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“Oh, this jazz” The presentation was prepared by music teacher Tatyana Mikhailovna Shiryaeva.

Genres of jazz music - SPIRITAL - RAGTIME - BLUES

Spirituals are songs of North American blacks with religious content. They were sung in chorus by plantation slaves, imitating the spiritual hymns of white settlers. Blues is a folk song of American blacks with a sad, mournful tone. Ragtime is dance music of a special rhythmic nature. Originally created as a piano piece.

Spirituals "Prayer" - performed by Mahelia Jackson

Louis Armstrong (1901-1971) Negro singer and trumpeter "KING OF JAZZ"

"Blues of the Western Outskirts"

Duke Ellington (1899-1974)

"Rhapsody in Blue" George Gershwin (1898-1937)

Municipal secondary school Urshell secondary school Chirkunova O. V. Jazz orchestra - BIG BAND Trombone Clarinet Trumpet

Jazz orchestra - BIG BAND Saxophone Royal Double bass

Jazz orchestra - BIG BAND Banjo Drums Guitar

JAZZ IN RUSSIA Isaac Osipovich Dunaevsky “March of the Merry Children” by I. Dunaevsky to the words of V. Lebedev-Kumach.

Leonid Utyosov (1895-1982) Actor, singer, leader of the Tea-Jazz orchestra. In 1934, the jazz orchestra took part in the filming of the film “Jolly Fellows”

Larisa Dolina

1 2 A R 3 M 4 S 5 T 6 R 7 O N 9 G 8 TEST YOURSELF

1. A group of musical instruments in a jazz orchestra. (drums) 2. Composer, founder of symphonic jazz. (Gershwin) 3. Translated from Latin “sudden, unexpected” (improvisation). 4. Author of the music for the film “Jolly Fellows.” (Dunaevsky) 5. Soviet singer, actor, leader of a jazz orchestra. (Utesov) 6. Negro prayer. (spirituals) 7. Russian pop star performing jazz. (Valley) 8. Fast style in jazz. (Dixieland) 9. What does the sound of musical instruments in jazz resemble? (conversation)

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Jazz is a form of musical art that arose in the late 19th - early 20th centuries in the USA as a result of the synthesis of African and European cultures and subsequently became widespread. The characteristic features of the musical language of jazz initially were improvisation, polyrhythm based on syncopated rhythms, and a unique set of techniques for performing rhythmic texture - swing. The further development of jazz occurred due to the development of new rhythmic and harmonic models by jazz musicians and composers.

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History of the development of jazz. Jazz arose as a combination of several musical cultures and national traditions. It originally came from African lands. Any African music is characterized by a very complex rhythm; the music is always accompanied by dancing, which consists of rapid stamping and clapping. On this basis, at the end of the 19th century, another musical genre, ragtime, emerged. Subsequently, ragtime rhythms combined with blues elements gave rise to a new musical direction - jazz. The cradle of jazz was the American South and, above all, New Orleans. The peculiarity of the jazz style is the unique individual performance of a virtuoso jazzman. The key to eternal youth in jazz is improvisation.

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Main currents. New Orleans Jazz The terms New Orleans and traditional jazz generally describe the style of musicians who performed jazz in New Orleans between 1900 and 1917, as well as New Orleans musicians who played and recorded in Chicago from about 1917 through the 1920s. years. This period of jazz history is also known as the Jazz Age. And this concept is also used to describe the music performed at various historical periods by representatives of the New Orleans revival, who sought to perform jazz in the same style as the musicians of the New Orleans school. Jelly Roll Morton

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Swing. Swing is a direction of jazz music that is most widely represented in the performing practice of large orchestras. The term "swing" in jazz has several meanings. For example, if they say that there is no swing in a performer’s playing, then this usually means that the musician’s performance is devoid of intense beat pulsation - a wave-like movement that is created by the contrast of the beat and the off-beat, giving the impression of swing, or swing. In dance music terminology, this word sometimes refers to the tempo associated with the dance genre of the same name. As for professional jazzmen, to many of them such a genre division of their music seems meaningless and even harmful. Louis Armstrong

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Bop. Bebop, bebop, bop (English bebop) is a jazz style that developed in the early to mid-40s of the 20th century and is characterized by a fast tempo and complex improvisations based on playing harmony rather than melody. Bebop revolutionized jazz, and boppers created new ideas about what music was. The bebop phase marked a significant shift in the emphasis of jazz from melody-based dance music to the less popular, more rhythm-based "musician's music." Bop musicians preferred complex improvisations based on playing chord progressions rather than varying melody. Bop was fast, sharp, and “cruel with the listener.” Max Roach Dizzy Gillespie Thelonious Sefir Monk

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Big bands. The classic, established form of big bands has been known in jazz since the early 1920s. This form remained relevant until the late 1940s. The musicians who joined most big bands, as a rule, almost in adolescence, played very specific parts, either memorized at rehearsals, or from notes. Careful orchestrations coupled with large brass and woodwind sections brought out rich jazz harmonies and created a sensationally loud sound that became known as “the big band sound.” Benny Goodman Count Basie Artie Show

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Mainstream. Many famous swing soloists, after concert performances in ball rooms, liked to play for fun at spontaneous jams in small clubs on 52nd Street in New York. Not accepting the innovative techniques of the upcoming bebop, these musicians adhered to the traditional swing manner, while demonstrating inexhaustible imagination when performing improvisational parts. The main stars of swing constantly performed and recorded in small lineups, called “combos,” within which there was much more room for improvisation. The style of this direction of club jazz of the late 1930s received the name mainstream with the beginning of the rise of bebop. Duke Ellington

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Stride. Stride, full name in English. Harlem Stride (Piano), literally “Harlem Walker,” is a jazz piano style that developed mainly from ragtime, to which elements of classical piano music were added - arpeggios, scales, etc. The stride style originated in Harlem and Manhattan during the First World War. Its origins were due to the fact that pianists had to perform music every night, which required variety in the monotonous ragtimes and turning them into more virtuosic works. Louis Armstrong Benny Goodman

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Cool jazz Cool jazz (also “cool jazz” - literal translation of the English cool jazz) is a style of modern jazz that emerged in the late 1940s on the West Coast of the United States, became widespread primarily among white bopper musicians and reached its greatest flourishing in 1960s. Miles Davis Chet Baker Bill Evans

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Progressive jazz Progressive jazz, or simply progressive. The main difference of this genre is the desire to move away from the frozen cliché of big bands and outdated, worn-out techniques of the so-called. symphonic jazz, introduced in the 1920s by Paul Whiteman. Unlike boppers, progressive creators did not strive for a radical rejection of the jazz traditions that had developed at that time. They rather sought to update and improve swing phrase models, introducing into the practice of composition the latest achievements of European symphonism in the field of tonality and harmony. Miles Davis

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Hard bop Hard bop is a jazz style that developed from bebop and cool jazz, incorporating elements of soul, church music (gospel) and blues. Followers of bebop and hard bop added a little more style to it in the form of modal jazz, in which the harmony of the structure of individual parts became even more free, but this usually manifested itself only when playing chords on the piano (including low tones). Thanks to this jazz period, instrumentalists were able to improvise with different modes of the scale. John Coltrane Art Blakey Charles Mingus

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Soul jazz Soul jazz (English - soul) - soul music in the broad sense is sometimes called all black music associated with the blues tradition. It is characterized by its reliance on the traditions of blues and African-American folklore. Tempos ranged from slow to fast, but overall the music had an erratic, meandering character, with a sense of unhurriedness. To create a more exotic effect, performers sometimes used non-European scales (eg, Indian, Arabic, African) as a "modal" basis for their music. Jimmy Smith Ray Charles

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Groove An offshoot of soul jazz, the groove style draws melodies with bluesy notes and is characterized by exceptional rhythmic focus. Sometimes also called "funk", groove focuses on maintaining a continuous, characteristic rhythmic pattern, flavored with light instrumental and sometimes lyrical embellishments. Works performed in the groove style are full of joyful emotions, inviting listeners to dance, both in a slow, bluesy version, and at a fast tempo. Shirley Scott

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Free jazz Free jazz is a style of modern jazz music, which is characterized by a departure from the principles of tonal organization of musical material, blues chord progression, and traditional swing rhythms. The main emphasis is on freedom of improvisation (often in groups), a variety of expressive means, which allows the intellectual and sensory components of music to be reflected as fully as possible. Ornette Coleman Cecil Taylor

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Creative The emergence of the “Creative” direction is marked by the penetration of elements of experimentalism and avant-garde into jazz. The beginning of this process partially coincided with the emergence of free jazz. Elements of the jazz avant-garde, understood as changes and innovations introduced into music, have always been “experimental.” So the new forms of experimentalism offered by jazz in the 50s, 60s and 70s were the most radical departure from tradition, introducing new elements of rhythms, tonality and structure. In fact, avant-garde music became synonymous with open forms, which were more difficult to characterize than even free jazz Paul Bley Andrew Hill

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Jazz fusion Jazz fusion (also jazz-rock fusion, rock fusion or fusion; English fusion - fusion) is a musical genre that combines elements of jazz and music of other styles, usually pop, rock, folk, reggae, funk, metal, R&B, hip-hop, electronic music and ethnic music. Fusion albums, even those made by a single artist, often include a variety of these styles. Chick Corea Joe Zawinul

JAZZ What is jazz Jazz is a form of musical art that arose in the late 19th - early 20th centuries in the USA as a result of the synthesis of African and European cultures and subsequently became widespread. The characteristic features of the musical language of jazz initially were improvisation, polyrhythm based on syncopated rhythms, and a unique set of techniques for performing rhythmic texture - swing. The further development of jazz occurred due to the development of new rhythmic and harmonic models by jazz musicians and composers. History of the development of jazz. Main trends Jazz arose as a combination of several musical cultures and national traditions. It originally came from African lands. Any African music is characterized by a very complex rhythm; the music is always accompanied by dancing, which consists of rapid stamping and clapping. On this basis, at the end of the 19th century, another musical genre, ragtime, emerged. Subsequently, ragtime rhythms combined with blues elements gave rise to a new musical direction - jazz. Subsequently, ragtime rhythms combined with blues elements gave rise to a new musical direction - jazz. New Orleans Jazz The terms New Orleans and traditional jazz generally describe the style of musicians who performed jazz in New Orleans between 1900 and 1917, as well as New Orleans musicians who played and recorded in Chicago from about 1917 through the 1920s. years. This period of jazz history is also known as the Jazz Age. And this concept is also used to describe the music performed at various historical periods by representatives of the New Orleans revival, who sought to perform jazz in the same style as the musicians of the New Orleans school. The development of jazz in the United States in the first quarter of the 20th century Long before the closure of Storyville, New Orleans musicians went on tour with so-called “vaudeville” troupes. Jelly Roll Morton toured regularly in Alabama, Florida, and Texas since 1904. Since 1914 he had a contract to perform in Chicago. In 1915, Thom Browne's white Dixieland orchestra also moved to Chicago. The famous “Creole Band,” led by New Orleans cornetist Freddie Keppard, also made major vaudeville tours in Chicago.

Jelly Roll Morton

Freddie Keppard

Having separated from the Olympia Band, Freddie Keppard's artists already in 1914 successfully performed in the best theater in Chicago and received an offer to make a sound recording of their performances even before the Original Dixieland Jazz Band, which, however, Freddie Keppard short-sightedly rejected. Gymnasium No. 295 Chernyshova Lyudmila Viktorovna

Municipal secondary school Urshell secondary school Music teacher Chirkunova O. V.

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Genres of jazz music

SPIRITALS

Municipal educational institution secondary school

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Spirituals are songs of North American blacks with religious content. They were sung in chorus by plantation slaves, imitating the spiritual hymns of white settlers.

Blues is a folk song of American blacks with a sad, mournful tone.

Ragtime is dance music of a special rhythmic nature. Originally created as a piano piece.

Municipal educational institution Urshell secondary school Chirkunova O. V.

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Municipal educational institution Urshell secondary school Chirkunova O. V.

Spirituals

"Prayer" - performed by Mahelia Jackson

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Louis Armstrong (1901-1971)

Negro singer and trumpeter "KING OF JAZZ"

Municipal educational institution Urshell secondary school Chirkunova O. V.

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"Blues of the Western Outskirts"

Municipal educational institution Urshell secondary school Chirkunova O. V.

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Duke Ellington (1899-1974)

Municipal educational institution Urshell secondary school Chirkunova O. V.

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"Rhapsody in Blue" George Gershwin (1898-1937)

Municipal educational institution Urshell secondary school Chirkunova O. V.

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Municipal educational institution Urshell secondary school Chirkunova O. V.

Jazz orchestra - BIG BAND

  • Trombone
  • Clarinet
  • Pipe
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    Jazz orchestra - BIG BAND

    • Saxophone
    • Piano
    • Double bass

    Municipal educational institution Urshell secondary school Chirkunova O. V.

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    Jazz orchestra - BIG BAND

    • Banjo
    • Drums
    • Guitar

    Municipal educational institution Urshell secondary school Chirkunova O. V.

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    Municipal educational institution Urshell secondary school Chirkunova O. V.

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    JAZZ IN RUSSIA

    Isaac Osipovich Dunaevsky

    “March of the Cheerful Children” by I. Dunaevsky to the words of V. Lebedev-Kumach.

    Municipal educational institution Urshell secondary school Chirkunova O. V.

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    Municipal educational institution Urshell secondary school Chirkunova O. V.

    Leonid Utesov (1895-1982)

    Actor, singer, leader of the Tea-Jazz orchestra

    In 1934, the jazz orchestra took part in the filming of the film “Jolly Fellows”

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    Larisa Dolina

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    CHECK YOURSELF

    Municipal educational institution Urshell secondary school Chirkunova O. V.

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    1. Group of musical instruments in a jazz orchestra (drums)

    2. Composer, founder of symphonic jazz. (Gershwin)

    3.Translated from Latin “sudden, unexpected” (improvisation).

    5.Soviet singer, actor, leader of a jazz orchestra. (Utesov)

    6.Negro prayer. (spirituals)

    7.Russian pop star performing jazz. (Valley)

    8. Fast style in jazz (Dixieland)

    9.What does the sound of musical instruments in jazz resemble? (conversation)

    Urshell Secondary School Chirkunova O.V.

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    • the primacy of rhythm;
    • improvisation;
    • conversational intonations;
    • predominance of brass instruments: trumpet, saxophone, trombone

    MAIN FEATURES OF JAZZ MUSIC

    Urshell Secondary School Chirkunova O.V.

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    A presentation on the topic “Jazz music” (5th grade) can be downloaded absolutely free on our website. Project subject: Music. Colorful slides and illustrations will help you engage your classmates or audience. To view the content, use the player, or if you want to download the report, click on the corresponding text under the player. The presentation contains 6 slide(s).

    Presentation slides

    Slide 1

    Jazz is a child of two cultures

    Purpose: to give an idea of ​​the origins of jazz, the features of jazz music

    Slide 2

    Jazz. This is what our conversation is about. What is jazz? Louis Armstrong, one of the most popular musicians of the last century, said: “If you don’t tap your foot while listening to this music, you will never understand what jazz is.” Jazz has many faces. The charm of jazz and its values ​​are timeless. The history of jazz is part of the history of the 20th century.

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    The origins of jazz are considered to be:

    Blues Ragtimes Spirituals

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    Jazz instruments

    Trumpet Trombone Clarinet Piano Double bass Guitar Banjo

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    Jazz styles

    Early jazz (hot jazz (hot jazz); Cold jazz (cool jazz); Sweet jazz (sweet jazz); Bebop (nervous, excited jazz); Symphonic jazz.

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    And in the end

    The emergence of jazz is associated with the emergence of such a thing as mass culture. Jazz gave rise to rhythm and blues, rock and roll, which opened the way for many singers, including Elvis Presley. “Rock”, “funk”, “soul”, pop music, film and television music also borrowed many elements of jazz.

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