Bass drum sizes and sound. See what "Bass drum" is in other dictionaries Bass drum

Hi all! Friends, today I want to tell you about what a bass drum is, in addition, you will learn what a bass drum is and why it is often called Turkish =)

What is the difference between a Bass Drum and a Bass Drum? Many people consider them to be one and the same thing, but it is worth separating these concepts, and then I will explain why.

Big Drum.

Big drum- this is a wide metal or wooden cylinder covered with leather on both sides (sometimes only on one side).

Sounds are produced by striking a beater with a massive head, which is usually wrapped in dense material. Africa is considered the birthplace of the bass drum; a little later it appeared in Europe.

The big drum also has the name “ bass drum" In Turkey, this drum was extremely popular; all military campaigns of the Turkish army were accompanied by the sounds of a large drum; in addition, it was an integral attribute in various celebrations and rituals. This is where the name comes from.

The bass drum is the most important part of a symphony and brass orchestra.

In a brass band, the bass drum usually includes cymbals, one of which is attached directly to the drum itself, and the second is in the drummer’s hand.

In orchestral music, the bass drum often plays the role of a “metronome,” beating the strong beats of the bar.

Bass drum.

The question is very often asked: “ What is the name of the bass drum used in a drum kit that sits underneath?»

So: in modern musical styles, such as jazz, funk, rock, metal, etc., a lower-sounding variety of the big drum, called the bass drum, is used. The musicians themselves simply call it “ barrel “But there really are similarities!? Round and oblong =)

Bass drum- cylindrical shape, covered on both sides with a membrane (plastic).

The bass drum is part of the drum kit; sound is extracted from it using a special pedal connected to a beater. Modern metal styles such as; thrash, power, death, black metal and even current heavy metal universally use a cardan (two pedals connected by a shaft with 2 beaters on board, respectively), which allows you to hit the bass drum much faster than a single pedal.

Listen to the sound of the kick drum (online).

Designation of the bass drum in musical notation.

What, you are not yet familiar with musical notation for drummers? Then be sure to read!

We’ll end here, I also wanted to add the sound of a large single orchestral drum, but I couldn’t find a good recording, if you have one, please send it in the comments, I’ll definitely add it to the article! =)

What is the history of the drum kit? and got the best answer

Answer from 2 answers[guru]

Hello! Here is a selection of topics with answers to your question: What is the history of the drum kit?

Answer from Vl-59[guru]
Percussion instruments are the most ancient on the planet. Drums appeared at the dawn of mankind, and the history of their creation is very interesting and too voluminous, so we will pay attention to its most basic aspects. Various civilizations have used drums or similar instruments to play music, warn of danger, or instruct armies during battle. Therefore, the drum was the best tool for such tasks because it is easy to make, creates a lot of noise and its sound travels well over long distances. For example, American Indians used drums made from gourds or carved out of wood to perform various ceremonies and rituals or to raise morale during military campaigns. The first drums appeared around six thousand years BC. During excavations in Mesopotamia, some of the oldest percussion instruments were found, made in the form of small cylinders, and the origin of which dates back to the third millennium BC. Cave paintings discovered in Peruvian caves indicate that drums were used for various aspects of social life, but most often drums were used in religious ceremonies. The drum consists of a hollow body (called a casserole or tub) and membranes stretched on both sides. To tune the drum, the membranes were tied together with animal tendons, ropes, and later metal fasteners were used. In some tribes, it was customary to use the skin from the body of a killed enemy to make membranes, fortunately these times have passed into oblivion, and now we use various plastics made from polymer compounds. At first, the sound from the drum was extracted by hand, and later they began to use round-shaped sticks. Tuning of the drum was done by tightening the membranes, as mentioned above, with veins, ropes and later with the help of metal tension fasteners, which tightened or loosened the membranes, and due to this, the sound of the drum changed its tone. At different times and different peoples there were instruments that were completely different from each other. And in connection with this, a reasonable question arises: how did it become possible that completely different cultures, with their unique drums, united in one, so to speak, “standard” set that we use today, and which is universally suitable for playing music of different styles and directions ?Snare Drum & Tom-tomsLooking at a standard kit, many people probably think that tom-toms are the most ordinary drums, but it’s not that simple. Tom-toms come from Africa and they were actually called tom-toms. The aborigines used their sound to bring the tribes into combat readiness, to convey an important message, and also to perform ritual music. Drums were made from hollow tree trunks and animal skins. And the most interesting thing is that the Africans created various patterns of rhythmic patterns, many of which became the basis for the various styles of music that we play today. Later, when the Greeks came to Africa, approximately two thousand years BC. e. they learned about African drums and were very surprised by the powerful and strong sound of tom-toms. They took some drums with them, but did not find any special use for them; they did not use drums very often. Some time later, the Roman Empire began to fight for new lands, and the Catholics went on a crusade. Approximately 200 BC. e. , their troops invaded Greece and North Africa. They also learned about African drums and unlike the Greeks, they actually found a use for the drums. They began to be used in military bands. But at the same time, when using African drums, Europeans did not use their rhythms, since they did not have the same sense of rhythm that Africans developed in their music.

The Bible for drum kit tuning. Bass drum tuning Published on the web portal

Bass Drum Heads - Impact Side

The coatings and types of materials are the same as in the section “Tom Heads - Impact Side”. Bass drum heads have a lot in common with tom heads, but there are also significant differences, such as the EVANS EQ or Aquarian Regulator series.

1. Single-layer, without damping elements. Any plastic like REMO Ambassador, Ebony series, FiberSkyn 3FA, Aquarian Signature Jack DeJonnette series, EVANS EQ 1, EVANS EQ 4
2. Muffled single-layer heads, such as REMO Ambassador, Ebony series, FiberSkyn 3FA, Aquarian Classic, Aquarian Signature series Carmine or Vinny Appice, Studio-X, Impact I, SuperKick I, EVANS EQ 1, EVANS EQ 4, etc.
3. Damped two-layer: any like REMO PinStripe, EVANS EQ2, EVANS EQ3, or hydraulic, such as Aquarian SuperKick II. See the Sound section. Typical selection of pairs of heads for a bass drum."

Bass drum. Resonant side heads

1. Single-layer, without damping elements. Any head like REMO Ambassador, Ebony series, FiberSkyn 3FA, Aquarian Classic Ported Bass Drum Head, EVANS EQ1, UNO 58 1000, etc.
2. Muffled single-ply heads, such as REMO PowerStroke 3, Aquarian Regulator, EVANS EQ 2, EVANS EQ 3, etc. Please note that most of these heads come in no-hole, 4 1/2", 5" and 7" hole versions.

Bass drum. Plastics with a hole or without?

1. If the hole in the plastic is larger than 7 inches in diameter, it is the same as playing without the plastic.
2. The 7" hole gives the impression of sounding without a resonant head, sends more attack from the beater into the audience, and slightly colors the sound with the timbre of the resonant side. In addition, it is easier to install microphones and change internal dampers.
3. A 4.5 or 5 inch or even two offset holes of this size makes the beater easier to control (reduces the chance of unwanted rehearsal), the drum resonates more powerfully, and the resonant side has a stronger effect on the tuning of the drum. The 4.5-inch hole makes it more difficult to install the microphone inside the kick drum and change the position of the dampers.
4. Plastic without a hole gives a very boomy sound and greater bounce of the beater. It can be difficult to get both the clap of the beater and the resonance of the drum with one microphone. All dampers remain inside. Resonant head has a huge impact on the overall sound.

Bass drum. Cushions and/or pads

1. One spacer or cushion covering 15-20% of the calculated area of ​​the drum head: the attack is emphasized, the tone and after-sound “hang”.
2. One pad or pad covering 15-20% of the resonant head area: the attack of the beater is reduced, the tone and after-sound appear as if bright overtones appear behind it.
3. One pad or cushion covering 15-20% of the area of ​​the drum and resonant heads: the attack is emphasized, the overall volume is slightly reduced, the tone and after-sound are more collected, the overtones are muted.
4. One pad or cushion covering 25-30% of the area of ​​the drum head and 15-20% of the resonant head: the attack is very hard and emphasized, the overall volume is almost the same as in the previous version, the tone and after-sound are even more concentrated, there are almost no overtones.
5. One pad or pad covering 25-30% of both the drum and resonant heads: a very focused sound, ideal for close-micking. The attack becomes very emphasized, the overall volume is almost the same as in the previous version, the tone and follow-up become short bursts of energy that seem lifeless without a microphone. Distinct “percussive” sound.

Sound. Typical selection of bass drum head pairs

Please note that all characteristics of the muted heads described below can be changed using pads/spacers as described in the “Bass Drum” section. Cushions and/or pads,” or selecting a head with a hole, as described in the section “Bass drum. Plastics with a hole or without? The coatings and types of materials are the same as in the section “Tom Heads - Impact Side.”. Kick heads have a lot in common with tom heads, but there are significantly different series, such as EVANS EQ and Aquarian Regulator.

1. Single-layer, without damping elements on both sides: - open, strongly resonating ringing sound, elastic feel.
2. Single-layer muted drum, single-layer non-muffled resonant: the attack of the beater “pops up”, the sound is open, strongly resonating, at the moment of attack the overtones are muted, but “hang” on the aftersound.
3. Single-layer muted on both sides: the attack is heard more clearly, the sound is dense but somewhat vague, the overtones are muted but audible. Typical combinations: REMO PowerStroke 3 on both sides, to enhance the low frequencies you can put an EVANS EQ 4 drum head, and a resonant head - REMO PowerStroke 3, EVANS EQ 2 or Aquarian Regulator Resonant.
4. Single-layer muted drum and double-layer muted resonant: the attack of the beater “pops out”, the sound is wide, focused, and the overtones are damped. Typical combination: kick side - REMO PowerStroke 3, resonant side - REMO PinStripe, EVANS EQ 3, or Aquarian SuperKick II Resonant.
5. Dual-layer muted on both sides: very focused and elastic attack, narrow focused sound, overtones highly muted (pads/cushions may not be needed). A typical combination on both sides is REMO PinStripe, EVANS EQ 3, or Aquarian SuperKick II.

Bass drum. Setup and tricks

1. For the bass drum, the procedure is the same. Follow the steps in the “Tuning and seating any drum heads” section, but take into account the following:
2. In a typical setup, the impact head controls the attack and the resonant head controls the follow-up.
3. For a more elastic sound, raise the tuning of the resonant head 1-2 notes up, or tune the entire drum higher.
4. To get a “plastic” sound, you need to place a single-layer head on the striking side, tuned to the lowest note, and loosen each screw a little. A solid, unlined felt beater sounds good. If you use wood or plastic, put a gasket.
5. The “fat” sound on the bass drum is done in the same way as on the tom. You need to adjust the resonant head to the lowest note, then slightly (1/16 - 1/8 of a turn) loosen each screw. The result will be a “bold”, “loose” or “dark” sound. In this case, the tuning is changed using a shock head. Keep in mind that with a "fat" sound, the pitch range of the tuning may be somewhat limited.
6. To get a short, open, resonant burst of sound followed by muted overtones, try using the EQ damper. Press it lightly against one of the heads, so that when you hit the beater, the top ("hinge") part bounces off the head, but quickly returns back. The duration of the sound can be influenced by changing the location of the damper. This technique also works with two dampers, when one of them is pressed tightly, and the other, located on top of the same or on the opposite plastic, gives a “hinged” sound.
7. Don't have a pillow or pad? Try using strips of felt or cotton fabric of varying widths. Place them under the plastic approximately in the middle, pulling them tightly so that the plastic presses them. As a guide, try making a stripe that is 4.5" wide on a 20" barrel, 5" on a 22" barrel, 5.5" on a 24" barrel. A stripe on one head is equivalent to damping 25-30% of the head's area, or two EQ dampers per head. A towel rolled up and taped to the bottom of the plastic (or both) also works. An old feather pillow or rolled up blanket works just as well. Improvise! Anything that lightly touches the surface of the plastic will work as long as you follow the damping proportions given in the Cushions and/or Spacers section. For a "hinged" sound, try taping a towel or piece of fabric to the top of the head so that it bounces back when hit.
8. To improve resonance, try raising the bass drum as high off the floor as possible - as much as the stops and pedal design will allow.

Tuning drums is difficult. But there is no need to be afraid. These 7 tips will help you tune your kick drum.

1. Do I need a hole in the plastic?

Many drummers discuss why and why a resonant head needs a hole. The hole is necessary if you want to get an accentuated sound from the beater, but many people make a hole just because “that’s how I do everything.” With good tuning and the right head selection, it is very possible and often very desirable to avoid making a hole in the front head. If you do make a hole, don't make more than one and it should be no more than 5 inches in diameter. More than one hole or a hole larger than 5 inches in diameter will have the same effect as no front head. And yet, a lower sound is achieved with a resonant head without holes.

2. Consider jamming the plastic. Do you really need this?

Now we move on to cushioning - pillows, blankets, tape, etc. Top tip, try to think about the environment you're playing in before you grab the nearest duvet! In most cases, in a live performance, damping will not be needed, and if it is needed, it will be very light. If you are in a studio then some kind of muting (especially on larger bass drums - 24" or 26") may well be useful. Damped bass drums may sound great to you, but to the listener the bass frequencies may get lost in the mix.

3. The choice of plastic is very important.

If you choose the right head for your drum based on your sonic needs, it will be an effective combination no matter what situation you're performing in. You will, of course, have to fine-tune your drum before each performance, but it won't take much time. Place the head on the drum and hand tighten all the bolts in pairs until you can turn them. Then press down on the center of the plastic and check that none of the bolts are loose. If the plastic is new, then you will almost certainly find that one or two bolts have loosened a little.

4. Let's start setting up (finally!)

Ideally you should tune the striker head first with the resonant head removed. Start tightening the bolts in pairs with your fingers until all the wrinkles are removed. After this, using a wrench, achieve the same tone in the area of ​​​​each bolt.

5. Damping (if necessary).

If you really need it, now is the time to do it. A small rolled up towel placed against the resonant head will suffice.

6. Fine tuning.

Now carry out all the operations that were performed with the impact head and with the resonant head in order to remove wrinkles from the head and even out the tone. Now place the drum in the playing position and install the pedal. You can now ask your bass player to play the drum while you tune it, but if this is not possible, then do the following: lie on the floor in front of the drum and play a slow and steady pulse on the pedal with your hand, and at the same time pull the head with your other hand and look for the desired tuning . This will give you a chance to hear the pitch, tone, and overall resonance of the drum.

7. Presentation, clarity and focus.

When tuning the resonant head, you will notice two things. Initially, not surprisingly, the flow will begin to improve, but perhaps more importantly, clarity and focus will improve. With both heads tuned the same, you will most likely get rumble in the low end, but very little. Some people love this, and that's fine, but if you prefer a more focused or shorter, thicker sound, then increase the tension on the resonant head.

BIG DRUM is the general name for numerous percussion musical instruments consisting of a hollow cylindrical body with skin (membrane) stretched over it. The drums are beaten with hands, sticks or special mallets. It is known about... ... Collier's Encyclopedia

This term has other meanings, see Drum (meanings). Drum... Wikipedia

This is a very ancient and very common instrument. Its ancestor was a simple stone or wooden mallet, which was used by primitive people. However, over time, they noticed that the sound became more booming if they did not hit solid... ... Musical dictionary

- (Kotoshikhin 151), probably borrowed. from Turkic, cf. tat. daraban – the same (Radlov 3, 1627), from where with dial. t: Polish, Ukrainian taraban, rum. darabană (Tiktin 2, 505); see Mladenov 17. On the other hand, the source was also considered Tur., Crimea. tat. balaban... Etymological Dictionary of the Russian Language by Max Vasmer

BIG- The names of instruments or organ registers combined with the word big (big drum, big flute, etc.), see under simple names... Riemann's Dictionary of Music

Drum (probably Turkic), a percussion instrument common among most peoples; a hollow body or frame over which leather is stretched on one or both sides. Sound is produced by striking a membrane, sometimes by friction; pitch is undefined. WITH… … Great Soviet Encyclopedia

A; m. 1. A percussion musical instrument in the form of a hollow cylinder with leather-covered bases. Hit b. To play the drums. Pionersky b. March under b. * Then the drums began to crack and the infidels retreated (Lermontov). / Rough. About the big, round... encyclopedic Dictionary

This term has other meanings, see Drum (meanings). Revolver drum: 1 recess (full) for lightening; 2 grooves for clamp; 3 ratchet; 4 chambers ... Wikipedia

drum- a, m. 1) A percussion membrane musical instrument, consisting of a hollow round resonator body, covered with leather on both sides. To play the drums. Beat the drum. Having made several loops, the whole company listened to the alarming beat of a drum from... ... Popular dictionary of the Russian language

- (State Order of Lenin Academic Bolshoi Theater of the USSR, Bolshoi Theater) one of the oldest Russian. music trov, leading owl. t r opera and ballet. B. t. played an outstanding role in the approval of the national. realistic. traditions of opera and ballet... Music Encyclopedia

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