Writing activity. Writing skills - how to learn to write texts correctly Is it possible to learn to write

Everyone has their own creative destiny. But it never hurts to learn from the greats. We looked at how the classics of world literature achieved success, because their example can help a beginner become a real writer. And although everything is very individual, it is possible to trace several directions of movement towards recognition. Let's take an impartial look at the pros and cons of each case. Of course, this should not be regarded as a guide to action, but it is worth drawing conclusions. Perhaps this will save you from mistakes.

If you drive more quietly, will you continue or vice versa?

It is a great success if the first work has already become famous. But more often than not, the path to fame is long and thorny. Fortune immediately smiled on some of the writers, but most had to fight for a place in the sun.

Woke up famous the next morning

Jules Verne began his writing career as a playwright. He was only 22 years old when his play Broken Straws was staged at Dumas's Theater Historique. The production was a success, which prompted the author to continue his literary work. In 1863, the first novel from the famous series “Extraordinary Journeys” was published in the magazine of Pierre-Jules Hetzel. The public greeted “Five Weeks in a Balloon” very warmly, and after that Jules Verne chose the path of a science fiction writer.

If your literary career takes off from the first book, it is much easier to promote subsequent books.

Less time and effort is spent on trying to break through and you can concentrate on creativity.

If the first work becomes a hit, then it immediately sets a high bar. A mistake can cost you fame and your career.

Fought and searched

The stories of many famous writers did not begin so smoothly, although, seeing their current success, it is difficult to believe it. The first book Stephen King 30 publishers refused to publish Carrie! At some point, the writer even threw out the manuscript. For the fact that the public was still able to get acquainted with the book, we must thank his wife, who insisted on several more attempts.

Marcel Proust It wasn't easy either. The collection of poems “Joys and Days” was received very coldly. The book was elegantly designed and cost twice as much as other similar ones. But this did nothing to win the reader’s heart. Due to failure, Proust abandoned his first novel, Jean-Santeil, which was eventually published only in 1952. And the first part of the series “In Search of Lost Time,” a recognized masterpiece, was “unfolded” by the publishing house and called “a waste of the reader’s time.” So Proust published Towards Swann at his own expense.

Gradual movement forward helps to work out all the mistakes and improve the quality of literature.

The long path to the top is exhausting; often it is the cold response of the public that prevents many from realizing their potential, and sometimes forces them to abandon literary activity in despair.

Writer productivity - what is it like?

Is it possible to write a lot and always write well? Or should you devote yourself completely to a work that will become not only key in your career, but also in your life? Let's look at the benefits and dangers of different options using examples.

Author of one book

Margaret Mitchell I have written only one book in my entire life. But what! For her, she received the Pulitzer Prize and gained worldwide fame. Today, Gone with the Wind is one of the most published works in the world. Harper Lee also did not leave a large collection of works: To Kill a Mockingbird was for a long time the only published novel by the writer, which also brought the author a Pulitzer. In 2015, the second one was published - “Go Set a Watchman.” These two books and several other stories constitute the modest legacy of a truly great writer.

Sometimes you only need one, but really worthwhile book to win the hearts of readers. Therefore, if you feel strong and are ready for many years of work and deferred recognition, it makes sense not to waste time on trifles and work in depth on the work of your whole life.

Even if you put your whole soul into a book, there are many reasons why the audience will not love it. Therefore, having only one or two works in your arsenal is risky.

One main

Michael Bulgakov wrote “The Master and Margarita” for more than 10 years, John Galsworthy worked on The Forsyte Saga for 15 years, Johann Wolfgang Goethe created Faust for six decades... And these are not the only books of these writers. They wrote many more wonderful works during their career. But everyone had one in which they invested the most time and mental energy.

You can work on the most important and pressing topic without going into seclusion, periodically being distracted by other works.

In the process of working on them, skills are honed and hypotheses are tested, which can then be used in the “main work.”

If the main topic is a social phenomenon or event, then over the years of work this topic risks losing relevance.

If you write a book in fits and starts, periodically being distracted, then there is a chance that you will get tired and “burn out.” And thus the quality of the work will suffer.

Quantity does not come at the expense of quality

Compete in productivity with Isaac Asimov very difficult: during his life he wrote 500 novels. It is unknown how to become such a hard-working writer; it requires real talent and incredible hard work. He worked 12 hours, 5 days a week for 30 years. One can only envy such organization. And these efforts were not in vain - in the world of fantastic literature his name is one of the loudest. Fans of the detective story, namely the adventures of Commissioner Maigret, are very lucky, because Georges Simenon wrote more than 70 books about the investigations of this charming hero. In total, the author has 425 books that have been translated into all major languages of the world.

High productivity allows you to cover a huge number of topics and subjects.

With a large number of works, one can assume that at least some will certainly appeal to the public. And soon everyone will forget about failures (including yourself), because they will be replaced by success.

You need real talent and high demands on yourself so that quality is not lost with a large number of works.

Exhaustive work can lead to the fact that the author quickly “writes himself out”, plots and images begin to repeat, ideas become pale.

How to become a writer who will be favored by the readership? The main thing is to accurately determine your goal and go towards it, no matter what. The right moment may not happen, but time passes. Almost everyone we consider classics today also faced difficulties, but they did not stop them from finding a way out. And we wish you not to give up, arm yourself with the experience of your predecessors and contemporaries and find your unique path in literature!

Go to and start writing a book right now or upload your finished manuscript to publish it in our catalog!

Writing activity. As a literary employee of the newspaper, he travels a lot around the region and sees a lot. Over the four years of work at Chusovoy Rabochiy, V. Astafiev writes more than a hundred correspondence, articles, essays, over two dozen stories, of which he compiles the first two books - “Until Next Spring” (1953) and “Sparks” (1955). ), and then conceives the novel “The Snow is Melting,” which he writes for more than two years. During this time, V. Astafiev published two books for children (“Vasyutkino Lake” and “Uncle Kuzya, chickens, fox and cat”). He publishes essays and stories that have received a positive response in periodicals. Apparently, these years should be considered the beginning of V.P. Astafiev’s professional writing activity. In 1959, he entered the Higher Literary Courses at the Union of Writers of the USSR. His works attract the attention of the widest reader; they have been awarded State Prizes, translated and published in many countries. For many years, his plays have been performed on theater stages in various cities of Russia, and films have been made based on the works of V. Astafiev. The writer often met with his fellow countrymen and readers and, remembering his childhood in the orphanage, helped the children from orphanages and boarding schools in every possible way. In 1998, on January 26, he was a guest at our school, where he met with students and talked about his life and creativity.

Slide 5 from the presentation “The life and work of Astafiev”. The size of the archive with the presentation is 1201 KB.

Astafiev

summary of other presentations

“V. Astafiev” - Museum of the story “The Last Bow” - the house of Catherine’s grandmother. The fate of the story “Vasyutkino Lake”. Born of Siberia. In the fall of 1942, Viktor Petrovich went to the front. House of V.P. Astafiev in Ovsyanka. Library-Museum of V.P. Astafiev. I always and everywhere read a lot, and sometimes read to the detriment of my studies... “...I know one thing for sure - books and life forced me to write. And so it turned out “Vasyutkino Lake” - my first story for children.”

“Biography of Viktor Astafiev” - Tsar Fish. Viktor Petrovich Astafiev. Front. Last bow. The highest rank on Earth. Orphanage in Igarka. Theft. A rare spiritual talent. Shepherd and shepherdess. Vasyutkino Lake.

“Biography of Astafiev” - Features of the works. Life layers. Tale. Themes of truth-seeking, kindness and love. Russian writer. Photo. Astafiev Viktor Petrovich. King fish. Story books for children. How life began. Late fame. Life concept. Bodily nature.

“A short biography of Astafiev” - Literary creativity. In 1980 V.P. Astafiev returned to his homeland. Astafiev. Autobiographical prose. Literary meetings in the Russian province. “My childhood home”, where the writer’s soul invariably rushed. Oatmeal. In 1916, a church was built in Ovsyanka. A rural cemetery where my grandmother, all my relatives, my mother lie. Since April 1957, Astafiev has been a special correspondent for the Perm Regional Radio. V.P. Astafiev.

“Astafiev “Vasyutkino Lake”” - Epithets - colorful definitions. Vasyutka raised his gun and fired into the air. What happened to Vasyutka in the taiga. Synonymous epithets. Nature sends Vasyutka a mystery lake. Taiga. V.P.Astafiev “Vasyutkino Lake”. Nature in a work is not a background, not a decoration for what is depicted. The nutcrackers screamed. Siberia is the birthplace of V.P. Astafiev. Sergey Syukhin. Trees, trees, trees. Restore missing epithets. The episode with the spider.

politicsslashletters.live

Never use a metaphor, simile, or other figure of speech that you often see on paper.
Never use a long one where you can get by with a short one.
If you can throw away a word, always get rid of it.
Never use passive voice when you can use active voice.
Never use borrowed words, scientific or professional terms if they can be replaced with vocabulary from everyday language.
It's better to break any of these rules than to write something downright barbaric.

devorbacutine.eu

Use a complete stranger's time in a way that doesn't feel like it was wasted.
Give the reader at least one hero for whom you want to root for.
Every character should want something, even if it's just a glass of water.
Each sentence should serve one of two purposes: to reveal the character or to move events forward.
Start as close to the end as possible.
Be a sadist. No matter how sweet and innocent your main characters are, treat them horribly; the reader needs to see what they are made of.
Write to please only one person. If you open the window and make love to the world, so to speak, your story will catch pneumonia.

A modern British writer, very popular among fantasy fans. Moorcock's key work is the multi-volume series about Elric of Melnibone.

I borrowed my first rule from Terence Hanbury White, author of The Sword in the Stone and other works about King Arthur. It was like this: read. Read everything you can get your hands on. I always advise people who want to write fantasy, or science, or romance, to stop reading those genres and pick up everything else: from John Bunyan to Antonia Byatt.
Find an author you admire (mine was Conrad) and copy his plots and characters for your own story. Be an artist who imitates a master to learn how to draw.
If you're writing plot-driven prose, introduce the main characters and major themes in the first third. You can call it an introduction.
Develop themes and characters in the second third - the development of the work.
Complete themes, reveal secrets, etc. in the final third - the denouement.
Whenever possible, accompany the introductions to the characters and their philosophizing with various activities. This helps maintain dramatic tension.
Carrot and Stick: Heroes must be haunted (by obsession or villain) and pursue (ideas, objects, personalities, secrets).

flavorwire.com

American writer of the 20th century. He became famous for such scandalous works for his time as “Tropic of Cancer”, “Tropic of Capricorn” and “Black Spring”.

Work on one thing at a time until you finish.
Do not be nervous. Work calmly and joyfully in whatever you do.
Act according to plan, not according to your mood. Stop at the appointed time.
When, work.
Cement a little each day instead of adding more fertilizer.
Stay human! Meet people, go places, have drinks if you want.
Don't become a draft horse! Work only with pleasure.
Depart from the plan if you need to, but come back to it the next day. Focus. Be specific. Eliminate.
Forget about the books you want to write. Think only about what you are writing.
Write quickly and always. Drawing, music, friends, cinema - all this after work.

www.paperbackparis.com

One of the most famous science fiction writers of our time. From his pen came such works as “American Gods” and “Stardust.” However, they filmed it.

Write.
Add word by word. Find the right word and write it down.
Finish what you are writing. Whatever it costs you, finish what you start.
Put your notes aside. Read them as if you were doing it for the first time. Show your work to friends who like something similar and whose opinion you respect.
Remember: when people say something is wrong or doesn't work, they are almost always right. When they explain what exactly is wrong and how to fix it, they are almost always wrong.
Correct the mistakes. Remember: you have to let go of the job before it's perfect and start the next one. - this is a pursuit of the horizon. Move on.
Laugh at your own jokes.
The cardinal rule of writing is that if you create with enough self-confidence, you can do anything. This can also be a rule throughout life. But for writing it is best suited.

moiarussia.ru

A master of short prose and a classic of Russian literature who hardly needs any introduction.

It is assumed that the writer, in addition to ordinary mental abilities, must have experience behind him. The highest fees are received by people who have gone through fire, water and copper pipes, while the lowest - by untouched and unspoiled natures.
Becoming a writer is very easy. There is no freak who has not found a mate, and there is no nonsense that has not found a suitable reader. Therefore, do not be timid... Place the paper in front of you, pick up a pen and, irritating the captive thought, write.
Becoming a writer who is published and read is very difficult. For this: be and have a talent at least the size of a lentil grain. Due to the lack of great talents, small ones are expensive.
If you want to write, then do so. Choose a topic first. Here you are given complete freedom. You can use arbitrariness and even arbitrariness. But, so as not to discover America a second time and not to invent gunpowder a second time, avoid topics that have long been worn out.
Giving free rein to your imagination, hold your hand. Don't let her chase the number of lines. The shorter and less often you write, the more and more often you are published. Brevity does not spoil matters at all. A stretched eraser erases a pencil no better than an unstretched one.

www.reduxpictures.com

If you are still a child, make sure that. Spend more time on this than on anything else.
If you are an adult, try to read your work as a stranger would. Or better yet, how your enemy would read them.
Don't exalt your "calling". You can either write good sentences or you can't. There is no such thing as a “writer’s lifestyle.” The only thing that matters is what you leave on the page.
Take significant breaks between writing and editing.
Write on a computer that is not connected to the Internet.
Protect work time and space. Even from the people who matter most to you.
Don't confuse honors and achievements.

One day I stood in front of the mirror - an adult, educated, with a family and a job, and suddenly I thought: is there something behind the external roles, what is my deepest essence. Then the writer in me woke up, different stories began to jump out - funny and sad, at first very short, and then long. I asked questions, I looked for answers, I really wanted to share how I see this life, our world. To my joy, the stories found a response, my stories appeared in magazines and collections, and then the first books were published.

Writing became a way of life for me, I observed closely, trying to see the hidden side of things, and talked about it. Now that I have more than fifteen books published, I can call myself a professional writer. It’s easy for me to work within given deadlines, I love boundaries - it tones, fuels hard work, and trains inspiration. But for me it is always very important to write with joy, with the desire to do this particular thing. Everything that is strained is dead, only with passion is art born. By nature I am not a graphomaniac (in the good sense of the word), so sometimes I need recovery - time to collect stones.

I wrote my first book as a joke, for company - a friend suggested we take part in a literary competition together. I didn’t win then, but I really loved my text. She wished him a happy fate and sent it to all the publishing houses that accepted “gravity” - manuscripts of beginning authors. Two publishers responded to me, and two years later (at that time it seemed like an eternity) my first book was published. Since then I have been collaborating with Eksmo and the publishing house Foma.

There are still difficulties in publishing texts that go beyond the existing series. Those who bring in income are promoted, and those who are promoted bring in income. Only a creative person with a fair amount of eccentricity can spin this ring like a hula hoop without ending up like a squirrel in a wheel.

All the difficulties of writing - the difficulty of promotion, low fees and high-brow criticism - can only be repaid by happy time spent alone with the texts. Success comes only to those who truly love what they do. Texts are like our children - we can create them, at first doing everything so that they find themselves in this world. And then - let go and accept both their bitter failures and great successes...

Is writing a hobby or a job?

Marika Mi, writer

I didn’t have, like some people, some kind of turning point or epiphany like “Writing is my calling.” But all my life, as long as I can remember, I composed stories, and as soon as I learned to write, I began to write them down.

For me, writing is definitely work. And, in my opinion, this is one of the key points that you need to realize. If writing is considered as entertainment, then it is entertainment. You don’t owe anyone anything, you write whenever you want, as much as you want and how you want. But the result is appropriate. And when after work you sit down for a few more hours every day, no matter what, this is no longer a hobby, but the same work. Of course, there are exceptions, but usually it is with this attitude towards writing that people become professionals and achieve publications and circulation.

But the main thing is attitude. I have always treated writing books as a job, even if it doesn’t bring in money yet or brings in little.

It is difficult to describe a “typical” day of mine, since they depend on the rest of my activities: study, work, etc. Previously, I tried to set myself standards for the number of words, but I gave up on this: editing and thinking about the plot are no less important things, but in the end they fade into the background, since they don’t seem to count.

My main principles: work regularly, for a predetermined amount of time, but at the same time be sure to leave time for rest, for “sharpening the saw.” I used to work seven days a week, but now I don’t even open the editor for at least one day and try not to think about the text.

Inspiration is, of course, important. But usually it comes in the process of writing. You make yourself some tea, reluctantly sit down, sign your name... And soon you don’t even notice how the process has begun. And you can sit on Facebook and wait for it to dawn on you for a long time.

I would also like to say something about working with the audience. Whether we like it or not, now it is the author who needs to work on promoting himself and his works. Therefore, communication with readers is a separate item: LJ, writers’ group on VKontakte, etc. I’m lucky: I like my readers and it’s great to communicate with them, but sometimes I have to write a post because I don’t want to, especially when I promised and people are waiting.

I am sure that writing may well become the main source of income for an author in Russia, given good royalties and circulation. This is not as unrealistic as many people think. I know quite a lot of writers who don’t work anywhere else, they just write books. But it won’t happen that you will become a millionaire from the first book (another common myth). You need to work, write a lot and promote yourself.

On one English-language writing site they said that real success comes after the seventh book. This may be an exaggeration, but usually 3-4 books will have to be written and published before your own audience is formed and there is a serious return.

Is it possible to learn to write?

It all started with my grandfather (he was a fairly famous poet) and a test: at the age of twelve I received the result - “you should be a writer.” Where am I and where are the writers? But everything I did came down to poems and sketches. And there was always a feeling that it would be more competent to convey ideas and thoughts through a work. A child will more quickly accept values through a fairy tale, for example, than through notation.

For me, writing is more of a way of life. I write everything and about everything, charging those around me to write their story. There is a working side to this, and there is also a passionate side. It is equally vital to write for the soul, write to order, inspire, guide, share what you know.

Is it possible to learn to write? I see in practice that it is possible. If you create a creative background, inspire you to get acquainted with theory, and make friends with practice, this will be effective learning. It is possible to graduate from a literary institute for this, but not necessary. It is important to find an environment where you develop as a creator. For some, tough courses are suitable, for others, creative courses, and for others, a structured institute.

But the courses will not provide in-depth knowledge of literary criticism. But they will give you practice and the inner workings of book publishing. If you know the fundamentals, practice will guide you in the right direction.

Everyone's writing journey is different. Sometimes a woman comes in tossing: what’s mine is not mine? And a few months later you read a text that tears your soul. We have Irina Kubantseva at our writing workshop, and her path is something like this.

The profession is not important, the desire is important. Here is Anna Voronina, a mathematician to her fingertips, who recently could not even think that she would write, but today her poems and fairy tales are published by the media and almanacs.

Lyubov Kholov, author of the novel “The Road to a Vocation,” doubted for a long time: are her stories needed - a girl who came from the Russian hinterland to America? And today thousands of readers thank us for the book published by the St. Petersburg publishing house.

Olga Strugovshchikova set the task of writing a book, sat down and did it - willpower. The process from the idea to the “book in hand” stage took six months.

Writing is more than retelling stories or creating imaginary worlds. As Nikolai Basov said, a novel is the best model of life. And Christopher Vogler believes that the author, through the hero’s journey in the work, can test his life, try different options and find the happiest one. Writing creates space and frees you from complexity. Write your life yourself.

How does a screenwriter work?

Alexander Molchanov, screenwriter, playwright, creator of the online film school Onlinefilmschool

I worked as editor-in-chief of the New Crocodile magazine and met Igor Ugolnikov, who was then relaunching Fitil. Igor Stanislavovich invited me to write for “Wick” and I wrote three or four scripts, which were immediately filmed and aired.

Today, the profession of a screenwriter is the only way for a writer to gain access to an audience of millions, creative self-realization and financial independence. No other areas of creativity - neither theater nor literature - provide this.

The ideal situation is when a screenwriter comes up with an idea for a film, writes an application, receives an order for this application from a film company or TV channel, and then writes a script. In reality, the screenwriter has to receive many amendments at each stage and take them all into account. Writers write. Screenwriters mostly rewrite.

The most important thing in work is to hear what the customer wants. The screenwriter is always part of the creative team.

Do you need inspiration for your work? Necessarily! True, inspiration usually comes to those who, year after year, day after day, at the same time, sit down at the table and write.

An episode of a series can be written in a week, a full meter - from three months to six months. It must be taken into account that many screenwriters work in the “sometimes thick, sometimes empty” mode. Either there are three projects at the same time, or there is no work for six months. Therefore, it is important to learn how to distribute the fees received and create a “safety cushion”.

Three or four years ago there was no competition in this area at all. You could enter the profession from the street by graduating from film school or taking screenwriting courses. Working screenwriters had a waiting list of clients for two to three years. Now there are more screenwriters, but fewer orders. Accordingly, the demands on screenwriters have increased. However, this is a growing market and the profession remains in high demand.

As for payment for screenwriting: there are different feature films and different series. There are arthouse feature films that are shot on a meager budget, and there are blockbuster feature films. And the range of fees is from two hundred to three hundred thousand to five million rubles. On television there is daytime airing, where an episode costs about 60 thousand rubles, and there is prime time, where an episode can cost up to four hundred thousand rubles. There are no royalties from rentals in our industry. This is due to the peculiarities of our legislation, according to which the authors of the film are the screenwriter, director and composer, and only composers receive royalties.

How much can a writer earn?

The path from manuscript to publication can take from several months to several years. When a book is written, the author draws up a synopsis (a brief description of the book, usually written on 1-2 pages) and sends it to the publishing house. You have a better chance of getting published if you write for a series that is already being published by a publishing house. But even a new product without a series has a chance of being accepted.

A beginning author can count on a circulation of 3-5 thousand copies and a fee of about 15-25 thousand rubles (in some cases, payments can reach 50 thousand). If the edition is reprinted, the author may receive additional payment. For subsequent works you can expect a higher fee. A less common option is when the author is paid only interest on copies sold, but in this case he will receive the money only after the sale of the batch.

The fee directly depends on the circulation. The larger it is, the higher the amount in the contract will be. An author whose books are published in 30-50 thousand copies will receive 10 times more than a beginner. So you can’t count on a comfortable life from the very first books; for this you need a name.

Writers say that if you can avoid writing, don’t write. But if you constantly come up with different stories and characters, create images that just beg to be written down, try to formalize your thoughts. Let it be a hobby without commitment at first. But over time, it can turn into full-time employment. JK Rowling started writing out of desperation. You know what this led to.

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Header photo: Stephen King;

Ostap Bender in Crimea

Anatoly Vilinovich Contemporary Russian literature Further adventures of Ostap Bender

The author is a member of the International Writers Association, film playwright, journalist; resident of Kiev; He has been engaged in writing since 1983. The novel “Ostap Bender in Crimea” is a continuation of A. Vilinovich’s previous book “The Further Adventures of Ostap Bender”, published in 1997.

Alexander Mikhailovich Kazbegi Foreign classics Missing No data

Tsiko first met a beautiful young man who selflessly loved her, she became convinced that he kidnapped her not in order to dishonor her, to take possession of her by force, no, true love forced Gugua to kidnap her. And this, in the eyes of every mountain girl, is a feat worthy of praise; Moreover, his gaze, radiating power, won, subjugated her against her will... The electronic version of the work is published based on the 1955 edition.

Alexander Mikhailovich Kazbegi Foreign classics Missing No data

The literary talent and civic courage of Alexander Kazbegi were especially clearly manifested in his creative activity in the 80s of the 19th century. In his novels and stories, the inner world of the characters, their feelings and experiences are conveyed with great artistic power.

The best pages of his novels “The Patricide” and “Tsitsiya” are devoted to the life of the Chechens, and the story “Eliso” is entirely about the Chechens, whom the Georgian writer treated with the greatest sympathy, and knew their way of life, customs and morals well. The electronic version of the work is published based on the 1955 edition.

“The Right to Record” is a book of articles, essays, and recordings by journalist and writer Frida Vigdorova (1915–1965). Most of it is built on archival materials - writers' and journalists' notebooks, in which one of the main features of Vigdorova's talent was revealed: absolute pitch for human speech and the ability to artistically reproduce the polyphony heard.

The book also includes a chapter from her unfinished story “The Teacher.” In addition to Vigdorova’s texts, the book includes fragments of memoirs, articles, and speeches dedicated to her life, creativity and activities. Most of the materials are published for the first time. Frida Vigdorova's texts are published preserving the author's spelling and punctuation.

K. D. Balmont

Evgeny Anichkov Criticism Absent

“When in March 1912 in St. Petersburg they celebrated the twenty-fifth anniversary of Balmont’s poetic activity and began to discuss in a special commission, which included professors, critics, and poets, what he actually did, the significance of this creativity was revealed with some amazing clarity forever living and forever young poet.

After all, if you think about it, on the one hand, it’s strange that he already has a quarter of a century of hard work as a writer behind him, and on the other hand, this period is too short to do so much. “I’m longing for spring!” – Balmont exclaimed just recently as a venerable forty-year-old writer.

Yes, all his poetry is an unceasing spring. This word suits him so well...”

Private Investigation Club (Season 1)

Alexander Nikolaev Horror and Mystery Missing No data

Freelance journalist Igor Zarubin is the main character of the discrete action-packed novel. He has an extraordinary talent for writing, has good physical fitness thanks to his service in special forces and his passion for martial arts. All this, and some paranormal abilities given by nature, help him unravel complex and unusual situations associated with mysticism in which he and the people around him find themselves.

The results of such activities of the journalist subsequently become the basis for his artistic publications. In the City that appears in the stories, Igor Zarubin is known as a writer, journalist and a person who undertakes to investigate what official law enforcement agencies refuse.

In this dangerous work, he is helped by his childhood friend - now a police major, heading the city homicide department - Alexey Uspentsev. They jokingly call each other Holmes and Watson. In the process of investigating one of the cases (“Emerald Tablet”), they help a girl in trouble, Dasha Athanazi.

She becomes the third in their company as Miss Hudson. After this, the young people form an informal Private Investigation Club. To be continued!

Nikita Nikolaevich Moiseev. The fate of the country is in the fate of the scientist

Alexander Petrov Biographies and Memoirs

Arthur and Sherlock. Conan Doyle and the Creation of Holmes

Michael Sims Biographies and Memoirs Biography of a great man

This book is a wonderful gift for all fans of the famous Sherlock Holmes. Written in a style reminiscent of its creator, Arthur Conan Doyle, it tells a truly detective story about how a young Scottish doctor became a world-famous writer, and his hero became the greatest detective of all time.

Having immersed the reader in the atmosphere of Victorian England, Michael Sims introduces him to the literary and scientific world of the late 19th century, introduces him to Arthur Conan Doyle’s inner circle, to his laboratory – medical and literary. “Nothing is more important than the little things,” writes the author.

And there are a lot of them in this book: numerous unknown facts from the life of Conan Doyle, details of the activities of the prototype of Sherlock Holmes, analysis of the “marketing” techniques used in the “promotion” of novels and stories about the great detective, revolutionary for their time, and much more.

From the book you will also learn: What were the names of Sherlock Holmes and John Watson originally? What is the difference between deduction and induction and whether the deductive method was actually used by the great detective What family secrets of Arthur Conan Doyle formed the basis of his works When Holmes first appeared “in public” in his the famous “hunting cap” and why it was completely indecent Why Arthur Conan Doyle quarreled with the first publisher of stories about the great detective From whom the most famous illustrator of books about Sherlock Holmes, Sidney Paget, copied the “canonical” image of the detective.

Night riders. Lawbreakers (collection)

Ridgewell Cullem Foreign adventures Classic adventure novel 1906, 1914

Ridgewell Cullem (1867–1943) is the pen name of the American writer Sidney Graves Burchard. An adventurer by nature and a passionate adventurer, he left England at the age of seventeen and, struck by the gold rush in the Transvaal, went to South Africa.

Many adventures befell the future writer. He fought in the Boer War, then, lured by the prospects of the Saguenay country, Canada's version of Eldorado, crossed the ocean to the Yukon, where he narrowly escaped starvation; later froze to death in the Klondike gold mines.

Then he became a successful cattle breeder in Montana, took part in the uprising of the Sioux Indian tribes... After the success of his first novel “The Devil's Barrel” (1903), he decided to devote himself to writing and over forty years of creative activity he published over three dozen books, most of which can be attributed to Western genre.

The action of the novels "Night Riders" and "Lawbreakers", presented in this volume, takes place in the 19th century on the vast expanses of the Canadian prairies. Their heroes are cowboys and bandits.

Arkady Gaidar without myths

Boris Kamov Biographies and Memoirs Absent

Boris Nikolaevich Kamov presents the ninth and final book about the life, military activity and work of Arkady Petrovich Gaidar. The author gives the most complete picture of the creator of “School” and “Timur”, reveals to us the inner world of this amazing person, describes his difficult path to literature.

A large place in the book is devoted to pedagogical issues. It is shown how the education system in the Golikov family influenced the pedagogy of the sixteen-year-old commander Arkasha Golikov. The pinnacle of Gaidar’s writing and pedagogical work was the creation of the image of Timur: an organizer, a humanist, ready for a selfless act for the sake of another person.

And the happy family is depicted in the “Blue Cup”. This book is addressed to high school students, school teachers, kindergarten teachers, pedagogical university students, library workers and parents. But many episodes may be of interest to middle-aged and elementary-aged children - if someone reads aloud to them at home, during class, or after class.