Pushkin Museum of Fine Arts (Pushkin Museum). State Museum of Fine Arts named after A

State Museum of Fine Arts named after. A. S. Pushkin or, as it is more often called, the Pushkin Museum is one of the most significant museums in Moscow, which has collected within its walls a large collection of works of foreign art from the ancient world to the present day.

The Pushkin Museum opened its doors for the first time on May 31, 1912. The inspirer and first director was Moscow University professor Ivan Vladimirovich Tsvetaev. The initial collection was formed from copies of ancient sculptures and mosaics of the university Cabinet of Fine Arts and genuine antiquities purchased from the famous Egyptologist V.S. Golenishcheva. Later, the halls were replenished with paintings transferred from other museums and works of art from private collections donated or confiscated after the revolution. Today, the Pushkin Museum’s collection includes more than 670,000 exhibits, of which only 1.5% are available for inspection.

Under the jurisdiction of the Pushkin Museum. Pushkin is a whole museum town located in the historical center of Moscow near the Kropotkinskaya metro station. It includes several buildings, including:

Main building
Gallery of art from Europe and America of the 19th-20th centuries.
Department of Personal Collections
Museum-apartment of Svyatoslav Richter
Center for Aesthetic Education "Museion"
Educational Art Museum named after. I.V. Tsvetaeva
House of graphics

The main building is an architectural monument with a powerful colonnade and a glass roof, built 100 years ago specifically for the museum.

The exhibition here is located on two floors. The first contains genuine rarities of Ancient Egypt, ancient times, golden treasures of Ancient Troy from the excavations of archaeologist Heinrich Schliemann, paintings by European masters of the 8th-18th centuries, there are Greek and Italian courtyards - large spaces with cast sculptures. On the second floor, many rooms are devoted to copies of art objects from Ancient Greece, Rome, the Middle Ages and the Renaissance. In addition, original paintings by European artists are exhibited here.

The Egyptian Hall is one of the world's best collections of authentic objects from the times of Ancient Egypt: mummies, sarcophagi, masks, figurines, jewelry and vessels.

Wooden sarcophagus of the nobleman Mahu, holder of a plot of land of the Temple of Amun:

Amenhotep and Rannai - priest and priestess of the god Amun:

Sarcophagus and mummy of Khor-Kha. In the foreground is a mummy of a cat:

The next room is dedicated to the art of the Ancient Near East.

Figurine of an adorant from Northern Mesopotamia. Adorant is a figurine made of stone or clay that was placed in a temple so that it would pray for the person who placed it.

Halls of ancient art with a collection of Greek vases and amphorae, mosaics, sculptures and reliefs of Ancient Italy, Cyprus and Rome.

Antefix – ceramic tile with the Gorgon Medusa mask:

Items from the excavations of Panticapaeum - the capital of the Chimerian Bosporus:

The theme of antiquity continues in the Greek Courtyard, a large hall filled with casts of famous ancient Greek statues, reliefs and architectural fragments.

Sleeping Ariadne. The marble original is kept in the Vatican.

Another courtyard is Italian, with casts of Renaissance masterpieces.

The equestrian statue is a copy of the bronze monument to the commander-in-chief Bartolomeo Colleoni from Venice.

Michelangelo's famous David. The height of the sculpture is 5.5 meters.

One of the main pearls of the Museum of Fine Arts. Pushkin - a collection of works by Rembrandt and artists of his school is located in room No. 10.

Rembrandt "Portrait of an Old Lady" and "Portrait of an Elderly Woman".

An exhibition of paintings by Flemish painters of the 17th century - Rubens, Jordaens, Van Dyck, Bruegel.

Anthony Van Dyck "Portrait of Adrian Stevens". Flemish master of the early 17th century "Portrait of a Lady with a Fan".

"Ice Skating" by Hendrik Averkamp from the 17th century Dutch Art Hall.

Also on the ground floor, the permanent exhibition presents art from Byzantium, Italy from the 13th to 16th centuries, and Germany and the Netherlands from the 15th to 16th centuries.

Let's go up to the second floor.

The hall, called "Olympic", with casts from classical ancient Greek sculptures.

A copy of the sculpture “Lamentation of Christ” from the hall of Michelangelo Buonarotti. “Great fame and glory,” according to his contemporary, the great master acquired for himself with this work.

Italian sculpture from the 15th century. The decoration of the hall uses decorative elements in the style of the Early Renaissance.

Magnificent Tombstone of the Cardinal of Portugal by Rosselino Antonio. The original is in Florence in the church of San Miniato al Monte.

European art of the Middle Ages.

The cultural heritage of Ancient Italy and Ancient Rome in casts. The masterpieces of this room are the Capitoline She-Wolf, the bust of Marcus Aurelius, and the sculpture “Victoria”.

Greek art of the late classics and Hellenism. The colossal group “Farnese Bull” - the original is kept in the Archaeological Museum of Naples.

Winged Nike of Samothrace and Aphrodite of Knidos by the famous sculptor Praxiteles.

Of course, it is difficult to show all the halls and works - there are a lot of them, you can spend more than one hour exploring the Pushkin Museum of Fine Arts.

Photography is free, but there are a few rules: you cannot use a tripod or flash, and you are prohibited from taking photographs at temporary exhibitions.

On the days of particularly significant exhibitions, when masterpieces from the collections of the best museums in the world are brought, queues form at the box office.

Art Talks on 29 topics are held on Tuesday and Friday afternoons and Thursday evenings in the Main Building, Gallery and Personal Collections Department.

Since 1980 in the museum. Pushkin hosts the annual music festival “December Evenings of Svyatoslav Richter”; concerts are held in the halls throughout the year.

There are sightseeing and thematic tours of the permanent exhibition; you can take an audio guide, its cost is 250 rubles.

For more detailed information, see the official website of the Pushkin Museum: arts-museum.ru

How to get to the Pushkin Museum of Fine Arts

By public transport: metro station Kropotkinskaya, then 2 minutes on foot.

Address: Volkhonka street, building 12.

Opening hours

Tuesday, Wednesday, Saturday, Sunday - from 11-00 to 20-00
Thursday, Friday - from 11-00 to 21-00

Monday - closed

Ticket prices for the Main Building

Adults – 400 rubles
Preferential categories – 200 rubles
Children under 16 years old – free

A year and a half ago, all the impressionists and works of the 20th century were removed from the Pushkin Museum. Now they live in a separate building on the left (formerly the Museum of Personal Collections, now the Gallery of European and American Art of the 19th–20th centuries). As a result, a lot of space was freed up on the upper floors of the main building - they decided to update the exhibition. All the keepers had something to take out from under the covers - and, of course, everyone wanted it. Although only two collections could increase significantly - the Dutch one, due to the endless and infinitely prolific little Dutchmen (the great ones have been on display for a long time), and the Italian one, where there is something to add to each century (although names not previously presented are mostly familiar only to art historians, and Italianists at that) . As a result, both were added, but in different proportions. But first things first.

Of course, you can’t change the exposure overnight; the process is long. The halls were closed one by one, repaired and replaced, paintings were restored and taken out of storage. They carried the French upstairs and gathered Rembrandt and his school in one hall. To regular visitors of the museum this is unlikely to seem like an amazing metamorphosis - well, the walls were painted, the labels were changed, new shields were made. But if you remember how everything looked last year, it turns out that everything is the same, but not the same. On the ground floor, only the Greek and Italian courtyards remained unchanged (in the first there was a project for the reconstruction of the museum, and in the second there was a Christmas tree, but this is probably not forever). Everything else was mixed up. The left enfilade is now completely occupied by antiquities and antiquity, having supplanted Italian icons and the Early Renaissance. True, the way there still lies through the Fayum portraits, and the “Treasures of Troy,” now included in the permanent exhibition, have long been in the museum under the guise of an exhibition. In the center there is now an entrance to the Italian halls, in the vestibule of which works of Byzantium are displayed. The Italian Renaissance room no longer shows Cranach and the early Germans. Then, passing the Italian courtyard and passing through the French portico, you find yourself in the northern school (the French used to be here): Cranach, brought from Italy, now has his own separate nook. Further along the enfilade follow separate Flemish and Dutch rooms with corners of Rubens and Rembrandt. Pieter de Hooch appeared in Holland, whose existence no one except the guardians had any idea about. On the second floor, most of the halls are still occupied by copies and casts (unfortunately, they were not touched). But Italians settled in the left wing - academicists, mannerists and the Venetian school. A new wonderful Tiepolo, Magnasco and several Veronese (with a school) appeared. The right wing, as mentioned above, was given to the French, who enriched themselves with Lebrun and Lorrain. Overall, the exposure has increased by a third, which is nice. Now Pushkinsky gives me the feeling, like after the Capodimonte Museum in Naples, - as if the history of art consists mainly of antiquity and the mass of Italians, and everything else was just that, little things.

The most amazing thing is that all this beauty will not last long: the museum will soon be closed altogether. By the centennial anniversary (that is, by 2012), Pushkinsky should be reconstructed. The reconstruction project is being carried out by Norman Foster; according to preliminary plans, a huge underground museum quarter will appear on Volkhonka. The ending of this story is unpredictable: until the project passes all approvals, the underground museum could turn into a thirty-story shopping center - but we hope this will not happen with Pushkinsky. In the meantime, one unnoticeable reform has already been carried out in the museum’s halls. The fact is that in our museums the principle of inspection is compulsory - thanks to the enfilade system of halls. That is, the visitor cannot see only Rembrandt or only the small Dutchmen - to get to them, willy-nilly, one has to pass through many different styles, names and eras. Previously, to get into the halls of ancient Assyria, you had to go through the Italian icons, and the entrance to Italy of the 17th–18th centuries lay through the French hall. Now you can separately go to the halls of antiquity or early Italy, or Holland, or late France. Although, to be honest, the museum is so small that if you look at the entire exhibition in one sitting, even enlarged by a third, you will never get tired.

State Museum of Fine Arts named after A.S. Pushkin (Pushkin Museum) is one of the largest museums in Russia, which presents works of European and world art. Its building, built in an eclectic style, is also an architectural monument. The Pushkin Museum's collection includes about 670 thousand exhibits. These are objects of painting, sculpture, and graphics. In addition, archaeological and numismatic monuments are presented here.

Museum of Fine Arts named after A.S. Pushkin - from history

In 1893, Moscow State University professor, doctor of Roman literature and historian Ivan Vladimirovich Tsvetaev conceived the idea of creating a museum as a textbook on art history - with copies of ancient antique vases, sculptures and other objects. In 1898, its foundation ceremony took place. A significant portion of the money for the construction was contributed by philanthropist Yuri Stepanovich Nechaev-Maltsev. The design competition was won by the self-taught architect P.S. Fighters. The construction was supervised by architect R.I. Klein. Architects I.I. took part in the construction. Rerberg and V.G. Shukhov, as well as many talented masters of that time. The internal layout and plan of the building were created in accordance with the ideas of P.S. Boytsova. And the interiors and facades are the work of R.I. Klein and his assistants.

On May 31, 1912, the Museum of Fine Arts named after Emperor Alexander III was opened. Its first director in 1912-1913 was its founder Ivan Vladimirovich Tsvetaev. In 1932, the museum was renamed the State Museum of Fine Arts, and in 1937 it was named after A.S. Pushkin. During the Great Patriotic War, the exhibits themselves were evacuated to Novosibirsk and Solikamsk. The building, including its glass roofs, was damaged by bombing. After the war, in October 1946, when the building was restored, the opening of the exhibition took place. Since 1980, on the initiative of Svyatoslav Richter and the director of the Pushkin Museum I.A. Antonova hosts the annual music and painting festival “December Evenings”.

In 1985, the Museum of Personal Collections was founded as the scientific department of the Pushkin Museum, designed to preserve the “spiritual connection” between the collection and its former owner. The Pushkin Museum's exhibits are currently being digitized. Passports are created for all exhibits, which are necessary for registration, storage and restoration. The high quality of the electronic copy allows you to record and control the condition of the exhibit, the location and depth of microcracks. In case of restoration it will be possible to restore the item.

Pushkin Museum - exhibits

The collection of the Pushkin Museum contains works by Western masters from antiquity to the 20th century. Each of the halls is dedicated to a specific era. The entire collection contains about 670 thousand works of exhibits, but only 1.5% of the funds are available to the general public. The ground floor mainly houses antiquities. The Egyptian Hall is located here. Also presented are objects of ancient peoples who inhabited Western Asia and the Mediterranean, the Indian Peninsula and Latin America. One of the most unique exhibits is a unique treasure discovered by the German archaeologist Heinrich Schliemann during his excavations in Troy in 1871–1890. This treasure was considered lost during World War II. It later turned out that, along with other trophies, it was taken from Germany to the Soviet Union and was kept in the strictest secrecy in the storerooms of the Pushkin Museum.

The halls on the second floor display more than a thousand exhibits from ancient Greece and Rome. These are antique amphorae and ceramics, sculpture. Here are copies of the most famous sculptures of antiquity. Visitors will see items from the Middle Ages and the Renaissance. Works by 19th and 20th century masters are on display, as well as a large collection of French Impressionist and Post-Impressionist artists, including works by famous artists such as Matisse and Picasso, Gauguin and Van Gogh. The collection of Byzantine icons occupies a special place. You can see works by European masters such as Cranach, Botticelli, Poussin and David. The pearls of the collection are the icons “Madonna and Child Enthroned” and “Madonna and Child and Two Donors”. Many of the items ended up in the Moscow State Institute of Fine Arts after the Great Patriotic War, including those from the Dresden Gallery. The Northern Renaissance is presented in the hall called "Art of Germany and the Netherlands of the 15th-16th centuries." Works by Rembrandt and his students are displayed in the hotel exhibition. Dutch school of the 17th century. The “Italian Courtyard” and “Greek Courtyard” halls are especially popular. The "Greek Courtyard" has a three-level floor that conveys the architecture of the Acropolis of Athens. And the “Italian Courtyard” hall repeats the courtyard of Palazzo Bargelo with a corner staircase and small columns supporting a balcony, a light arcade and a well in the center.
At the Pushkin Museum, many exhibits are not taken out of the storerooms, since there are standards according to which the placement and storage of exhibits is determined. The museum exhibition is constantly changing, since all exhibits cannot be displayed to visitors at the same time. There are also exhibitions of masterpieces from the world's largest art galleries.

Museum of Fine Arts named after A.S. Pushkin - information for tourists

The divisions of the Pushkin Museum are the Educational Art Museum named after I.V. Tsvetaeva and Memorial Apartment of Svyatoslav Richter. The Museion Center for Aesthetic Education of Children and Youth has been created, which organizes exhibitions and meetings with artists, performances and musical concerts. State Museum of Fine Arts named after A.S. Pushkin offers lectures, excursions and study groups. More than 15 different routes have been developed that allow you to view exhibits created by masters of various historical periods. Excursions with a guide in Russian and foreign languages are organized for visitors. For convenience, it is possible to present transport services - cars and buses. Audio guide services are available. Excursions to the Museum of Fine Arts named after A.S. Pushkin can be booked.

Main building

Tuesday, Wednesday, Saturday and Sunday 11:00 to 20:00
Thursday and Friday from 11:00 to 21:00
Monday – closed

Tuesday, Wednesday, Saturday and Sunday from 11:00 to 20:00
Thursday and Friday – from 11:00 to 21:00
Monday – closed
Box office closes an hour earlier

Museum of Personal Collections (temporary exhibitions)

The main exhibition is closed until 2023.

Ticket prices for the Pushkin Museum of Fine Arts in 2019.

Main building

For adults - 400 rubles

Gallery of Art of Europe and America of the 19th-20th centuries

For adults - 400 rubles
For students of the Russian Federation and pensioners of the Russian Federation - 200 rubles
For children under 16 years old - free

How to get to the Pushkin Museum of Fine Arts

Address: Moscow, Volkhonka st., 12.

The nearest metro station is Kropotkinskaya. The museum is located on the opposite side of the Cathedral of Christ the Savior. The museum includes three buildings: the main building, the Gallery of European and American Art of the 19th-20th centuries. and the building of the museum of personal collections. Since the first place on the way from the metro is the Gallery, the sign of which also says that this is the Pushkin Museum, you don’t have to get to the main building and walk around the Gallery. Sometimes there is a queue at the ticket office of the Main building, which can become a landmark for the entrance to the Museum.

The Pushkin Museum of Fine Arts is located in the very center, close to other

The management of the construction was entrusted to the architect R.I. Klein, who developed the final design of the building. The Moscow State University board organized a long business trip for Klein to European museums, Egypt and Greece. Klein was assisted in the construction by engineers Ivan Rerberg, the first deputy project manager, and Vladimir Shukhov, the author of the museum’s unique translucent ceilings. Dozens of young architects, engineers, and artists went through Klein's school during the construction of the museum.

The building was completed roughly in 1904. Exhibits (plaster casts and other copies) were ordered from the 1890s from foreign workshops using molds taken directly from the originals; in some cases, copies were made for the first time. On May 31 (June 13), 1912, the museum was opened to the public as the Museum of Fine Arts named after Emperor Alexander III at the Imperial Moscow University.

In 1923, the Museum was removed from subordination to the university. In 1932 it was renamed the State Museum of Fine Arts. In 1937, the Museum was named after Alexander Sergeevich Pushkin. In 1991, the Museum was included in the State Code of Especially Valuable Objects of Cultural Heritage of the Peoples of the Russian Federation.

The founder and first director of the Museum in 1911-1913 was Ivan Vladimirovich Tsvetaev (1847-1913), a professor at Moscow University. Irina Aleksandrovna Antonova, academician of the Russian Academy of Arts, academician of the Russian Academy of Education, Honored Artist of the Russian Federation, was director of the museum from 1961 to July 2013, when she was appointed President of the museum. Currently the director of the Pushkin Museum. A.S. Pushkin is Marina Devovna Loshak.

Collections of the State Museum of Fine Arts named after A.S. Pushkin are presented in the museum complex of buildings.

The Museum operates the Center for Aesthetic Education of Children and Youth “Museion” (Kolymazhny Lane, 6).

Composition of the Museum's collections

Currently, the total number of monuments stored in the Pushkin Museum is about 670,000 items. These are works of painting, graphic works, sculptures, works of applied art, archaeological monuments, numismatic monuments, photographs, memorial items, items of scientific and auxiliary fund.

In 2011, the Museum’s collection was replenished with a number of significant works of painting, graphics, numismatics, and decorative and applied arts. The total number of entries is 3471 items. Of these, 787 items were purchased, 550 items were accepted as donations, and 2,134 items were accepted by decision of the Expert Fund Purchasing Commission.

The Museum's painting collection was replenished with 8 works; sculptural - one; collection of decorative and applied arts - 28 works; graphic collection - 118 works; collection of the Museum of Personal Collections - 433 works, including paintings, graphics and photographs; the numismatic collection includes 1,790 items; The Museum's collection was also replenished with a complex of archeological objects with a total of 1093 objects.

Foundation of the Pushkin Museum named after. A.S. Pushkin in 2011, a rare monument of early Netherlandish painting (16th century) was donated to the Museum: a double-sided altar door with scenes of “The Last Supper” and “Mass of St. Gregory"; The work stylistically gravitates towards the production of the workshop of the Brussels painter Colijn de Cauter.

Valentina Andrianovna Tsirnyuk donated a set of works to the Museum, among which the sculptural group “Artist and Model” by the Italian master Emilio Fiaschi (1858-1941) should be highlighted. This work is typical of salon art of the second half of the 19th century.

The collection of decorative arts also included a decorative porcelain vase of Etruscan shape with an archery scene in the Green Dog Park near Brussels, created in France in the 1830s. In terms of quality of execution, form and painting, it is very rare for Russian museum and private collections. The vase was purchased by the Museum with funds from the Russian Federation Ministry of Culture.

Another work of decorative and applied art, which entered the Museum's collection in 2011, is a bone relief with a portrait of a woman - the work of the Austrian sculptor and bone carver Norbert Michael Schrödl (1816-1890). He is known primarily as the author of portraits of members of the imperial family and prominent contemporaries, created using the technique of ivory carving. Based on a number of signs, it can be assumed that the image on this item is a portrait of the Empress of Austria and Queen Elizabeth of Hungary (1837-1898). The art of carved bone of the 19th century is represented in the museum collection only by individual examples, and therefore this item occupies an important place in it.

The Museum's graphic collection includes 25 works of German graphics, including works by Lucas Cranach, Urs Graf, Hans Beham, Hans Burgkmeyer and other masters of the era of Albrecht Dürer, which are of undoubted value for the Pushkin Museum's collection.

Of great value is the collection acquired by the Museum, consisting of 721 oriental coins, of which 33 are silver and 688 bronze. The collection was collected in Turkmenistan and includes coins that circulated in the Merv oasis from the 3rd century BC. until the end of the 19th century. It is unique because it includes rare coins from antiquity and the early Middle Ages, as well as examples of little-known issues of Merv mintage. The collection was accepted for temporary storage back in December 2000 and, after much careful work by Russian specialists, finally entered the Museum’s collection.