Contemporary art of the 21st century presentation of unusual views. Presentation "Modern art" presentation for a lesson in fine arts (art) on the topic

“Impressionism” - C. Debussy, like impressionist artists, apply strokes with one paint or another. Famous impressionist artists: Purpose of the lesson: The world of art is beautiful and amazing! “Kek-walk” 1. What “whale” does it sound like? 2. What is the mood of the music? "Doctor Gradus ad Parnassum." Expand the concept and features of impressionism as an artistic style and consider the features of the manifestation of impressionism in music and painting.

"Dutch Painting" - Return of the Prodigal Son. George" (1616), painted in warm colors with characteristic heavy, dense strokes. V.Delftsky. Mistress and maid. Topic: Realistic painting of Holland. Rembrandt is a master of his own self-portrait. Own portraits of different ages. Plan: Dictionary!!! Frans Hals (Dutch)

“Artists of the 20th century” - Cubism. Music lessons. Matisse's Fauvism. Surrealism by Salvador Lali. Blue and period: . The Persistence of Memory. “pink period” with images from the more lively world of theater and circus. Compiled by: Turaeva Svetlana Yurievna. Woman in a hat. Bather. Light and dark monochrome colors seem to convey the feeling of flashes of fire.

“Impressionism in Art” - Degas. Boulevard Montmartre. Wonderful source. Impression. Flutist. Harbor. Lesson. (1830 - 1903). (1862 – 1918). Absinthe. Edgar. (1853 - 1890). Tahitian pastorals. (1848 - 1903). Bar in the Folies Bergere. Kiss. Van Gogh. Girls in black. Paul. Sails in Argenteuil. Vincent. Style directions of artistic culture in Western Europe of the 19th century.

“Culture XX XXI” - Culture in the second half of the XX - early XXI century. Rudolph Valentino. "Train Arrival at La Ciotat Station." Philosopher José Ortega y Gasset Formulated an approach to structuring based on creative potential. "Big Parade" Famous silent films: The first live-action color film “Grunya Kornakova.”

“Impressionism in painting” - “Camilla in a Japanese kimono.” Technique. Afternoon, sunny." He is one of the founders of impressionism. "Beach at Pourville." Great Impressionists. Appearance. Famous paintings. "Dance in Bougival". French painter, graphic artist and sculptor. "Breakfast on the grass." Impressionism. "White Peonies". Auguste Renoir, "The Paddling Pool".

There are a total of 34 presentations in the topic

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Net art (Net Art - from the English net - network, art - art) The newest type of art, modern art practice, developing in computer networks, in particular on the Internet. Its researchers in Russia, who also contribute to its development, O. Lyalina, A. Shulgin, believe that the essence of Net art comes down to the creation of communication and creative spaces on the Internet, providing complete freedom of online existence to everyone. Therefore, the essence of Net art. not representation, but communication, and its unique art unit is an electronic message. Net art (Net Art - from the English net - network, art - art) The newest type of art, modern art practice, developing in computer networks, in particular on the Internet. Its researchers in Russia, who also contribute to its development, O. Lyalina, A. Shulgin, believe that the essence of Net art comes down to the creation of communication and creative spaces on the Internet, providing complete freedom of online existence to everyone. Therefore, the essence of Net art. not representation, but communication, and its unique art unit is an electronic message.

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(English Op-art - shortened version of optical art - optical art) - an artistic movement of the second half of the 20th century, using various visual illusions based on the peculiarities of perception of flat and spatial figures. The movement continues the rationalistic line of technicism (modernism). Goes back to the so-called “geometric” abstractionism, the representative of which was V. Vasarely (from 1930 to 1997 he worked in France) - the founder of op art. The possibilities of Op art have found some application in industrial graphics, posters, and design art.

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(graffiti - in archeology, any drawings or letters scratched on any surface, from Italian graffiare - to scratch) This is how works of the subculture are designated, which are mainly large-format images on the walls of public buildings, structures, vehicles, made using various types of spray guns, aerosol spray paint cans.

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(from the English land art - earthen art), a direction in fine art of the last third of the 20th century, based on the use of a real landscape as the main artistic material and object. Artists dig trenches, create bizarre piles of stones, paint rocks, choosing for their works usually deserted places - pristine and wild landscapes, thereby, as if trying to return art to nature.

(minimal art - English: minimal art) - artist. a flow that comes from minimal transformation of the materials used in the creative process, simplicity and uniformity of forms, monochrome, creativity. artist's self-restraint.

Painting Like modern art, modern painting in its current form was formed in the 60-70s of the 20th century. There was a search for alternatives to modernism, and principles opposing it were often introduced. French philosophers introduced the term "postmodernism", and many artists joined this movement. The most notable phenomena of art of the 60-70s were conceptual art and minimalism. In the 70s and 80s, people seemed to get tired of conceptual art and gradually returned to representation, color and figurativeness. In the mid-80s, there was a rise in movements using images of mass culture - campism, East Village art, and neo-pop. Photography is blossoming - more and more artists are beginning to turn to it as a means of artistic expression. The pictorial art process was greatly influenced by the development of technology: in the 60s - video and audio, then - computers, and in the 90s - the Internet Work from the collection of Victor Bondarenko

Contemporary art In Russia in the 90s there was a term “contemporary art”, which, although similar to the term “contemporary art”, is not identical to it. It meant innovation in modern art in ideas and technical means. It quickly became outdated, and the question of its inclusion in the history of modern art of the 20th or 21st century is open. In many ways, contemporary art was attributed to the features of avant-gardeism, that is, innovation, radicalism, new techniques and techniques. Works from the collection of Victor Bondarenko Valery Koshlyakov “Embankment” Dubossarsky-Vinogradov “Champion Earth”

Abstractionism Abstractionism (Latin “abstractio” - removal, distraction) is a direction of non-figurative art that abandoned the depiction of forms close to reality in painting and sculpture. One of the goals of abstract art is to achieve “harmonization,” the creation of certain color combinations and geometric shapes in order to evoke various associations in the beholder. Mikhail Larionov “Red Rayonism” Wassily Kandinsky “Zerschönesbild” Malevich Kazimir “The Grinder”

Cubism (fr. Cubisme) is an avant-garde movement in painting of the 20th century, primarily in painting, which originated at the beginning of the 20th century and is characterized by the use of emphatically geometrized conventional forms, the desire to “split” real objects into stereometric primitives. Cubism Picasso "Les Demoiselles d'Avignon" Juan Gris "Bunches of Grapes" Fernand Léger "Builders" Juan Gris "Breakfast"

Surrealism Surrealism (French surréalisme - super-realism) is a new direction in painting, formed by the early 1920s in France. Characterized by the use of allusions and paradoxical combinations of forms. The main concept of surrealism, surreality is the combination of dream and reality. To achieve this, the surrealists proposed an absurd, contradictory combination of naturalistic images through collage and “ready-made” technology. The surrealists were inspired by radical leftist ideology, but they proposed starting the revolution with their own consciousness. They thought of art as the main instrument of liberation. Salvador Dali “The Temptation of Saint Anthony” Max Ernst “The Angel of the Hearth or the Triumph of Surrealism” Rene Magritte “The Son of Man” Wojtek Siudmak “The World of Dreams and Illusions”

Modern Modern (from the French moderne - modern) or art nouveau (French art nouveau, literally "new art") is an artistic movement in art, more popular in the second half of the 19th - early 20th centuries. Its distinctive features are: the rejection of straight lines and angles in favor of more natural, “natural” lines, interest in new technologies (especially in architecture), and the flourishing of applied art. Modernism sought to combine the artistic and utilitarian functions of the created works, to involve all spheres of human activity in the sphere of beauty. Alphonse Mucha “Dance” Mikhail Vrubel “The Swan Princess” A. N. Benois “Masquerade under Louis XIV” Mikhail Vrubel “Pearl”

Optical art Op-art - an abbreviated version of optical art - optical art) is an artistic movement of the second half of the 20th century, using various visual illusions based on the peculiarities of perception of flat and spatial figures. The movement continues the rationalistic line of technicism (modernism). Op art. strives to achieve the optical illusion of movement of a stationary artistic object through a psychophysiological impact on viewers, their activation. Jacob Agam “New Landscape” Josef Albers “Factory A” Bridget Riley “Big Blue”

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1.Modernism ( French modernisme, from moderne - the latest, modern) - the main direction of Western art of the 19th-20th centuries. In the theory of modernism reflection of reality is considered an outdated principle , giving way to its denial. In practice this is expressed in disappearance of fine art , replaceable system of signs , as free as possible from visual associations and determined by the artist himself. In poetry the word loses its meaning , acquiring new value as a factor of physical - acoustic - influence, in music the specificity of sound is destroyed, and atonal harmonies and various household noises , such basic concepts of musical aesthetics as melody, harmony, timbre, rhythm, etc. are transformed.

2. Abstract art- direction in the art of the 20th century, refusing to depict real objects and phenomena, manifested itself in painting, sculpture and graphics. The very term “abstractionism” indicates the alienation of this art from reality. Abstractionism formulated its positions in the 1910s as an anarchic challenge to public tastes; in the late 40s - early 60s, this direction belonged to the most widespread phenomena of Western culture.

In abstract art there are two main directions: psychological (e is considered the founder V. Kandinsky , who in his works managed to convey the lyricism and musicality of his intuitive insights. Here the main means of expressiveness are not the shape of the object and the features of space, but coloristic features of the latter) and geometric (or intellectual, logical). Its founder is the Dutch artist P. Mondrian, representing in their painting the relationships of planes painted in different ways.

Some movements of abstract art, following the line of development of this direction ( suprematism, neoplasticism), echoing the searches in architecture and the art industry, they created ordered structures from lines, geometric shapes and volumes, others (tachisme) - in line with the psychological trend - they sought to express the spontaneity, unconsciousness of creativity in the dynamics of spots or volumes. Talented representatives of abstract art (W. Kandinsky, K. Malevich, P. Mondrian, V. Tatlin) enriched the rhythmic dynamics of painting and enriched its palette, but solving global issues and existential problems that always face a person within the framework of abstractionism turned out to be impossible.

3. Surrealism. By the early 1920s, pre-war modernism had exhausted itself as a creative activity. In contrast to the modernism of the pre-war years, which suffered from its internal pain, new irrational movements - surrealism, Dadaism, expressionism - themselves strive to cause pain to people, instilling in them the idea that the whole world is fatally unhappy, incoherent and meaningless. Irrational tendencies arts were concentrated in surrealism, which arose as an artistic movement in European painting in 1925-26.

The most typical surreal paintings were created by the Belgian R. Magritte and Catalan S. Dali. These paintings represent irrational combinations of purely objective fragments of reality, perceived in their natural form or paradoxically deformed. The feeling of whimsicality and surprise of the phenomena of this world gives rise in such art to the idea of its unknowability, about the absurdity of existence , which appears to the artist in frighteningly nightmare or amusingly phantasmagoric guises. The theoretical basis for the new movement in artistic culture belongs to the French poet and psychiatrist André Breton . Creativity had a huge influence on the development of surrealism Z. Freud and him psychoanalysis concept , where the psyche is interpreted as subordinate to unknowable, irrational, eternal forces located outside of consciousness. The deep foundation of the psyche, influencing the real, conscious life of a person, according to S. Freud, becomes unconscious . And, in his opinion, the unconscious appears most directly in dreams and art, and it is in them that the true path to understanding the “natural essence” of man is revealed.

By the turn of the 20-30s. surrealism penetrated into the painting of other European countries - England, Sweden, Czechoslovakia, in the 30s. reached Latin America, Australia, Japan, showing himself not only in painting, but also in sculpture.

4. Pop art. The name pop art (from the English popular art - public art) was introduced L. Eloway in 1965. The movement itself arose in the 50s of the 20th century. in the USA and England. Initially, the role of pop art was limited to the task replacement of abstract art , never accepted by the broad masses of the population, into art understandable to the broad masses. Pop art declared itself new realism , since it was widely used real household items and their copies, photographs, dummies . Pop art idealized the world of material things, which, through the organization of a certain context of their perception, was endowed with artistic and aesthetic status. In pop art, a thing is aestheticized as consumer item , and the product becomes materialized dream of the consumer .

Among the varieties of pop art there are op art , characterized by the widespread use of optical effects, color spots, e-art with moving structures and environmental art with objects surrounding the viewer. However, the varieties of pop art do not differ from each other in meaning. This style is similar to the style display of goods on display or advertising. Pop art is ideal for the “man of the crowd,” consumer-oriented, brought up on advertising and mass communication.

Topic XI. Culture in the era of globalization

Stages of globalization.

First of all, it should be noted that globalization is a process that did not begin in recent decades, but has been unfolding for at least the last century.

· The first stage of globalization was the turn of the 19th-20th centuries. This was a phase of active expansion of trade and investment on a global scale. The theorists of the first wave of globalization were R. Cobden, J. Bright, N. Angel, who substantiated the idea that the main foreign policy antagonists England and Germany, who were also the main economic partners, would not participate in military conflicts with each other. However, the First World War the war refuted these predictions, and globalization as a process was interrupted.

· Second wave of globalization unfolded in the 70s, after two world wars and the Great Depression. Its main prerequisites were the revolution in computer science and telecommunications.

· The current stage of globalization. The conditions for its deployment were:

1. The collapse of the Soviet Union and the system of countries of the socialist camp, which led to a violation of the global parity of power.

2. Unfolding the information revolution and, which led to the formation of electronic economies, electronic financial structures, electronic money, electronic governments.

3. Strengthening the role of TNCs in the world economy by the end of the 20th century. The most powerful of which today control more than 90% of direct foreign investment in Western countries and almost 100% of investment in the economies of Third World countries.

4. Contributes to globalization processes activities of a number of international organizations and institutions(among them - the IMF, the World Bank and the WTO), which must support the new economic order that emerged in the post-war period and prevent the redistribution of resources and markets between those who are part of the group of leading countries and those who seek to free themselves from economic and political dependencies, using mechanisms of accelerated modernization.

5. And finally, this became obvious by the 90s the collapse of the project of modernity and the ideology of the Enlightenment and its degeneration the basic principle of rationalism into progressivism and technology. This leads today to environmental disasters, the destruction of both the natural space and the cultural space.