedures. The fragility of the design and the impossibility of making a model for a long interval led to the fact that in most cases they became a decorative detail of the interior. But the sight of running colored grains is calming, and the skillfully made finishing and original shape of glass containers have made this cute accessory so beloved by adults and children. That’s why it’s so interesting how to draw an hourglass, because it’s a worthy object to draw for both an adult and a young artist.

Example in color

The simplest design consists of two glass flasks connected by a thin isthmus through which fine-grained material flows. To ensure the stability of the structure, reinforcing structures and stands to protect the glass are used. To master the step-by-step algorithm of how to draw an hourglass with a pencil, the simplest artist skills are enough.

It's worth starting with a strengthening stand. The figured strip consists of two blocks with a thin constriction in the middle. It is not important that it perfectly matches the layout or sample - it is enough that it is thin and a little carved.

Let's draw exactly the same second plank. The distance between them is such that glass containers for the filler fit.

Draw a glass figure for dust, consisting of two elements. Pre-prepared material - very thin, sifted through cells of the same diameter, washed in special liquids and calcined, tinted in bright colors for greater effect.

Most often we see hand-drawn clocks when we wait for the Windows OS when the system is busy. To complete the image - draw sand flowing from one flask to another. There are fixing circles at the top and bottom, which are connected by strips.

The best part is to color the picture. Filling of wooden parts light brown, and the insides are light yellow. A cute hourglass for your home is ready!

The largest hourglass of our time was in Russia; its container could easily fit a 5-meter car, and the total height of the structure was almost 12 m, and its weight was more than 40 tons.

Black and white example

The advantage of such a device is its simplicity. The simplest design consists of a glass hollow bulb with a narrow neck and round disks for great structural strength. Therefore, it is best to try how to draw an hourglass step by step on just such a model.

It's interesting that the filler for different models may be sand, dust, crushed shells and other hard materials, mainly stone or metal. The main thing is the smallest homogeneous fraction. First we draw circles to fix the flask.

Based on the diameter of the stand, we draw a glass element of the structure, which slightly resembles a figure eight cut off at the edges. It's interesting that the most long time, which was cut off by the hourglass - 1 year! Such hulks (height more than 8 m) are found in Japan.

We finish drawing the lower disk for the device. In the flask itself we draw sand pouring from the upper vessel to the lower one. Now the simplest hourglass is ready!

The fragility of the design is due to the fact that the material of the flask is glass, and to the fact that over time the isthmus expands due to the impact of hard sand and the self-fragmentation of filler grains into different types of fractions.