Vasily Kashevarov: “Anyone who really wants to can sing. Vasily Kashevarov: “Anyone who really wants to can sing. We present to you the vocal self-instruction book “Vocal Lessons”
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Today is another vivid example of how to do what you love and make good money from your passion, hobby. Another example of the successful transfer of an offline business to an online business.
An example of how to automate your business, how to turn your passion into an information business. And, of course, another success story. We will talk about Vasily Kashevarov.
Vasily Kashevarov – musician and vocalist
Vasily Dmitrievich Kashevarov is a young, successful, full of positivity, creative ideas and business ideas, vocalist, musician, producer, composer, arranger, information businessman.
Vocal and musical instrument teacher, author of a popular music blog. Back in 2013, Vasily Kashevarov sold his video lessons for one million dollars.
Kashevarov was born in 1986, at the moment he is only twenty-nine years old. Vasily Kashevarov has been interested in music since childhood and has been studying it since he was eleven years old.
Kashevarov graduated from music school with a degree in piano. Then the jazz vocal studio and the Institute of Contemporary Art were completed, Vasily also studied at the Gnessin Academy.
Musical hobbies of Vasily Kashevarov
Vasily Kashevarov himself prefers such modern trends in music as pop-rock, funk and house. Kashevarov records his own music and has his own offline music school.
Vasily Kashevarov tried himself as a member of rock groups and jazz bands. Vasily taught classical and electric guitar. But it is Vasily Koshevarov’s online projects that are most widely known.
The purpose of creating them was to give every person the opportunity, no matter if he lives in Moscow or somewhere thousands of kilometers from the capital, to learn vocals, to learn the secrets of how to learn to sing from leading experts.
After all, there are a lot of talented people who lack professionalism and Koshevarov’s courses and his video lessons give talented people the opportunity to improve their vocal level.
After all, Kashevarov’s courses are cheaper than taking lessons with a live vocal teacher, and their quality is very high. Kashevarov also has a dream to raise our Russian music to a new and better level. Currently, Vasily runs the online vocal academy of Vasily Kashevarov.
Vasily Koshevarov not only teaches music, he also actively teaches the basics of information business. For example, on Azamat Ushanov’s video channel, he talks about how to organize sales of your own or someone else’s information product and automate this process. He appears as a speaker at information business conferences. For example, on “Infoliders -2013”.
Blog of Vasily Kashevarov
Vasily Kashevarov’s music blog has a huge number of lessons, tips, training videos, both paid and free content of very high quality.
There are a lot of positive reviews on the Internet about the lessons and training courses of Vasily Kashevarov from his students from different cities of Russia.
Vasily Koshevarov’s website has interesting offers for information businessmen who are interested in affiliate programs.
Information products by Vasily Kashevarov
Vasily Kashevarov has dozens of interesting information products. Here are some of them:
7 secrets on how to learn to sing beautifully in a free voice.
Vocal lessons;
Vocal lessons in video format;
Breathing of a Vocalist;
Piano and keyboard lessons from scratch;
Recording vocals on a computer from scratch;
Creating music on a computer from scratch;
How to open your own recording studio and build a business on it;
Development of musical ear;
Techniques for working on songs;
Drum lessons;
Smooth transitions between registers;
Vocal skills from A to Z;
Clean singing and clean intonation;
Academic vocal lessons.
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Vasily Kashevarov - short biography:
Vasily not only sings, records his songs in the studio, but also helps gifted and less gifted people to sing. He was always interested in music. In addition, he has his own music school in Moscow. Of course, before he and his colleagues taught their children directly with close contact between teacher and student, i.e. in person. However, after some time, the idea arose to expand the vocal sphere. And help people from different parts of Russia study music, because not every person has the opportunity to come to the capital.
With his video courses, Vasily Kashevarov wants, first of all, to help people from the outback understand those vocal secrets. Which were previously inaccessible to them, so that after some time they could put them into practice. Engage in creativity, that is, post your musical works on the Internet. Promote them to local radio stations and in general, make yourself known. Because so many people from the provinces really have a talent for music!
And thanks to the methodology contained in the courses, they can combine their originality with real professionalism. Vasily also has a great desire to promote our Russian music to a higher level.
Do you know that you can learn to sing on your own if you practice periodically and use techniques practiced by Western vocalists?
Do you want to learn to sing like Eros Ramazzotti, Grigory Leps, Elton John or Kipelov?
Can’t afford to study vocals with a teacher, paying him 6,000 rubles a month for lessons?
We present to you the vocal tutorial "Vocal Lessons"
What results will you get after completing the course?
- The main thing you will learn is that you will learn to sing. After just a month of training according to the course methodology, even the most inexperienced person in vocals begins to sing in a trained voice. The significant difference “before” and “after” is noted by friends and relatives of those who have already completed the course.
- If you already have experience in vocal practice, then you will significantly improve your skills by using the “free singing” technique based on technologies used in Western show business. Your singing will gain lightness and freedom. The range will expand. There will be room in your voice for improvisation. You will become more pleasant and comfortable doing what you love, and your listeners will note your increased professionalism.
- You will no longer be just a person quietly singing along to songs sounding from the speakers of a computer or radio, but a “person singing.” Confident and beautiful.
- You will be able to amaze all your friends with your vocal abilities at a party or in a karaoke club.
- Having learned to sing, a guy can easily win a girl’s heart. As you know, “women love with their ears.” And girls, in addition to charming their lovers, can become the life of the party, performing solo compositions.
The art of music is known to everyone - it relieves negative memories, gives strength, and helps to think creatively. But, unfortunately, not everyone can feel it due to the fact that not all people can sing, hear and feel the rhythm. Many teachers think so, but the person who will appear today on the pages of a women's magazine is sure that the true professionalism of a musician and teacher is determined not when he teaches a talented person, but only when he tries to reveal the inner world and depth of the voice of a novice performer , who may have already been told that he has nothing to do on the stage.
Vasily Kashevarov is a man who not only sings and records his songs in the studio, but also helps gifted and less talented people to sing. Today he will talk about the fact that you can develop your voice and start a musical career at any age, and music teachers who do not see a future artist and vocalist in an ordinary boy or girl simply do not know their business. In addition, he will share with readers his formula for success, as well as a music blog, where you can find his video lessons and start self-education...
— Vasily, probably a lot of people recognized you as a teacher and musician after you started distributing your vocal video lessons. Why did you decide to do this?
The fact is that I have always been interested in music. In addition, I have my own music school in Moscow. Of course, before, my colleagues and I taught our children directly with close contact between teacher and student, i.e. in person. However, after some time, the idea arose to expand our vocal sphere and help people from different parts of Russia make music, because not every person has the opportunity to come to the capital. That is why I decided to create my own video courses, supporting them with music tracks and recommendations. In fact, what I practice can be called virtual teaching, and it, as you know, allows a person to learn music at home. With my video course, I want to help people from the outback understand those vocal secrets that were previously inaccessible to them, so that after some time they can put them into practice, engage in creativity, i.e. post your musical works on the Internet, promote them to local radio stations and, in general, make yourself known, since so many people from the provinces really have a talent for music! And thanks to the methodology contained in the vocal course, they can combine their originality with real professionalism. I also have a great desire to promote our Russian music to a higher level.
— You just said a lot about teaching methods. Is she special in your course?
Here it is worth turning to the history of vocals. Once upon a time there was a post-Soviet school that was underdeveloped. Of course, there were some attempts to improve it when teachers traveled around the country, taught children, and worked with them. I once ended up in one of these studios, which was just beginning to develop. Vocal training here was carried out thanks to teachers from Gnesinka, however, they also lacked experience, but gradually Moscow teachers began to turn to the methods used by Westerners, because, oddly enough, they had their own vocal secrets, which after perestroika did not reach the Russians . But after I found a teacher who began to tell me how, for example, to sing in the same free and light voice as Justin Timberlake, I realized that people should know such a technique. This is probably the peculiarity of my course - to help people master not only the vocal secrets of our domestic performers, but also take something from foreign ones.
— Is promoting vocal video courses a business for you or some kind of humanitarian assistance?
I divide creativity and business into two equal halves, because, as a rule, what you give is what you get. I cannot be a complete enthusiast, but at the same time I am not a full businessman, because I have many free lessons that can also be found on the Internet. If I completely become a businessman, neither people nor I will like it, moreover, the business itself will fall. Therefore, creativity is certainly present in my practice.
— How did the idea of creating the first lesson come about?
— At the initial stage of your teaching career, were you sure that your virtual lessons would help?
I assumed that they would indeed be useful to many for the simple reason that they help me. As I said earlier, I created my lessons, on the one hand, for people, and on the other, for myself. For example, I imagined that I lived in a small town far from Moscow, where I did not have a musical instrument, but I did have a computer. To begin with, I naturally need a teacher who can tell me about some basic techniques used in music and help me put them into practice. Because this is really the main system by which people learn vocals, i.e. in essence, the teacher first tells the theory, and then helps you sing, and do it correctly. I do pretty much the same thing. But, unfortunately, there are a number of disadvantages to virtual learning. For example, if in a real school I can correct a student who sang a note incorrectly, here I won’t be able to do this, i.e. a person must hear himself and correct himself. And this is very difficult to do, especially for a beginning vocalist. But nevertheless, I strive to teach the children to work independently, because in this way they do not depend on their teacher. In fact, this is one of the most common mistakes a vocalist makes, because when he leaves his teacher, he simply loses experience. Therefore, it is advisable to work independently, and, of course, evaluate your voice, and this can be done by recording it on a computer, which I have repeatedly talked about in my courses.
— Many teachers claim that not every person can sing due to the fact that not everyone has a developed ear, a good voice, and in general there is no talent. Do you think so too?
No I do not think so. You know, I had a teacher who already had enough experience in this area, and so she said that she was not interested in working with those who have data, she prefers to help people who do not have a pronounced talent, so that later make him an artist. This is where the true professionalism of a teacher is determined. As a rule, it all depends on the person. If he really wants to sing, then he can do it, even if he has vocals like Boris Grebenshchikov, and he has a rather strange sound delivery. I believe that anyone can learn to sing, but only on the condition that they really want it. In my practice and in the work of my colleagues, there were cases when we were able to develop an ear for music in people who simply did not have it, i.e. the person could not repeat with his voice the note he heard. But over time, of course, subject to his efforts and desire, he develops an orientation in the notes, and he begins to hear. Of course, it is difficult to develop hearing for a person who does not want it or simply does not believe the teacher. For example, I had a similar case when I came to one of my teachers to achieve some additional techniques in vocals, but somehow I couldn’t hear the teacher, to which he answered me - either you accept what I I’m trying to tell you, or not...
— Is it difficult to trust the teacher?
Here you need to rely on intuition, i.e. With some sixth sense you understand that this teacher is right for you. Sometimes it happens that a student goes to a lesson with a teacher who practices pop vocals on the basis of academic ones, while the person needs exactly pop vocals. And here a barrier arises, during which the student does not understand that the result and his well-being as a vocalist depend on this, i.e. He should also like the teacher as a person. Of course, you cannot consider him as a friend; rather, you need to evaluate him from the point of view of professionalism and rely on your intuition.
— What are the most common mistakes you have encountered in vocals, and which do you find in your students?
— Do you accept everyone into your vocal school? Do people come to you asking to teach you how to sing from scratch?
We accept everyone who really wants it into our vocal school, but why should we refuse? People of different ages really come to us who want to learn how to sing, and I don’t believe that a person cannot achieve this. As I already said, here everything depends only on the desire of the singer, and in ordinary music schools they simply do not want to study with such children, devoting all their efforts to those in whom they noticed something musical. This is probably correct to some extent. Moreover, I am thinking about creating a special department in our vocal school, where children with pronounced talent will study, but, nevertheless, we will continue to work with a wide variety of people.
— I know that you have your own music blog on the Internet, which is located at the address “http://www.vasiliykashevarov.com”, where you can write comments. Are there any negative ones among the positive ones?
Certainly. For example, people write that I need to learn terminology, although students, in turn, say that it is absolutely unnecessary, because it only gets in the way. I completely agree with this, because even when we record songs with vocalists in the studio, we never communicate in terms, but use expressions that are more understandable to the performer. By the way, a positive result does not take long to arrive. Of course, when I decided to register my blog, I was also afraid of various negative responses, but, fortunately, there are not many of them, there are more positive ones. By the way, positive evaluations began to appear after the first month of the course. Here people thank me, they write that vocal lessons really help, many, after completing the course, began performing at musical evenings, feeling their own success and even recording albums.
— Speaking about your own career as a musician, why did you once decide to choose music?
When I was only 7, my family and I went to visit my grandmother in the village. It was then that the conversation began that the then still little boy needed something to do, and they suggested sending me to a music school. But I was not at all interested in listening, and I pretended to be asleep, but still my parents managed to enroll me in a music school for piano, where I began to learn the art of music, which initially seemed very boring to me. But, nevertheless, I studied there for three years, then quit. At the age of 11, I began studying at the pop-jazz vocal music studio. Here we not only studied music with a teacher, but also began to go to various children's competitions and give our own small concerts. By the way, we had a very good teacher, thanks to whom we received the highest awards, some even won the Grand Prix. Therefore, many of my fellow students participated in both the “Star Factory” and “People’s Artist”.
— Have you taken part in similar competitions?
I didn’t strive for this, because in the above projects there is a strong pressure from producers, because I am such a free performer. Besides, I prefer arthouse and underground.
— What musical genres do you feel most comfortable in?
Rather, it is pop-jazz vocals. But at this stage of my creative career I am not performing, of course, I am recording my musical works in the Moscow Neon studio, experimenting with the guys. For example, now we write electronic music. Previously, of course, I performed in clubs and bars, but I’m not drawn to the big stage
— Do you remember your very first performance?
The first time I performed in front of people was when I was 11. It was in the House of Culture of the city of Noyabrsk. Then I sang a children's song, which was based on the story of a watchman guarding a garden. I played a man who scares away crows to protect his fruit. There was no excitement then, probably due to my age, but meanwhile, the people who were present at the performance were very captivated by my spontaneity. Already in my teens, I began to develop self-control when I began to evaluate my performances and think about the emotions conveyed. From this moment, as a rule, problems begin, and it is at this time that stage fright, known to many beginning performers, may appear. Right now I’m finishing my lesson on this topic.
— Have there been ups and downs in your musical career?
You know, no. Rather, I tried for a very long time to find the meaning of what I do, because for a very long time I made music meaninglessly, i.e. I could do it, and I did it. I looked at my idols, admired their creativity and tried to imitate them. But all this is in the past, and now I understand that on stage you need to say something and convey the deep meaning of the song, and if you have nothing to say, then there is no point in going on it. For a long time I could not understand this. This is probably why my musical activity was somewhat dead, but now I am gaining this understanding. Speaking about the stage, there are many people in Moscow who go out on it without any purpose, just like that. For example, you can take the well-known Russian television project “Star Factory”, where hundreds, thousands of people come, just wanting to make themselves known throughout the country.
— How do you feel about the “Star Factory” project?
I noticed that there is no creativity in this competition. Basically, there is influence and control on the part of the producers, which implies a terrible suppression of talent. Among them are Masha Weber and Elena Temnikova, who now sings in the group “Silver”. By the way, I don’t like what Max Fadee made of her at all. c, because those songs that she sang before with soul and originality could be processed from a musical production point of view and turned into a truly talented project. Once upon a time, Alexa was at the fourth Factory. When I heard her songs, I didn’t feel any energy or desire to do something in music, like, for example, the singer Maxim. After all, in each of her songs I feel something, in some general atmosphere, Alexa, unfortunately, does not have this. In fact, it doesn’t matter that they invest money in a person, because if the project is good, interesting, it’s worth working on, but in the case of Alexa there was nothing special.
— Do you think that you have a talent from God?
No, probably it’s just data, because all my grandmothers sang very well, my mother sings wonderfully, although she never studied anywhere, my cousin studies music. By the way, it was my mother who insisted that I choose the musical path, because she once preferred family concerns to creativity.
Now she is engaged in social activities and organizes the work of an Orthodox youth club, i.e. works in Sunday school. In general, I believe that if a person, when performing his songs, gives something to people, brings some kind of deep meaning and works for a reason, when there is some kind of spark in him, this is probably called a gift from God, which, according to In essence, it is given to everyone, but, unfortunately, not everyone can discover it within themselves.
— Do you write your own musical works?
— What is your most vivid memory from childhood?
You know, I really love my village, where I spent my entire childhood. Every summer, for 3-4 months, we came here with the whole family and relaxed. Here, freedom and real life seem to be in the air.
- You travelling?
Not now, but I was once in Ireland, where the environment is very clean, and the air even in the center is fresh and as grassy as in the village.
— Do you have your own formula for success?
As such, no, but it is probably very important to work hard, not be lazy and pay attention to details.
Dossier:
Vasily Dmitrievich Kashevarov
Born: June 22, 1986
Education: music school for piano, vocal studio “Pop and Jazz Vocals”, Institute of Contemporary Art
Music genre: pop rock, funk, house
Favorite classic literature: Tolstoy, Pushkin “The Captain’s Daughter”.
Interviewed by Anna Kondratieva