Drawn emotions. Drawing lesson “Depiction of human emotions” (for children of middle preschool age)
There are millions of eyes, mouths, noses, ears, chins in the whole world and each with its own characteristics. However, to make cartoon faces, you just need to understand the basics. In this tutorial we will learn how to create emotions on the faces of cartoon characters in just a few steps.
Human facial behavior
Just like tone of voice, facial expression can be easily and quickly changed. Different expressions are not only the result of muscle contraction, but also the simultaneous action of some and relaxation of opposing muscles. For example, laughing and smiling use the same muscles, just with different intensities.
If you were asked to describe what feelings are depicted below, what would you say?
Surely you will say that the boy is thinking about something. Not really. This image expresses a complete lack of expression, since none of the facial muscles are tense.
In fact, this is the facial expression people use 80% of the day. When a person is alone, this is the expression on his face, but when a person is in a company, listening or talking, his face usually expresses various emotions.
Primary Emotions
Primary emotions are those emotions that arise from primary stimuli and people do not have sufficient control over them and their origin.
These basic emotions are expressed on our face regardless of culture, race or age. Below are the main ones:
- Happiness (1): The corners of the lips are raised upward - the eyebrows are raised upward - the eyes are wide open;
- Anger (2): The corners of the lips are lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are wide open;
- Fright (3): The corners of the lips (sometimes the entire line of the lips) are randomly lowered down - raised eyebrows of an irregular shape - eyes wide open;
- Sadness (4): The corners of the lips are lowered down - the tips of the eyebrows near the nose are raised up - the eyes are with drooping eyelids.
These are the basic facial expressions and the ones we use most often throughout our lives. For a cartoon, it is mainly necessary to develop other expressions based on the basic ones.
There are two more expressions that complement the group of basic ones:
- Surprise (5): Small and half-open mouth - eyebrows raised above irregular shape - eyes wide open;
- Nonsense! (6): The corners of the lips are randomly lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are closed.
“Why was it necessary to separate these two emotions from the first group?”
Simple: these expressions are variations of the first group of expressions.
Now, you might be wondering, why are there so few basic forms of expressing emotions? It's very simple: there are primary colors that can be mixed to create others, just as there are primary emotions that can be mixed to create other secondary expressions! Just take a look:
Note that to create the sleepy expression, we took the brows from the expression of happiness and mixed them with the almost closed eyes of sadness. Cool, isn't it?
Family emotions
The fun doesn't end there! The family of emotions consists of those emotions, for the construction of which it is necessary to change only one component in the previous one.
Note that only the mouth has been changed in the drawing. We can express two different feelings, starting from the basic (“nonsense!” - “something smells unpleasant”).
Here is another example (“surprise” - “fear”):
Here, too, only the mouth was changed.
This time we use the mouth and eyes to create another version of the same primary emotion ("surprise" - "confused").
We can extract the third emotion from the secondary one:
Fantastic, isn't it? It's entirely possible that you'll end up with dozens or even hundreds of possible emotional faces for your design by applying these techniques!
The physical side of emotions
Primary emotions and physical states are very close concepts. One form of emotion can mean another.
Please note that the physical emotion follows from the primary one. Fatigue comes from sadness.
We can enhance the emotion by simply adding an additional element - drops of sweat (“hot”):
Let's look at another example of a physical reaction. This time our character is being electrocuted! In short: control over the reaction is completely lost!
We exaggerated the expression of the mouth to get the desired result.
Please note that primary emotions are dominant. Shock, even if uncontrollable, is a variant of fear.
Intensity and additional elements
Depending on the intensity of the expression of emotion, we can create very interesting results:
In addition to intensity, we can insert additional elements into the image to enhance the emotion. In the first image we will add a few drops of sweat, which emphasizes the fear. In the second case we add a language.
Let's return to fear. Let's adjust the image to explore a more intense feeling of panic!
We enlarge the character's eyes and close his face.
Angle changes
To achieve a stronger impact, you can change the viewing angle of the scene.
Please note that when placing the stage corner from top to bottom, it creates an impression of inferiority to our character. In contrast, when we position the camera from bottom to top, we make our character more threatening! The prominent chin and sneer help create the perfect atmosphere for expressing menace!
In cartoon style, menacing characters tend to have large chins, weak characters have large eyes but smaller jaws, and the mouth is always very close to the chin.
Try these methods in your projects and you will see!
Playing with social stereotypes and context
To make our characters more stereotypical, we can add some elements that reinforce the context of the scene.
Please note that the drunk has dirty hair, an unshaven appearance, heavy eyelids and one tooth sticking out of his mouth. The patient has a large nose and considerable age, his eyes are closed and saliva is visible when coughing.
Here's another example. The picture below can be applied in several contexts. The man on top feigns pain, the man below feigns rage.
Let's change the picture. Let's add tears to two characters and a cloth to the hand of one of them and they cry.
Facial signals
People use facial expressions to convey certain signals to other people.
Below is a clear example of signal exchange. The heartthrob directs his gaze to the girl. Did she fall in love with him?
Let's look at another example. A common cartoon scene: a cute girl who always gets what she wants.
Let's change the context. We only changed the direction of the eyes. This detail made the girl more shy.
Conclusion
If you have difficulty expressing the feelings and emotions of your characters, then the best way to achieve results is to practice perceiving the emotions of other people.
We hope you are motivated to learn how to express different emotions. And remember that for caricatures you need to exaggerate expressions and understand the basics of instantaneous expression.
Translation - Duty room.
We see millions of eyes, mouths, noses, ears and chins in this world, and each one is special. At the same time, to draw cartoon faces, knowing the basics is enough. Once you've mastered these, add an understanding of depth, then make sure your head drawing looks three-dimensional (3D), and master the technique of drawing from any angle. If you can do all this, great! However, if you really want to get attention for your art, you'll have to master a technique that allows you to bring characters to life through facial expressions!
Anyone can draw a face. Draw a circle, add a few dots and lines - and anyone who looks at your drawing will say that this is a face. On the one hand, it seems so easy to do, but on the other, it can be very difficult when feelings and emotions appear...
Human facial expressions
A person's facial expression, as well as their tone of voice, can be easily changed. Expressions appear on the face not only as a result of the contraction of certain muscles; in fact, some muscles contract at the same time, while those opposite them relax. For example, the same muscle groups are used in both laughter and smiling, but with different intensity.
If I asked you to name exactly all the feelings you see in the picture below, what would you say?
I know what you will answer. You will probably say that you see an image of calm and reflection. Perhaps he was thinking about something. In reality, everything is not like that! In this picture we see a complete absence of emotion, since not a single muscle is involved. Since there are no emotions, perhaps the best descriptions would be the words “calm” and “relaxed.”
It's completely natural to use this expression in your drawings. Why not? - 80% of people have this exact facial expression most of the day! However, people only have this expression when they are alone. After all, when a person looks at another person, or when he finds himself in a certain situation, a reaction inevitably occurs. And it will have its own reaction! In animation, we inflate this effect to the maximum so that our audience can clearly see what emotions are expressed on the face.
Primitive emotions
Primitive emotions are those emotions the occurrence of which we, human beings, do not particularly control. This means that such an emotion is not easy to stage. Let's say it arises suddenly, in response to a primitive stimulus.
Primitive emotions are expressed regardless of our culture, nationality or age. Below I will give you examples of the most basic ones:
- Joy (1): the corners of the mouth are raised, the eyebrows are raised, the eyes are wide open.
- Anger (2): the corners of the mouth are drawn down, the eyebrows are raised at an angle, and the inner edges are drawn down, the eyes are wide open.
- Fear (3): the mouth is slightly distorted, the corners go down, the eyebrows are raised up, while the eyebrow line is uneven, the eyes are wide open.
- Sadness (4): the corners of the mouth are rounded downwards, the inner corners of the eyebrows are slightly raised, the upper eyelids “hang” over the eyes.
These are primitive facial expressions that appear on our faces quite often throughout life. To draw cartoon characters, you need to master these four expressions. From them we can create all other emotions.
There are a couple more expressions, they are less often classified as primitive, but they are also included in the group of basic expressions.
- Surprise (5): the mouth is small, half open, the eyebrows are raised, the eyebrow line is slightly uneven, the eyes are wide open.
- Annoyance (6): the mouth is twisted, skewed, the eyebrows are lowered, the inner tips of the eyebrows are directed downwards, the eyes are closed.
"Why on earth are you separating these two from the first group?"- The answer is simple: If you pay attention, each of these expressions is a combination of expressions from the first group.
Now that you're familiar with the basic expressions, you're probably wondering why there are so few of them. It's simple: we have primary colors, and there are enough of them to mix any colors you want. In the same way, other facial expressions can be made from primitive emotions! Take a look:
To create a sleepy facial expression, we took the eyebrows from the expression joy and added to them half-closed eyes from sadness. Great, isn't it?
Related Emotions
That's not all! You can create related emotions, just take the most similar emotion and change only one element in the face, and a another one emotion!
Note that in these two drawings, only the mouth has been changed. We can express two types of disgust by changing one single part of our face! (captions on the picture: “Damn!” and “Stink!”) Below is another example:
Let me remind you that all we had to do was change the mouth to create the necessary emotion. (Captions in the picture: “amazed”, “afraid”.) This time we slightly redraw the mouth and eyes to complement the variation of the main emotion. (Captions on the picture: “amazed” “confused”).
Emotions can be drawn not only on the basis of basic ones. You can draw a third level of emotions based on the secondary ones. Look:
As before, it was only necessary to redraw the mouth. (Signatures: “sleepy”, “in love”). Amazing, right? With this technique, your designs can be brought to life with dozens, maybe hundreds of emotional faces!
Emotions expressing physical state
Physically based emotions rely on the same concept of basic emotions, but they differ in that they can take different unpredictable forms.
Note that physical state emotions are also drawn based on primitive emotions. Fatigue taken from sadness. An emotion can be expressed using an additional element, such as drops of sweat (Caption: “heat”):
Let's look at another example of a spontaneous reaction that we don't really know how to control. This time our character was electrocuted! In short, he has no control over his reaction!
When we experience shock, it is difficult to control, which gives us an advantage in drawing cartoon characters - we can exaggerate this expression as much as possible and achieve the desired effect. In this case, we have significantly enlarged the mouth.
Please note that primitive emotions always dominate. Shock, even in its uncontrollable form, is nothing more than fear. As for physical emotions, the interesting thing is that in real life we express them without really thinking about how they arise, since we are subject to external factors and other conditions.
The power of emotions and additional elements
Cartoon facial expressions can also change depending on the strength of the expression. By changing the intensity, we achieve very interesting results:
Vegeta? (If you don't know, he's a Dragon Ball character). (Captions under the pictures: “shock”, “huge shock!”) In addition to intensity, additional elements can be added to enhance the effect. In the first image we added a few beads of sweat flying off the face to emphasize the expression of fear. In the second, the tongue will stick out to enhance the desired effect.
Returning to fear, let's look at how to draw a stronger feeling - panic!
We increased the size of the eyes and “forced” the character to cover his face - the result was an amazing effect! Congratulations! (Caption under the picture: “scared to death”). Changing perspective
To make a facial expression make a deeper impression and to achieve a more dramatic effect, you can change the angle. That is, change from which point you look at the scene: you can create unusual situations. If you place the point of view from an unfamiliar angle, you will put your character in an "uncomfortable" position. This will give the scene more dynamics.
Here's an example of how changing perspective affects the power of expression. Please note that with a top-down perspective, the effect of the character’s humiliation is automatically created, we seem to “force” him to shrink, he looks more fragile compared to the threat. In contrast, from a bottom-up perspective the character appears more menacing. A jutting chin, a grin and a wild look create the perfect atmosphere for intimidation!
In cartoons, bad characters often have large lower jaws and small eyes. In this case, a weaker character will have large eyes and a more expressive, but small lower jaw, and the mouth is usually located lower at the chin. Try this technique in your designs to see for yourself!
Playing with conventional stereotypes and context
To create a stereotypical character, you can add minor elements that complement the context of the scene. Some of these methods can create an immediate effect, since we are accustomed to holding stereotypical information throughout our lives. This is influenced by many factors, in particular: cinema, television and certain people in everyday life.
Let's take a drunkard for example. Tangled hair, unshavenness, heavy eyelids, lack of teeth - and we have before us a classic drunken slob. We grow up and get used to the fact that such traits distinguish a person who has been abusing alcohol for a long time. The sick person is depicted as older and has a swollen nose. Closed eyes and drops of saliva indicate that something is wrong with his health.
Here's another example. The picture below fits in different contexts. On the one hand, the person above may be in serious pain, while the person below is torn by rage.
Let's add a few details to make a real difference. See what happened? All you had to do was add tears and a handkerchief, and it became obvious that both were crying.
Additional elements change the context of the scene. Signal exchange
If we add to all of the above the numerous ways in which we exchange specific signals with other people, our face holds many surprises for us. This is because, like physical states, we do not have much power over such “signs.” Because of this, we sometimes react completely unexpectedly to ourselves, often succumbing to the will of our feelings.
Below is an example of "signal exchange". Lovelace fixed a fatal gaze on the girl in order to woo her with his magic of seduction. She responds with a look filled with passion. Do you think she fell in love with him?
Let's look at another example. The picture below is quite typical in cartoons: a pretty girl "makes eyes" so that she always gets what she wants and looks very cute at the same time.
Well, who can resist such a pretty face? Let's change the context. We change the direction of her gaze, and now she is already looking away from the character in front of her. Now she looks more timid. Great, right?
In addition to the new direction of the look, we added a little blush to the cheeks, and now we have a completely shy girl. Conclusion
If you find it difficult to draw feelings and emotions in your characters, one of the best ways to learn how to do it is to try it yourself imitate these emotions. This way you will train your personal perception and add new techniques to your arsenal.
The expression of emotions and feelings in animation is a vast topic to study and goes far beyond facial expressions. As stated above, we are completely in control of our emotions until we lose control of them; for example, until a dog bites us.
Want to do an experiment? Invite your family to take a photo together and notice how they all smile the same way - this is a controlled emotion, we know how to express feigned joy if necessary. Now give them a good scare, and you will see how differently fear is reflected on their face!
I hope you're now inspired and ready to try out what you've learned here - drawing different emotions on your characters' faces. Don't forget that in animation we exaggerate most of these expressions; It is also important for you to understand at least the basics of how emotions are expressed on the face - this way you will help your viewer see what you want to convey.
Well, who hasn’t at least once used the power of temptation in an attempt to win someone’s heart with the help of a glance? Marina Davydova
Drawing lesson “Depiction of human emotions” (for children of middle preschool age)
Program content
Learn depict human emotions in various situations (broke a cup, bought a doll)
Bring up emotional responsiveness
Material
Cards by quantity children with faces(without eyebrows and lips);
Landscape paper for the teacher’s drawings;
Colored pencils, felt-tip pens
Cards - schemes emotions
Vocabulary work:
Add to dictionary children - strokes; fix in the dictionary - contour, line, portrait.
Previous work:
Looking at illustrations (characters facial expressions);
Progress of the lesson
Educator. Want to see how I draw? (Children sit at tables arranged in a semicircle)
Now I will tell you a story. Once upon a time there was a kindergarten teacher. And she was like this. I draw a face with a calm expression.
She woke up one morning, and outside the window there was rain, mud, and wind! So sad. And when man is sad, show me what kind of face he has? The eyebrows are pointed up, the corners of the lips are down. Like this (I draw).
She went to wash her face, but there was no water in the tap! Wow, the teacher got angry! And when man is angry, show me what kind of face he has? Eyebrows with a corner down, lips with a thread, wrinkles on the bridge of the nose. Like this (I draw).
The teacher began to get ready for work. While I was getting dressed, putting on my shoes, and going outside, the weather changed. The sun is shining, the puddles are sparkling, the birds are singing! She was surprised. It was just raining and already it was sunny! And when man is surprised, show me what kind of face he has? Brows "they got on top", there are wrinkles on the forehead, the mouth is slightly open. Like this (I draw).
The teacher came to the kindergarten, and there the kids were playing, having fun, "Hello!" they shout at her. She was happy about her children. And when man rejoices, show me what kind of face he has? "Mouth to Ear"! Like this (I draw).
Here's the story of how the man was sad at first(show me a card with a sad face, then angry (show me a card with an angry face, then surprised) (show me a card with a surprised face, then happy (show me a card with a happy face).
Physical education minute
We saw an elephant - we were surprised! spread your arms wide, open your mouth
He ate our candy - so we got angry! frown, stamp your feet
The elephant asked for forgiveness and treated us to a banana! How glad we are! Smile, jump
Now try it draw your portrait.
Anya, imagine that your mother bought you a beautiful dress. Are you happy? So paint yourself a happy face. (And so each child is offered draw your portrait in a certain situations: broke a cup, quarreled with a friend, saw something unusual)
Children on cards with ready lips are added to the image of the face, eyebrows according to emotion. The teacher helps if necessary.
Next, the children are offered a game “Be surprised, get angry, be sad, be happy!”. Give four children diagram cards human emotions(surprise, sadness, anger, joy). Four more depict matching face emotions. Children with diagrams find their mate.
There are millions of eyes, mouths, noses, ears, chins in the world, and they are all different from each other. However, to create a cartoon character's face, you need to know the basic rules. Once you do this, pay attention to the depth, make sure your characters head looks three-dimensional, and you will have a realistic character. If you succeed, great! But if you really want to attract attention to your creation, it is worth learning the technique of creating emotions and facial expressions.
Almost anyone can draw a face. You just need to draw a circle with dots for eyes and lines for lips and eyebrows. Everyone recognizes a face in this image, but not everything is so simple, in fact.
It takes a lot of effort to make a character's face look realistic. If you don't know how to draw a face, check out the previous article. If you are wondering how emotions are created, then you will find the answer in this educational article written by Nastassja Peters.
Facial expression
The infection of a person's face changes involuntarily, and is the result of contraction and relaxation of the opposing facial muscles. This, for example, happens when you smile and laugh, the same muscles work. but with different intensity.
Try to describe what feelings you associate with the image below.
Most likely, you will answer that the character makes you feel calm. Perhaps he is thinking about something. Nothing like this! This is an image that conveys a complete lack of expression as none of the facial muscles are used. We look at the absence of emotion, so the picture gives us a feeling of calm.
It's normal to use this kind of facial expression on a character, in fact, it's the expression we walk around with more than 80% of the day. A calm facial expression, without the absence of facial expressions, is present when we do not react to others. but are immersed in themselves. When we communicate or look at another person, emotions are not present and facial expressions change. In animation, the facial expressions of the characters should be exaggerated and brighter in order to attract attention and convey the character’s experiences to the audience.
Basic emotions
Basic emotions are those that we do not control intentionally. This means that this type of emotion does not have a correct direction. For example, they appear suddenly, as a reaction to some action.
These basic emotions are expressed on our face arbitrarily, regardless of skin color, age or nationality.
Below are the basic human emotions:
- Happiness (1): the corners of the lips are raised up, the eyebrows are raised, the eyes are wide open,
- Anger (2): The lip line is curved down, the eyebrows are slightly lowered, wide open,
- Fright (3): the lip line is curved randomly, the eyebrows are raised, have a curved shape, and the eyes are wide open.
- Sadness (4): the corners of the lips are lowered down, the eyebrows at the edges are raised slightly upward, the eyes are lowered
- Surprise (5): The person's mouth is slightly open, eyebrows are raised, irregularly shaped, eyes are wide open,
- Offended (6): The lip line is lowered down, the eyebrows are frowned, the eyes are closed.
“Then why do you separate the latter from the main group of emotions?” The answer is simple: if you notice. then the last two emotions are a variation of the first four.
Now that you are familiar with the main types of expression of emotions, the question arises: why are there so few of them?
The answer is simple: Just as there are primary colors that can be mixed to create others, primary emotions can be mixed to create new ones.
Here's an example:
Notice that in order to make a sleepy facial expression, we took the eyebrows from the expression of happiness and mixed them with almost closed eyes of sadness. Agree, this is great!
Family emotions
But we won't stop there! Family emotions are those that differ from each other only by replacing one component of the face, creating a new emotion!
Notice that only the position of the mouth has been changed in these two drawings. We can express two different feelings of disgust just by changing a single element of the face!
Here's another example:
Once again we simply changed the position of the lips to convey the emotion we want.
This time we use the lips and eyes to create another variation of the same basic emotion.
Not only do primary expressions give rise to other emotions, we can create a third emotion from a secondary emotion.
For example:
As we did above, the lips were fixed.
Fantastic, isn't it? Using this method, you can create dozens and hundreds of faces.
Emotions of physical state
Emotions of physical states are very close to basic emotions, but, unlike them, they can take somewhat unpredictable forms.
Note that physical emotions are also derived from basic emotions, fatigue is derived from sadness.
We can enhance the emotion simply by adding an additional element such as tears, for example:
Let's look at another example of a reaction over which we have no control. This time we will shock our character. In short: control over emotions will be completely lost.
Since we cannot control shock reactions, this is a plus for a cartoon, since we can exaggerate the character's facial expression to get the desired result. In this case, we exaggerate the facial expressions of the mouth.
Also notice how the underlying emotions dominate. Shock, even if uncontrollable, is a variant of fear. The interesting thing about physical emotions is that in real life we get these expressions without knowing how we get them, as we are exposed to external factors and conditions.
Intensity and additional elements
A character's facial expression in a cartoon is limited to a certain degree of intensity. Depending on the intensity we can get very interesting results:
Vegeta? (Hero Dragon, if you don't know).
In addition to intensity, we can also insert additional elements to enhance the emotion. In the first image we added a few beads of sweat flying off the face to enhance the feeling of fear. In the second image we show a little of the hero's tongue to enhance the desired effect.
Getting back to the fear, let's change the image to make the hero look like he's panicking!
By enlarging the character's eyes and covering his face, we achieved a breathtaking effect for the cartoon! Congratulations!
Change your angle
To create a more vivid and emotional scene, various changes in the character's position, called camera angles, are used. Thus, showing the viewer the hero from an angle that is not typical for him, you put him in an “uncomfortable” situation, and makes the scene more dynamic.
An example of how the angle of position changes the intensity of an expression.
By changing the angle of the scene from the top down, the effect is automatically created that the hero shrinks, becomes more fragile and defenseless. On the contrary, placing the camera from below creates the effect that the hero can boldly confront fear. The character's chin becomes visible, a mockery appears, and the bright light helps create a wonderful atmosphere of threat!
In the cartoon style, negative characters often have large chins and small eyes. However, weaker characters have large and expressive eyes, but their jaw is much smaller, the mouth is always very close to the chin. Try to apply these techniques in your drawings and you will notice it!
Playing with familiar stereotypes and context
To create greater stereotypes for our characters, we can add subtle elements that enhance the context of the scene. Some methods can create this effect immediately due to their meaning. This happens due to several reasons such as the influence of movies, television and characters in our lives.
Please note: dirty hair, unshaven, heavy eyelids, visible teeth - depict a sloppy drunkard. We grow up to recognize such stereotypical traits in a certain type, such as a drunkard.
While a sick middle-aged man with a big nose and closed eyes is associated with a sick person.
Here's another example. The picture below can be viewed in several contexts. I could tell that the person on top was very sick, while the person on the bottom was angry!
Let's add some additional elements to completely change this perception.
Did you understand what we did?
By adding tears and small pieces of fabric to both characters, we can of course tell that both are crying.
Adding elements to change the context of the scene.
Facial signals
When we add details to send certain signals to other people, our face also changes in different directions. This is because, just like physical emotions, we cannot control these “signs” that cause us to react in unexpected ways, most often controlled by the heart.
Below we have an obvious example of signal exchange. The heartthrob directs his fatal gaze towards the girl, making every effort to gain her attention. She answers him with an interested look. Do you think she fell in love with him?
Let's look at another example. The image below is a very common scene in the cartoon: a cute girl, making a sweet and pitiful look, always gets what she wants with dexterity.
Who can say no to such a cute look?
Let's change the context.
We only changed the direction of the eyes, which now look away from the person in front of her. This little detail makes her more shy. Great, isn't it?
Conclusion
If you have difficulty creating emotions, use our tips.
This way you can create your own perception of the character and expand your knowledge.
Facial expressions are a very broad topic that goes far beyond the study of the face to express emotions and feelings in a cartoon style. As stated above, we have complete control over our emotions, just as we completely lose control when, for example, a dog bites us.
Do you want to create an interesting cartoon? Invite your family. take a photo and see how each of their faces changes when they smile, how they manage their emotions, what changes occur in their facial expressions. Scare them and look at the changes in their faces, you will see that everyone's expression is different, it is uncontrollable, and there are no similar features.
I hope this material was useful to you and will help you create expressive and vivid emotions of the characters. Having understood the basic principles, you can easily convey to the viewer the state of the hero and his feelings.
Who has never used the power of a seducer to win someone's heart with just a glance??
How to draw emotions? - Reviews and Comments
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