Did Bazarov manage to reveal the inaccessible secret of love? An essay based on the work on the topic: “Love in the life of Bazarov and the Kirsanovs” (based on the novel by I.S.


The work on behalf of the student was carried out by Vasina N.Yu. Did Evgeny Bazarov pass the test of love?


Hypothesis If a person has been spinning for a long time in a sphere that is alien to himself, he will always plop down into his own element. For even flying fish can stay in the air for a while, but soon they must splash into the water.


Progress of the research In order to find out whether Bazarov passed the test of love, we: Studied the text of the novel Studied the biography of I.S. Turgenev Watched fragments of the film Played portraits (the favorite game of I.S. Turgenev and his beloved P. Viardot)? Summarized and made conclusions


Love is a favorite theme of writers. “Love, love, the legend says, Union of the soul with the dear soul.” Let's try to find out what we know about this most mysterious and contradictory feeling and why Bazarov did not pass the test of love.


Bazarov before meeting Odintsova Before meeting Odintsova, Bazarov, a man of deep intelligence, clear views and strong will, believed that love did not exist. “Bazarov was a great hunter of women and female beauty, but love in the ideal sense, or, as he expressed himself romantically, called it nonsense, unforgivable stupidity, considered chivalrous feelings to be something like deformity or illness.”


Odintsova before meeting Bazarov Anna Sergeevna Odintsova’s father, “the famous handsome man, swindler and gambler” Sergei Nikolaevich Loktev, died when she was twenty years old, and her sister was twelve. The girls lost their mother even earlier. Anna Sergeevna “had already come to terms with the idea of ​​getting stuck in the wilderness,” but “a certain Odintsov, a very rich man of forty-six years old, saw her by chance... fell in love and offered his hand.” They lived together for six years, and, dying, he left her his fortune. After the death of her husband, Anna Sergeevna, despite the brilliant education she received in St. Petersburg, settled on the estate with her sister. The village way of life fully corresponded to her calm character. Sleeping, cold heart (A. Odintsova)?


From the very beginning, there is little in common between Bazarov and Odintsova. Meeting of Bazarov and Odintsova


In the duel between Bazarov and Odintsova, the nihilist Bazarov is defeated. He was a man from a world alien to her. She was scared of his love and was not ready to go with him, they are too different. He is defeated, but how much stronger and deeper in heart he looks in this story. Lyubov Bazarova and Odintsova


The test of love becomes a milestone for Bazarov. Only love reveals in him a deep, significant, unusually powerful person in emotional experience, self-burning in his feelings and at the same time becoming even stronger. How much suffering he experiences during his last meeting. He still loves her, but does not expect mercy.


“Love not only reveals many things in Bazarov. At the same time, she brings him face to face with the world and opens this world to him. But Bazarov dies, but no longer renewed. Bazarov's rebellious heart was reconciled with what is eternal: With love and death.


Using methods: research; comparative analysis method; constructive method; we came to the conclusion:


Conclusion: The love story of Bazarov for Odintsova plays an important role in the novel by I.S. Turgenev A. It allows you to show the character of the main character in development: under the influence of a strong feeling, his views on human nature and eternal values ​​change. The rebellious heart of the nihilist Bazarov has come to terms with what is eternal: Nature, Poetry, Love.

Anyone who enjoyed attending literature classes while studying at school will definitely remember the work of I. S. Turgenev “Fathers and Sons” and its main character, Evgeny Bazarov. Surely most readers, when asked who he is, will answer that this character is a nihilist. However, to remember what it was like for most of us it will take some time to retrieve from memory what was read. Some people became acquainted with this work five years ago, and others twenty-five years ago. Well, let's try to remember together what Bazarov says about love.

Love and Nihilism

Anna Sergeevna Odintsova

All of Evgeniy’s ideas about love change after he meets Eugene’s feeling for this woman, breaks into his heart and takes over his mind. It contradicts everything. Bazarov’s attitude towards love goes against his ideas about how things should be.

Anna Sergeevna attracts Evgeny's attention at the ball, he admires the beauty and article of this beautiful woman, but asks about her with feigned negligence.

Relations between Bazarov and Odintsova

Anna Sergeevna also became slightly interested in Evgeniy. She invites him to stay at Nikolskoye, her estate. Bazarov accepts this invitation, this woman interests him. In Nikolskoye they spend a lot of time walking around the neighborhood. They talk a lot with each other and argue. Evgeny Bazarov, in Odintsova’s eyes, is a very interesting interlocutor; she sees him as an intelligent person.

What about our hero? It must be said that after the trip to Nikolskoye, love in Bazarov’s life ceases to be only something that does not rise above the level of physiology. He truly fell in love with Odintsova.

Tragedy of the Nihilist

So, a change has occurred in Bazarov’s soul that refutes all his theories. His feeling for Anna Sergeevna is deep and strong. Initially he tries to brush it off. However, Odintsova challenges him to a frank conversation while walking in the garden and receives a declaration of love.

Bazarov does not believe that Anna Sergeevna’s feelings for him are mutual. Nevertheless, the love in Bazarov’s life instills in his heart hope that she will be disposed towards him. All his thoughts, all his aspirations are now connected with one single woman. Bazarov only wants to be with her. Anna Sergeevna prefers not to give him hope for reciprocity, choosing peace of mind.

The rejected Bazarov is having a hard time. He goes home, trying to lose himself in work. It becomes clear that Bazarov’s previous attitude towards love is forever in the past.

Last meeting

The main character was destined to meet his beloved again. Being terminally ill, Evgeniy sends a messenger for Anna Sergeevna. Odintsova comes to him with a doctor, but she does not rush into his arms. She was simply afraid for Bazarov. Evgeniy dies in her arms. By the end of his life he remains absolutely alone. Bazarov is rejected by everyone, only the elderly parents continue to selflessly love their son.

So, we see how much Bazarov’s attitude towards love changed when he met his feminine ideal in the person of Anna Sergeevna. The tragedy of this hero turned out to be very similar to the love disappointments that probably everyone experienced. We meet a person whom we consider ideal, but he turns out to be unattainable for some reason. We suffer from lack of attention, not noticing that loved ones are ready to give a lot for us. Towards the end of his life, Bazarov finally begins to understand the power of parental love: “People like them cannot be found in our world during the day.” However, such an important understanding comes to him too late.

In “Fathers and Sons,” Turgenev applied the method of revealing the character of the main character, already worked out in previous stories (“Faust” 1856, “Asya” 1857) and novels. First, the author depicts the ideological beliefs and complex spiritual and mental life of the hero, for which he includes conversations or disputes between ideological opponents in the work, then he creates a love situation, and the hero undergoes a “test of love,” which N.G. Chernyshevsky called “a Russian man on a rendez- vous." That is, Turgenev places the hero, who has already demonstrated the significance of his character and ideas, in life circumstances that require character and the application of ideas in practice - to overcome specific life obstacles. At the same time, in none of Turgenev’s works are the circumstances of the “test of love” repeated.

Thus, in the novel of the same name (1855), Dmitry Rudin fell in love with a wonderful girl, Natalya Lasunskaya. She is the first to confess her love, and then Rudin, who is in love himself, retreats. He is not sure that he can arrange a decent life for Natalya, he is afraid to take responsibility for her fate, so he advises her to submit to the will of her aristocratic mother, who will never agree to the marriage of her daughter and the poor philosopher Rudin. “Submit! So this is how you apply in practice your interpretations about freedom, about sacrifices...” (IX), Natalya sums up Rudin’s lofty calls. The scene of the last explanation at the abandoned pond proves the failure in life of Rudin, an excellent speaker and an insecure person, helpless in real circumstances.

Fyodor Lavretsky in the novel “The Noble Nest” (1858) is depicted as a mature man who has seen a lot (Russia and France, capitals and provinces), changed his mind a lot (ideas of Westerners and Slavophiles, relations between the nobility and the people), experienced a lot (love for his wife and her betrayal ). Lavretsky meets Lisa Kalitina, who is distinguished by her extraordinary spiritual and moral sensitivity. At first he falls hopelessly in love with Lisa, and after the news of his wife’s death he begins to dream of personal happiness. But the sudden arrival of his wife (the news of her death turned out to be false) shatters all his hopes. The hero does not try to do anything in the current situation, he immediately resigns himself to his tragic fate, as evidenced by the last farewell meeting of the main characters (ХLII). Lisa goes to a monastery, and Lavretsky remains a lonely, restless person.

The main character of the novel “On the Eve” (1859) is a poor student at Moscow University, a Bulgarian by nationality, Dmitry Insarov, a man with a strong character, purposeful, inspired by the great idea of ​​​​the fight for the freedom of his homeland. This hero opposes “rodents, Hamletics, Samoyeds” - Russian noble intellectuals, heroes of Turgenev’s first novels. A young noblewoman, Elena Stakhova, falls in love with Insarov, captivated by the heroic personality of the Bulgarian, his passionate love and at the same time proud modesty, self-confidence (which was not the case in Lavretsky), and lack of posturing (which Rudin was guilty of). In the scene of the declaration of love, Insarov declares that he cannot give up the main goal of his life - the fight for the liberation of Bulgaria from the Turkish yoke, but Elena, approving of this high and noble goal, is ready to share with him all the difficulties of the dangerous heroic struggle (XVIII). This is how Insarov and Elena find happiness without opposing their love to another important goal - the fight for the freedom of Bulgaria.

So, the main characters of the reviewed novels by Turgenev, except for the Bulgarian patriot Insarov, did not pass the “test of love”. What can be said about Bazarov in this regard?

Before meeting Odintsova, Bazarov had little understanding of what love was. Having heard from Arkady the story of Pavel Petrovich and Princess R., the young nihilist sarcastically asks: “And what is this mysterious relationship between a man and a woman? We physiologists know what this relationship is. (...) This is all romanticism, nonsense, rot, art” (VII). In other words, in love he assumes pure physiology, and denies spiritual closeness, the heartfelt attraction of lovers to each other. While in women he is attracted only by external beauty. Having met Fenechka in the garden, he immediately asks Arkady: “Who is this? How pretty!” (IX); Having heard from Sitnikov about Kukshina’s emancipation, he clarifies: “Is she pretty?” (XII); Having noticed the beautiful Odintsova at the ball, he sums up his impression: “Whoever she is - just a provincial lioness, or an “emancipe” like Kukshina, only she has such shoulders as I have not seen for a long time” (XIV).

But now, after living for two weeks at Odintsova’s estate, he feels that he has fallen seriously in love, and now he appreciates not only the beautiful shoulders, but also the strong character, tactful behavior, intelligence, care for his younger sister Katya, that is, the spiritual qualities of Anna Sergeevna . He, contrary to his theoretical convictions, succumbed to that same romantic feeling of love, which he “called rubbish, unforgivable foolishness” (XVII). It is not easy for the proud, self-confident Bazarov to abandon his previous views on love, but the young nihilist did not long carry around his resentment towards life, which refuted his beliefs about love. “Ideal” (that is, spiritual) love exists, and Bazarov, without wasting much time on romantic hesitations and fruitless yearnings (as the loving heroes of Turgenev’s previous works did), declares his love to Odintsova. Thus, thanks to his determination, Bazarov adequately passed the first, but not the main, “test of love.”

He accomplishes everything he sets out to do. It seems that it is no coincidence that Arkady listens to the following reasoning from Bazarov: “... in my opinion, it is better to break stones on the pavement than to allow a woman to take possession of even the tip of a finger. (...) A man has no time to deal with such trifles” (XIX). After staying with Arkady for three days with his parents, Bazarov returns to Maryino, where he left “all his drugs” (XXI) and where he can continue his real work - research experiments - without interference. There, the young nihilist is trying to “get some sense” (XVII) from Fenechka, who was affectionate with him and seemed to him simple and undemanding in amorous matters. However, here too he was mistaken: the kiss in the gazebo offended Fenechka: “It’s a sin for you, Evgeny Vasilyevich,” she whispered as she left. Genuine reproach was heard in her whisper. Bazarov remembered another recent scene, and he felt ashamed and contemptuously annoyed” (XXIII).

To defeat his unhappy love, the hero needs not only personal determination, but also time, which, as we know, heals everything. But Turgenev does not give the young nihilist time: about a month after the explanation with Odintsova, Bazarov becomes infected with cadaveric poison and, after being ill for a week, dies. Only by understanding the circumstances of the hero’s illness can one decide whether Bazarov passed the “test of love” or not. If, during the autopsy of a typhoid corpse, the hero accidentally cut himself, then it is logical to assume that he could overcome his love for Anna Sergeevna in his soul, not “sour” for the rest of his life, like Pavel Petrovich, but take up a more important matter for which he was preparing himself. Since he had the mental strength to resist a fatal illness, he would be able to overcome unhappy love over time.

But there are strange details in the circumstances of Bazarov’s infection. The hero cut himself, although he constantly dissected frogs and, therefore, maintained his surgical skills. In addition, when the district doctor did not have a hellish stone, for some reason Bazarov did not use another life-saving remedy - he did not cauterize the cut with an iron. A suspicion arises that the hero deliberately became infected and chose to die so as not to be tormented by mental anguish due to unrequited love. Therefore, he did not pass the “test of love.”

So, in “Fathers and Sons” Turgenev used his favorite plot device - revealing the character of the hero (his moral and business qualities) through a love story. For literary heroes of the 30-40s of the 19th century - “superfluous people” (Rudin and Lavretsky belong to this type of heroes) - “the science of tender passion” (A.S. Pushkin “Eugene Onegin”, 1, VIII) was the main , if not the only, interest in life. For the heroes of the 60s - the “new people” - in addition to love, and sometimes besides it, there were other tempting goals in life: social and entrepreneurial activities, science, artistic creativity, etc. Contrary to these differences between former and modern heroes, Turgenev bows down Bazarov, a staunch democrat, to “omnipotent love.” The writer even shows how a romantic feeling for the beautiful aristocrat Odintsova shook not only the hero’s views on love, but also his social and philosophical beliefs.

Bazarov has already doubted whether he should waste his energy on the peasants Philip or Sidor, who will someday live in white huts, and will not even remember Bazarov (XXI). He begins to think about death (“Every person hangs by a thread, an abyss can open up under him every minute...” - XIX), about the insignificance of man (“... the part of time that I manage to live is so insignificant before eternity, where I was not and will be..." - ibid).

With all this, Turgenev understood the difference between “superfluous” and “new people”, therefore Bazarov, unlike Rudin and Lavretsky, is trying to adequately withstand the “test of love”, to defeat his romantic feelings, since they are unrequited. True, he tries unsuccessfully, perhaps because the writer gave the hero too little time. Thus, Bazarov, in comparison with Turgenev’s previous heroes, is presented as a more courageous, strong-willed person, but the newer one is equally tragically doomed, as is Insarov, although the latter certainly passed his “test of love.” This is how the author’s complex attitude towards the nihilist Bazarov was revealed - respect for his personal qualities and rejection of his social program.

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    • Evgeny Bazarov Anna Odintsova Pavel Kirsanov Nikolay Kirsanov Appearance Long face, wide forehead, huge greenish eyes, nose, flat on top and pointed below. Long brown hair, sandy sideburns, a self-confident smile on her thin lips. Naked red arms Noble posture, slender figure, tall stature, beautiful sloping shoulders. Light eyes, shiny hair, a barely noticeable smile. 28 years old Average height, thoroughbred, about 45. Fashionable, youthfully slender and graceful. […]
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    • Bazarov and Odintsova.
    In his bitter feeling for Odintsova, he reveals himself as a strong, passionate, deep nature. And here his superiority over the people around him is manifested. Pavel Petrovich’s romantic love for Princess R. was humiliating and fruitless. Arkady’s feeling for Odintsova was a slight sentimental infatuation, but his love for Katya was almost the result of only the subordination of a weak nature to a stronger one. And, the attitude of the Kirsanov brothers towards Fenechka? Pavel Petrovich himself exclaims in delirium:
    “Oh, how I love this empty creature! »
    Bazarov loves differently.
    His views on women and love are sometimes called cynical.
    Is it really?
    In his attitude, for example, towards Fenechka there is more humanity and respect than in Pavel Petrovich’s absurd passion for her. “She’s a mother - well, she’s right,” says Bazarov, rightly believing that Fenechka has nothing to be embarrassed about and consider herself a second-class person in front of the Kirsanovs. It was not for nothing that Fenechka felt trust in Bazarov. “In her eyes, he was an excellent doctor and a simple man.”
    Before meeting Odintsova, Bazarov obviously did not know true love. His first words about Odintsova are rude. But this rudeness, caused most of all by an aversion to “beautiful” words, should not be confused with cynicism and vulgarity. The attitude of the provincial “society” towards Madame Odintsova, who pursued her with dirty gossip, was cynical. Bazarov immediately saw in Odintsova an extraordinary person, felt involuntary respect for her and singled her out from the circle of provincial ladies: “She’s not like other women.” Bazarov’s swagger and “breaking” in a conversation with a new acquaintance were evidence of his embarrassment and even timidity. Clever Odintsova understood everything, “and it even flattered her. Just the vulgarity repulsed her, but no one would blame Bazarov for vulgarity.”
    Odintsova is worthy of Bazarov in many ways. And this elevates him. If he fell in love with an empty, insignificant woman, his feeling would not evoke respect. Bazarov willingly expresses his views to Odintsova, seeing in her an intelligent, understanding interlocutor. In his conversations with her there is no anger, sarcasm, or exaggeratedly harsh judgments, as in arguments with Kirsanov. In conversations with Anna Sergeevna, he expressed his indifferent contempt for everything romantic even more than before, and, left alone, he was indignantly aware of the romantic in himself. 1
    The background against which Bazarov’s explanation with Odintsova takes place is a poetic picture of a summer night. In the scenes of Bazarov’s explanation with Odintsova, one is captivated by his stern directness, honesty, and lack of any kind of panache. Directly, without mincing words, he calls her an aristocrat, condemns what is alien in her. When asked by Odintsova whether he could completely surrender to the feeling of love, he honestly answers: “I don’t know, I don’t want to brag.” 2 And, meanwhile, we see that he is capable of greater feeling. The condition “life for life” seems fair to him. But, from his words, Odintsova could conclude that this man, no matter how much he loved, would not sacrifice his beliefs in the name of love. Wasn’t this what scared Odintsova away? After all, her beliefs were fundamentally at odds with Bazarov’s. And, if for him convictions are more valuable than love, then for her peace and comfort are more important than love.
    Bazarov’s love for Odintsova reveals his masculinity and determination.


    Each person is guided not only by what his mind tells him, but also by what his heart tells him. Some believe more in feelings, others - in reason. A striking example of the second type of people is (it is better not to use this official business verb in an essay) the hero of I. S. Turgenev’s novel “Fathers and Sons,” Evgeniy Vasilyevich Bazarov.
    Bazarov is a representative of the democratic part of Russian society in the 60s of the 19th century. At this time, contradictions between revolutionary-minded democrats and nobles were intensifying in Russia. The task of I. S. Turgenev is to most truthfully and naturally recreate the images of both. The main problem of the novel is, of course, the conflict between two generations. The characteristic features of the new generation are embodied in the image of Bazarov. The hero’s views have already been formed, and he acts in accordance with his principles, which play a major role in his life. Bazarov is a nihilist, that is, a person who “does not bow to any authority, who does not accept a single principle on faith.” Indeed, the hero is always true to himself and has his own point of view on every issue, including the issue of love (an unfortunate combination, it is better to write “including about love”).
    This feeling is usually little controlled by the mind, yet Bazarov is firmly convinced that love can only be considered from the point of view of simple physiology: there are no “mysterious relationships between a man and a woman”, there are no “mysterious views” based on the anatomy of the human eye (grammatical error: a view cannot exist on the basis of anything). He does not believe in love, denies it, considers it “romanticism, nonsense, gilly and art.” The hero believes that a woman should be treated simply: if you can get some sense, don’t back down, if not, then leave everything as it is. At the same time, Bazarov is a “hunter of women,” which is confirmed by his relationship with Fenechka. This is just a light flirtation, a meaningless hobby, a fleeting love affair. The hero is always ready for such entertainment; they amuse him, but never touch his soul. This suits Evgeny Vasilyevich quite well.
    However, Bazarov treats women very cynically (a factual error associated, apparently, with an inaccurate understanding of the meaning of the word “cynical”), which sometimes even offends or puzzles those around him, but this does not bother the hero very much. Why is Bazarov so dismissive, categorical and always looks down on women? Perhaps he was dealing with completely undeveloped, far from graceful women (speech error: a woman’s grace refers to her appearance and has nothing to do with her development), and therefore, unable to greatly interest him.
    What test does fate subject the hero to? A woman with a flexible mind and strong character appears on the path of a free-thinking nihilist. Anna Sergeevna Odintsova received many lessons from life, learned the severity of people’s rumors and yet managed to get out of the fight with society with dignity and lead a quiet existence that completely satisfied her.
    In my opinion, from the very beginning these people were incompatible. Two such strong, extraordinary personalities would always try to get the better of each other. And yet, at first, feelings overcame reason.
    Bazarov has changed. He began to get nervous in the presence of Anna Sergeevna: “He slowly ran his long fingers over his sideburns, and his eyes ran to the corners.” The hero began to talk less with Arkady, and in general a feeling of “newness” began to visit him, the cause of which was a feeling that tormented and enraged the hero. However, he did not want to admit that he was in love. And could he, given his principles?
    And yet, at first, the heart spoke louder than the theory. Preaching the principle of turning away from a woman if it becomes obvious that you won’t get anywhere with her, Bazarov could not turn away from Odintsova. Without recognizing anything romantic, Eugene discovered the romantic in himself and caught himself with “shameful” thoughts. The nihilistic theory was overthrown, it slowly began to crack and eventually shattered into pieces that could not be assembled (stylistic error: false beauty associated with an unsuccessful, unmotivated metaphor). Just recently, Bazarov grinned at (grammatical error: you can mock someone) Pavel Petrovich, who devoted his whole life to tragic and unrequited love, and now the hour is uneven (speech error: the phrase means “what if”, “you never know what can happen” and meaning is not appropriate in this context) all the emotions and feelings (speech error: emotions and feelings are the same thing) of the hero, which have been tearing him apart for so long, spill out: “So know that I love you, stupidly, madly... Here what have you achieved?
    What did the collapse of principles lead to? Fortunately? To a change in worldview? No! After all, Odintsova did not truly love Bazarov. Yes, she thought about him, his appearance immediately revived her, she willingly talked to him. Moreover, Anna Sergeevna did not want him to leave, to some extent she missed him. And yet it was not love.
    Seeing Bazarov’s state after his declaration of love, she felt “both scared and sorry for him” (grammatical error: the participial phrase must refer to the same character as the predicate, and there cannot be a character in this impersonal sentence). And finally, at the very end of the novel, the heroine admits to herself that she would not have felt the same way when she saw the sick Evgeniy Vasilyevich if she really loved him. But Bazarov’s death may also be connected with failed love.
    I sincerely feel sorry for Bazarov, but, on the other hand, I respect Odintsova for her sincerity and strength of character, because I believe that if she was capable of loving, then only such a strong and intelligent person as Bazarov. But it probably wouldn't make her happy. Having realized this in time, she saved herself from unnecessary suffering. (The author deviates from the topic.) But Bazarov could not realize this (it’s not clear - what?), he could not see that because of his feelings, which were much more serious and deeper than Odintsova’s feelings, he would sooner or later become dependent on a woman and would have to give up everything he believes in. But he probably couldn’t stand this.
    Thus, Bazarov’s theory is refuted. Love exists, it can make a person suffer, you can devote your life to it. Probably, Bazarov lived too long without deviating a single step from his principles, and one day he was bound to be disappointed in some of them. But the disappointment was too severe.
    Disappointment in love is a frequently encountered motif in Russian classical literature. It was tested by Chatsky and Onegin, Pechorin and Andrei Bolkonsky. But none of them had to struggle not only with circumstances, but also with themselves, and in this struggle the strength of the personality of Turgenev’s hero emerges all the more clearly.

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    Basically, the topic of the essay is revealed. It would be better to write more about the relationships between the characters. Speech errors and content flaws are few. Rating: “good”.



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