Pencil drawing of thick and thin. Thick and thin
“The Death of an Official by Chekhov” - The same applies to the story “The Death of an Official.” Today we are talking about the evolution of the image " little man" An era of disappointment, an era of revaluation of values. It is hyperbole that emphasizes the horror of the “case” - voluntary servility. Story. Homework. The main idea of the story. What is the comic nature of the conflict?
"Chekhov's Chameleon Lesson" - Excerpts from literary works. Where does the story take place? What do you know about admission speaking names? Chekhova, 69). By what laws were they created? humorous stories Chekhov? Analysis of A.P. Chekhov's story “Chameleon”. Accusatory - containing exposure, exposing. (Diatribe). How do law enforcement officers behave?
“Chekhov’s Melancholy” - Silence all around... Police warden Ochumelov in a new overcoat and with a bundle in his hand. The position of the injured Khryukin changes in exactly the same way: Policeman Ochumelov and his assistant Eldyrin are walking across the square. The funny thing in the story begins right away with the speaking names: Ochumelov (plague, stupefied). A commoner is a person who lives by petty, personal interests.
“Vanka Chekhova” - Conversation on the content of the story. I wanted to run to the village on foot, but I didn’t have boots, I was afraid of the frost. And Moscow is a big city. How the letter is written: does Vanka follow the rules of Politeness? By literary reading on the topic: Anton Pavlovich Chekhov. "Vanka." Spandyr - a special shoe strap, whip.
“Stories of Chekhov and Bunin” - Korman B. O. Study of the text of a work of art. M.: Higher. school, 2002. The stories of early Bunin are distinguished by: Experience philosophical analysis. Nikolaeva P.A. - M., 1988. Tyupa V.I. Analytics of art. Khalizev V. E. Theory of Literature. I.2. “Chekhov’s” story is a special element of the writer’s innovation.
“The Life of Anton Chekhov” - Taganrog Library. Chekhov planted hundreds of fruit trees and rose bushes. House in Bogimov. Chekhov always had many guests in Melikhovo. Chekhov regularly received patients. There were also a lot of guests here. A.P. Chekhov with his wife. The owners of the village of Bogimov were the Bylim-Kolosovsky family. He was buried at the Novodevichy cemetery.
There are a total of 39 presentations in the topic
Chekhov's story "Thick and Thin"
The evaluative or value aspect of a work, its ideological and emotional orientation is called trend . In the literature of socialist realism, for example, the tendency was interpreted as partisanship, in the literature of the “sixties” - as freedom.
The ideological content of a work is the area of decisions and conclusions. An idea is always something denies or asserts . In his short story “Thick and Thin” Chekhov brings straight to the forefront the idea of affirming honor and rejecting servility. But when the idea of a work is too prominent, sharply defined, the artistic value of the work falls - this statement is true for both a good idea and a bad one. That's why the story Chekhov“Thick and Thin” has negligible artistic value.
Story plot outline
Also of little value from an artistic point of view are ideologized works from the genres “ socialist realism", "anti-Soviet literature", "Nazi literature", "Zionist literature", "fascist literature", "Christian literature", "Muslim..." The dominance of political bias in a work means the collapse of artistry in it.
Only about artistic value story - not a word
More Marx pointed out that success could only be achieved by those press organs that were in charge of each issue public opinion. But in this case, it is better to write journalism right away - in it the bias looks organic. Many politicized fantasy novels even more famous authors terribly weak in artistically: the author moves one political idea(for example, anti-communism), and the heroes only serve it, so they are poorly written, similar to each other, and all the collisions between them are subject to the trend, so they do not touch the reader’s soul. When tendentiousness comes out rudely, the reader begins to resist the violence of the author.
Almost all the illustrations for the story “Thick and Thin,” like the text, are extremely straightforward, aimed at indoctrinating schoolchildren
The Russian writer is closest to socialist and liberal ideas in literature. Lenin demanded: literature must “become part of the general proletarian cause,” “ integral part organized, systematic, united social-democratic party work.” For the Bolsheviks, the literary cause was inseparable from the cause of the socialist revolution. If anyone thinks that today something has changed for the cause of the Russian liberal counter-revolution, he is deeply mistaken. Today, according to the ideological order of liberals, literature serves the ruling capitalist class, and whoever of the creators does not want to serve it is “not allowed in” and persecuted, unless they are imprisoned and killed in the gateways. Writers serving the liberal idea denounce everything Soviet and Russian, Lenin And Stalin, our victory in the Second World War, our science and technology, our youth, our peasants, they strive to instill in the Russian people a sense of inferiority and secondary status. This liberal sabotage against own people- hearty food for many modern postmodern writers. If you want to be published, write a tendentious thing, even complete nonsense and terrible harm, but under a liberal idea. How in Soviet times everyone is tired of “industrial” novels, so today the reader is disgusted by the piles of invented horror stories about Stalin and communists, about homosexuals and drug addicts.
Regarding bias, Dostoevsky many consider him a reactionary and unpleasant writer: they say that he is more of a Christian ideologist than a writer. Atheist readers Dostoevsky literally muzzled by obsessive Christian ideas - a cross-cutting theme that passes from novel to novel. "Crime and Punishment" - too an ideological novel, social and philosophical in theme, tragic in the nature of the problems posed, adventurous and criminal in its plot.
Seriously ruins anything works of art and the prevailing nationalist idea. However, sometimes, although it is carried out by the author throughout the work, it is not strongly emphasized.
A Jewish speculator calculates the profit from the sale of a half-dead old cow.
For example, in the novel “The Adventures of the Good Soldier Schweik” Hasek provides six episodes in which minor characters Jews perform. In all episodes, the Jewish heroes are exclusively swindlers: one sold the same wagons with fodder to the imperial Austro-Hungarian army twice; another sold deadly self-made moonshine to soldiers and officers of the Czech army under the guise of French cognac; the third thrust a barely alive skinny little cow into the regimental kitchen for the price of a well-fed cow cow, which they took only so that he would fall behind, not crawl on his knees and grab the officer’s legs, begging him to buy the dead meat... None of those taken out Hasek(in a book about the First World War!) Jews did not serve in the Austro-Hungarian army, were not at the front - everyone just cheated, profiting from a terrible war.
A Jewish speculator slipped the emperor's soldiers moonshine in cognac bottles
Another example of the “soft” implementation of nationalist bias is shown to us today by creativity Dina Rubina: in her works, no matter the Jewish hero, he’s handsome, smart, well, just an angel in the flesh and an object of adoration, and no matter the Russian hero, he’s a disgusting person, blah, you can’t wipe your feet on someone like that. But Hasek brings out the Jewish scammers kindly, organically, with great humor, just like all the other heroes of his novel, and Rubina does not care about a sense of proportion in a subtle ideological issue and displays Russian characters with barely restrained authorial hostility, contempt, not to say hatred. That is why, in episodes colored by the idea of nationalism, anti-Semites Hasek reads well, and Russophobe and Israeli citizen Rubina- No.
Remember this at the right time
Alternative to 2-year Higher degrees literary courses and the Gorky Literary Institute in Moscow, where they study for 5 years full-time or 6 years part-time - School writing skills Likhacheva. In our school, the basics of writing are taught in a targeted and practical manner for only 6-9 months, and even less if the student wishes. Come: spend only a little money, but acquire modern writing skills and receive sensitive discounts on editing your manuscripts.
Instructors at the private Likhachev School of Writing will help you avoid self-harm. The school is open 24 hours a day, seven days a week.
Any encyclopedia will tell you how to draw a bison. Outwardly, it looks like a bull or bison. You should draw it against the background of the forest. The bison is considered the heaviest mammal that lives in Europe. The animal has a massive front half of the body, which is much higher and wider than the rear half. This difference can be seen by the characteristic hump in the front of the back. This is especially visible in males, since in this zone the spinous processes of the thoracic vertebrae are much longer.
Simple option
Having figured out how to draw a bison, we will step by step design all its body parts. Let's start with the head. We draw the fur that will be located on the animal’s head between the horns. This piece resembles human hair. On the sides we draw two thick horns curved into the middle. Below we draw two large ears.
Let's move on to the boundaries of the head. We bring it down and lengthen the muzzle, which ends in a massive nose with two large nasal openings. Below we finish drawing the large jaw of the mouth. Draw an eye that will consist of three circles different sizes, and the smallest is the pupil.
Now it’s the turn to describe the boundaries of the body. Don't forget that the bison has a massive front part and a hump on its back. Toward the rear, its body decreases in size. The animal has an area of fur on its chest and shoulder area. We shape the back leg, at the end of which we make a cloven hoof.
At the back we draw a long and thin tail with a tassel at the end. We design the remaining limbs. We make a small hump in the lower part of the chest area.
All that remains is to color the drawing. To do this we use different shades Brown, applying light and dark shades in certain areas.
Realistic technology
The previous option was in a simple way creating a drawing with a pencil, and now let’s look at how to draw a bison most accurately. For this we use geometric figures. It is best to use circles of different sizes in the body design technique. On one line we will draw three circles in succession: the left one will be of medium size, a larger circle touches it, and the third one on the right will slightly overlap the previous one and will have a radius 1 cm larger than that of the first one. The last figure will be the head, so we immediately divide it into four sectors with a cross.
From the head we draw two curves to a large circle so that they form a hump on the back and lower part of the thoracic region. We connect the middle circle with the third, but this section should be much smaller than the front part of the bison’s body. From the left circle we draw a primitive limb, and we draw the same one from the middle circle.
We detail the head: in the upper left sector we draw a horn and an ear, in the upper right sector we draw an eye surrounded by folds of the eyelid. In the lower right sector we design the area of the nose and mouth. We grow a beard from the two lower sectors. Along the border of the head we make shading of the fur, scattering it randomly over the area of the head.
We crosshatch along the upper area of the back and extend a small tail with a tassel from behind. We draw the lower part from head to toe with strokes of greater length. We describe the zone of thick but short forelimbs, and make the hind limbs thinner and longer. On the belly we collect the wool in the center into a bun. We go along the side of the bison with shading in the form of a curve.
We get rid of unnecessary lines and circles using an eraser.
Apply shadows to the entire drawing. To do this, we walk vertical lines over the entire area of the animal, pressing harder in certain places. Leave a light highlight on the hind legs, thigh and belly. Under the bison we draw the floor surface.
Detailed example
Let's go back to easy drawing which is suitable for the child. So, how to draw a bison? Let's go through several stages and analyze all the work in detail. Let's draw big circle. On the right we draw a smaller circle on it. On the left we draw out a triangle with a rounded end.
On the bottom of the head we draw the mouth and beard area.
At the top we add fluffy hair and a horn.
We finish drawing the nasolabial fold and the eye. Leave a fold on the shoulder.
We dress the large circle above and below in a warm woolen cape.
We slightly correct the back part and bring the limb down, finishing the abdominal area.
We make a tail that will be slightly bent into a semicircle.
We draw the second hind limb and draw thick and short forelimbs.
We combine the entire drawing into one whole.
Paint in shades of brown and background We draw a field with a forest visible in the distance.
Simple drawing
This is how you can easily learn how to draw a bison. But you can try another technology for creating such a pattern. It is simple and uncomplicated. We begin to make an ordinary bull's head with two horns and ears. Add eyes and make a big nose.
Behind the head we draw the area of fur.
Let's move on to the body. The near part is made large and high, and the back part is made small and low.
Add a forelimb.
Now we draw the back area of the belly.
We draw the visible parts of the second limbs.
We draw the hooves, divided into two parts.
Let's decorate brown, adding a tail at the back.
We continue the theme of opposites. common topic with all links:
Thick - thin
The topic seems simple, but I didn’t find any material on it. So if you come up with anything, please share. Everything I managed to dig up is below. Added some of my own:
==================================================
Show me the birch trunk.
Is it thick or thin?
Show the branches. Are they thick or thin?
Give the child a very thick fabric (jacket, blanket) and a thin one. Which fabric is thick or thin?
3. We take out a thick rope and a thin thread. Let's compare.
4. Thick pencil and thin. let's compare.
5. Compare the wheels of the car. Some are thicker, some are thinner.
6. draw a thick line and a thin line with a marker (paints)
Some pictures don't quite match the theme, but they're similar. You can remove them, or you can leave them and introduce them to parallel concepts (for example, fat - thin - thin)
find a pencil - thick and thin:
Well, that's all I found. Don't judge harshly for non-compliance. There's really nothing on the internet :(
=======================================
Don’t forget to repeat the previous topics: look at the tree and compare how big and how small. Where the branches are short, where they are long. and so on