How to get light blue color. How to get green by mixing paints
04.06.2017
Features of color mixing
In the interior of premises, it is becoming fashionable to decorate walls with various types of plasters and paint them with paints. But it’s not always possible to choose the palette you like in hardware stores. Don't despair. Modern technologies allow you to get the desired result. Mixing colors of standard shades allows you to achieve the desired result. The next question arises, how to mix paints to get a beautiful tone? Let's try to get an answer.
There are quite a lot of tones. But the production of paints is based on the use of standard colors. Nowadays, non-standard colors are in fashion, which can be obtained by mixing dyes. The following expert recommendations will tell you how to mix colors correctly.
It has been known since childhood that the basis of all tones are three colors: red, blue, yellow.
To get other options, you need to know the rules for mixing paints. The combination of basic dyes gives a wide range of different undertones.
The secret to creating a new color scheme by mixing colors is to use basic dyes in different proportions. For example, when mixing the colors blue and yellow, we get green. If you continue to add yellow to the resulting substance, you can get tones that are increasingly closer to it. It all depends on the volumes that are connected.
On video: how to get a new color.
The nuances of combining dyes
Mixing colors of chromatic shades, which are placed next to each other on the color wheel, gives a fairly bright palette. If you mix dyes that are on opposite sides of the circle, we get achromatic tones, that is, with a predominance of gray.
Related article: How to get an orange tint: learning to mix colors
To get the desired result, you need to understand not only the color scheme, but also ensure that the solutions match the chemical composition. Otherwise, you may get unexpected results. If the color initially turns out bright when mixing paints, then over time it begins to darken and turn gray. For example, a combination of lead white and cinnabar red color initially gives a bright pink, but after a while it will lose its saturation. This also applies to oil paints. They are very susceptible to solvents.
The best option for achieving high-quality rich colors is to combine a minimum amount of paints. Comparability of materials is required. A color mixing table will help you select them.
Traditional palette mixing options
When getting a color yourself, you need to know the rules for mixing paints. Let's look at common options for getting the desired color.
Reds
Red is a representative of the main color. To obtain different red shades, you must follow the following rules:
- The tone of carmine, which is as close as possible to fuchsia, is combined with yellow 2:1. The result is red.
- Combining pink with yellow produces orange.
- To get scarlet, you need to take red and yellow in a 2:1 ratio.
- To achieve a red palette with a soft effect, red and pink paint are mixed. To achieve a lighter tone, it is better to add white paint.
- If you add a dark dye to the main red paint, you get burgundy.
- You can achieve dark red by mixing red and purple colors in a 3:1 ratio.
Blue
There are primary colors, which include blue. To obtain the desired blue color, you must use this primary color. We get blue by adding white to the blue palette. As the volume of white increases, the shade will become lighter. To obtain a moderate tone, use turquoise instead of white.
Blue is one of the primary colors. Along with red and yellow, it is on the list of tones that cannot be produced at home. But artists know very well how to get blue in its various shades - to do this, you need to mix the classic color with other pigments, which gives amazing results.
Traditional color wheel
Experts call blue, red, and yellow the “three pillars” of color and painting. It is on them that the widest palette of halftones of the second and third orders rests; they are combined with each other, while creation with is excluded.
All the most important colors are included in the so-called color wheel. It represents a conditional model divided into sectors. The latter are placed in an order close to their location in the visible light spectrum. The adjacent shades are called chromatic; they can be mixed together to obtain a new chromatic (color) paint. If, when mixing paints, you take opposite tones, the result will be an achromatic color (grayish). That is, the further the colors are from each other, the more likely it is that their mixture will give an inexpressive, ugly tone.
Classic blue and its shades
You won’t be able to make blue at home, so to create different shades of it you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when they are combined you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the required proportions for paints, but in practice they still have to experiment.
In regular gouache sets, blue is represented by the shade ultramarine. It is very bright, moderately dark, and has slightly purple notes. There is an important rule that you need to remember: add white to lighten the tone, black to darken it, and different colors to change the reflection of the paint.
Blue-green
Making shades of blue with green highlights is easy. The effect of a dark green tone is achieved by introducing a small amount of ready-made green paint into the blue. If it is not there, you can do it differently. Since the combination of blue and yellow gives a green color, you can add a little yellow to the blue. Next, the paint is lightened with white, the result is a third-order shade, less saturated.
Prussian blue
The azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part blue and the same amount of light green or bright green (grass) shade. If necessary, the tone is diluted with white.
Blue-violet
This color is considered very rich and powerful in energy; it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to turn blue, for which blue color is added drop by drop until the desired tone is obtained. Typically the final ratio does not exceed 2:1.
Royal blue
The royal color is a dark, cool tone, close to classic. Traditional royal blue is part of the HTML color scheme used in computer graphics. It is also the main tone of ink and paint for cartridges. To make this color, a drop of black and even less of green are added to ultramarine.
Blue-gray
This shade is reminiscent of a cloudy sky, as well as the color of water on a non-sunny day. You need to add a little brown to the base blue, the result will be a dark blue-gray tone. It is diluted with white to the desired degree of lightening. There is another option for creating a gray-blue tint - combining blue with orange, the result will be a grayish mass with a slightly blue tint.
Dark blue
The blue paint begins to darken with the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.
Blue
Blue color is easy to make. To do this, blue of any tone is diluted with white 3:1 or more. Increasing the volume of white paint results in even greater lightening, up to a sky blue or pastel blue. To achieve an original tone, you can dilute turquoise with white.
Other shades
Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, yellow-green color is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.
Blue in nature
In the real world, blue is perceived by the eye in the range of 440-485 nm. This is a digital value of the electromagnetic wavelength that has a blue tone in the general spectrum of light. In nature, you can see up to 180 shades of blue - its tones are visible in the colors of the seas and oceans, the sky, twilight, moonlight, many plants, and insects.
To obtain the ideal color, you need to ensure that all ingredients are similar in chemical composition. Otherwise, the mass may separate, leaving unmixed veins. It is also important to use high-quality paints, because others begin to darken and turn gray over time. Oil dyes are very susceptible to changes - it is better to first try the work on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, and the lower the risk of fading and peeling of the finished decor.