When drawing a person, special attention should be paid to both the face and hands. Firstly, besides the head, the arms are the most exposed areas of the body. Secondly, they are also expressive and mobile. Additionally, due to the complexity of the connecting joints, convex and flat parts of the hand, the hands can be, and usually are, the most difficult part when studying the structure of the human body.

The first mistake when drawing is having too small hands. And here the ability to draw a head comes to the rescue. If you know how to correctly build the proportions of the head, then you can assume that you already have the correct proportions for drawing a hand. If you put your hand to your face, the tip of your middle finger will be at the hairline, and the hand will end at chin level. Here's your main way to measure brush parameters.

I hope you now understand the importance of knowing how to draw the human body. If you can draw a human body, you can draw anything for two reasons: 1) you now know enough about the three-dimensional shape of the human body; and 2) if you place this body in a room with various objects, you can easily determine the dimensions of these objects in relation to the body. And you will also already know that all these objects have their own volume and shape.

Let's return to the topic - Building a hand.
The hand has two volumetric convexities: one is at the base of the thumb (B), the second is the palm (the remaining part of the hand) (A). Double rows of finger bones, or carpal bones, are connected to the hand, creating a single unit. The wrist does not exist separately, and it is not attached to the hand with a ball-and-socket joint, like in wooden dolls. The movement of the hand starts from the wrist. It tapers slightly at the junction with the forearm. The wrist can also be considered a universal connector because it moves in all directions - up and down, side to side, and can rotate.

The center of the palm is slightly lower than the rest of the hand. For example, if you place your arm straight on a table, palm down, you will notice that your wrist does not touch the surface of the table. You will notice that the wrist rises where it connects to the hand.

The area of ​​the thumb is significantly larger than the area at the base of the little finger. The hand is wider at the base of the fingers than at the junction with the wrist: however, closer to the wrist it is higher. Now pay attention to your hand: the palm is longer than its back. The thumb is attached to the palm by an independent and highly mobile ball-and-socket joint, which allows it to actively move independently of the rest of the hand. The palm consists of elastic and soft areas - pillows. The surface of the fingers and the entire palm are covered with many pads. The fingertips are pointed, the middle finger - the longest - is the highest point of the hand. The pads on the fingertips are pointed so that they are directed towards the middle - towards the middle finger. If you measure the length of your thumb from the top side, it will be equal to the length of your middle finger. The thumb is more powerful than the rest. The components of the fingers are more square in shape than it might seem at first glance; on the last square is the nail, almost triangular in shape, with bulges on both sides, forming the place where the nail grows. You will better remember the structure of your hand if you study the structure of the skeleton of the hand, after which problems with drawing your hand will never arise again.

Knowledge of the structure of joints, their movement and limitations in movement is very important. The first joint of the thumb and the first two joints of the remaining fingers are hinged. They can only move up and down, but not sideways or rotationally. When you spread your fingers, the topmost knuckles of each finger bend back. The lower knuckles of the fingers will bend forward, while the upper knuckles or fingertips cannot be bent even at right angles. Note that the top two hinge joints can only bend at 90 degrees. The lower joints of the fingers, like those on the wrist, are ball joints. There are a ton of hand positions and structures for you to learn. Even when you are drawing, you can use your free hand as a model. Place a mirror in front of you and this will give you more opportunities to study the positions of your free hand.

1. The first step when drawing a hand in motion is the position of the fingers and hand. Draw the hand in motion and determine the approximate position of the hand.

2. Then highlight the volumetric areas - divide the brush into parts, this will help you determine where the convex and where the flat areas are.

4. Finally add shadows.

Remember this lesson, buy an anatomy textbook and study it. You could study the structure of a hand forever, and you might never be able to draw a hand in the same position twice. Every time you practice drawing a hand, you learn something new. Remember, your hands are just as important as your face. And they require the same attention and close study.

I hope you find this tutorial helpful.
Happy work!

Artists are entitled to many benefits that will never exist. For example, coupons for free food, separate transport so as not to blend in with the gray mass in the minibus, or a personal butler. I am not an artist myself, but I am already beginning to feel all the delights of constantly working with my hands (in my case, my left hand). After drawing for a long time, not only the hands begin to hurt, but also the back, tailbone and other parts of the body subject to creative pressure. In this lesson you will learn how to draw a brush. And two at once: human and artistic. A brush is a means of transferring paint to paper, oil to bread and powder to the brain. This is exactly what the magic wand looked like when he went to study at a magic school for treatment. With the help of a brush, such weapons of mass destruction as Malevich's Black Square were created, which shows the ratio of the black population and the rest of the inhabitants of the Earth. Over time, the brush multiplied by spores among people and began to appear at social parties and in laboratories for the creation of chemical weapons.

After the invention of the automatic pen and the hydrogen bomb, the brush lost its position and moved itself exclusively into the artistic sphere, where it suddenly became a means of creating masterpieces. Being an artist, of course, does not promise great success, but sometimes there is money. What you can do with a brush:

• Chewing on it gives an influx of new brilliant ideas and also relaxes the nervous system;
• To paint the most famous picture in the world, or not to paint;
• Make a cache out of it and hide your stash;
• Use as a murder weapon;
• Poking it at someone (just not too much);

Let's try to draw it all.

How to draw a brush with a pencil step by step

Step one. I won’t comment, because there’s not much to say here. From the pictures everything is visible and clear.
Step two.
Step three.
Step four.
I hope you enjoyed the lesson. See more similar ones

How to draw hands with a pencil?

Hands are a personal and unique part of the body. They can often tell a story about a person's life through their shape and size. For many years people have been studying their lines and structure, trying to read the future from the lines. Today we will learn draw hands with a simple pencil using a step-by-step lesson. We will pay special attention to their construction and the application of shadows so that the drawing comes out as realistic as possible.

Tools and materials:

1. White sheet of paper;
2. Eraser;
3. Hard simple pencil;
4. Two soft simple pencils.

Stages of work:

Photo 1. The picture will show two hands. One lies on top of the other. Let's start with the hand that will be on top. For construction we use a hard pencil. Let us denote the shape of the first hand with simple lines:

Photo 2. Place the second hand on the bottom left. It will be turned sideways. We are in no hurry to draw the fingers. Let's just outline the wrist and hand:

Photo 3. On the left hand we will draw the fingers and folds on the bends. We don’t put pressure on the pencil in a stylish way; the pressure should be weak at the first stage. Otherwise, later the contours will not stand out naturally. The fingers are spaced slightly unevenly so that they peek out from behind each other. The small finger has the most folds because it is the most bent:

Photo 4. Now let's move on to the right hand. She lies on the top left. Add fingers and two parallel lines at the level of the bones, at the level of the bends. Thanks to this, it will be easier to navigate when building:

Photo 6. We continue to shade gradually adding more volume. Let's outline the outline a little and work on the right hand. The little finger and ring finger are on the curve, so we add more shadow to them than to the others:

Photo 7. Add folds and contour to the bends. Let's draw the details of the upper hand, and at the same time create volume on the lower one:

Photo 8. Let's add more shadow, but try not to over-dark it. The strokes are applied gradually. This trick helps make hands look realistic:

Photo 9. Let's add more contrast. We continue adding shadow:

Photo 10. Let's refine the outline again, it will highlight the foreground. We leave the remaining places untouched.

Hands: Basics

Search for joints

Essentially, there is an invisible line that runs through the middle finger and through the center of the wrist. It should be perpendicular to the horizontal line crossing the wrist.

At the intersection of the lines, a circle is drawn around which the hand rotates freely.

Depending on the person’s hand, the location of the joints on the fingers varies. However, to get an idea of ​​where the joints should be, you can draw two curved lines coming out of the thumbnail. If you add wrinkles in these places, your hands will look very natural.

Moving Parts

Now we will look at how the hand moves. Once you understand these basics, you will be able to draw realistic hands.

Each area of ​​the hand will be indicated by a color, which will have corresponding text of the same color.

Inner side

This area moves towards itself, along with the four fingers.

Outer side

This area does not move - this is very important to remember.

This area moves with the thumb into the palm.

This area moves with the little finger, however, the movement is small.

Drawing hands

Let's draw the outline of an egg-shaped hand. The top of the egg will be the end of the middle finger. Next we will draw the extension of the hand, the wrist and the circle inside.

Now let's outline where the thumb, palm and four fingers will be. For convenience, you can draw a vertical line passing through the center of the palm.

Notice how the fingers are connected to each other and how they move.

Make the outline smooth and erase the auxiliary lines.

The size and shape of the hand differs from person to person: wide palm, narrow palm, long fingers, short fingers. This list goes on - that's why there are rules in proportions when drawing a hand.

Basically, the length of the hands is approximately equal to the length of the middle finger, doubled.

The middle finger is usually the longest. The index and ring fingers are approximately equal, but sometimes the ring finger is longer. The little finger reaches the top joint of the ring finger.

In order to understand how muscles and skin move, consider a diagram of the bones of the hand.

Note that the bones of the index, middle, ring and little fingers are mostly connected, which means they cannot move far from each other. The thumb has a much wider range of movement.

There is a big difference between a man's and a woman's hand. A person's hand looks more masculine if it is given a more angular shape, and more feminine if it is given a soft roundness.

The average nail is about half the length from the tip of the finger to the first knuckle.

Women's nails are drawn more elongated and rounded, while men's nails are more square and angular.

Let's draw a circle that will correspond to the basic shape of the fist. Then we will add the lines of the thumb and wrist.

If you have trouble imagining where your thumb will be, just clench your hand into a fist and take a closer look at the position.

The back and top of the hand doesn't move, so you just have to pay attention to how the fingers are connected. We mark the upper part of the hand and four fingers, usually of the same width.

As for the shadow, you can add it to create more realistic depth.

However, how detailed you draw the hand is up to you. Find your style that works best for you!

Different drawing options fist

This picture shows a hand clenched into a fist on the outside. The index finger is much higher than all the others.

In this drawing, three fingers are pressed into the palm, the thumb is pushed back, and the index finger is pointing to a point.

Please note that with the help of shadows and wrinkles, the index finger looks voluminous. The same applies to the fist, despite the fact that only some phalanges are drawn on the three fingers, a volume effect is created.

This picture shows a hand clenched into a fist on the inside. The index finger is also higher than all the others.

There are different ways to place wrinkles and shadows to create the effect of a fist's volume.

Movement from an open hand to clenching it into a fist.

If you still find it difficult to draw fingers, imagine them as cylindrical elements that connect to each other to form fingers.

However, sometimes it is necessary to distort the fingers a little to give more depth.

For example, in the image, you see the index finger bent in an unnatural way, but it looks much more realistic than a straight look.

How to draw a hand with a pencil step by step

Step one.

Step two.

Step three.

Step four.

Step five.

1. Marking the contour of the hand

Indeed, if you need to draw a hand on an entire sheet of paper, then it is easier to outline the outline of your hand, and then, using some tips from this lesson, just add details.
If you need to draw a hand on a reduced scale, then first put two dots for the wrist and five dots for the fingers.
Please note that it is not the index finger, but the middle finger on the hand that is the longest.

2. Straight contour lines of the fingers

The length of the fingers varies. They say that musicians have very long fingers. Among the nobles, long and refined fingers emphasized aristocratic origin. Maybe, but we will be drawing a regular hand, so divide the segment where the little finger will be in half, and draw a line from it, parallel to the previously marked points.
For the thumb, draw a rectangular outline.

3. Draw real outlines of the fingers

At this stage, you only need to trace the straight contours of your fingers with a pencil and give them real shapes. It is possible that these preliminary contours will turn out to be inaccurate, then the shape of each finger can be refined separately.

4. General contour line of the hand

At this step you can adjust the contours of the fingers. Make a deeper “angle” for the thumb, but you can leave the original contour, at your discretion.
Mark the phalanges and remove unnecessary contour lines from the drawing.

5. The hand drawing is almost finished

First of all, paint your fingernails on your hand. Highlight the joints of the fingers with a few strokes and we can say that the drawing of the hand is complete. All that remains is to draw a few details in the next step.

6. How to draw a hand. Shadows

A person's hands have "wrinkles" or folds in the knuckles that stretch when the fingers are squeezed, make these areas darker. There is an area between the fingers that also needs to be highlighted. To make the hand look voluminous in the drawing, you can make some of the contour lines darker and thicker. In this case, choose which side you will have the light source on.

It may seem that drawing a hand is not at all difficult. Try to draw, and then compare your hand with the resulting drawing.

Anatomy

The most important fact is that the hands are concave on the palm side and convex on the back. The bulges are so located around the circumference of the palm that you can even hold liquid in it. The hand served as a cup for primitive man, and by folding his two palms in the shape of a cup, he was able to eat food that he could not hold with his fingers alone. The large muscle of the thumb is one of the most important in the hand. This muscle, in interaction with the muscles of other fingers, provides a grip so strong that it allows you to hold your own weight in suspension. This powerful muscle can hold a club, bow, and spear. It can be said that the existence of animals depends on their jaw muscles, and the existence of man depends on his hands.

It is worth paying attention to the powerful tendon attached to the base of the hand and how the tendons of the fingers are grouped on the back of the hand. These tendons can control both all fingers together and each one individually. The muscles that pull these tendons are located on the forearm. Fortunately for the artist, the tendons are mostly hidden from view. In children and young people, the tendons on the back of the hand are not visible, but become more noticeable with age.

The bones and tendons on the back of the hand are close to the surface, but those around the palm and fingers inside are hidden from view. There is a pad at the base of each finger. It protects the bones lying inside and creates grip on the object being held.

Hand proportions

The next important thing is the curved placement of the fingertips and knuckles. Two fingers lie on either side of a line drawn through the middle of the palm. The tendon of the middle finger divides the back of the hand in half. Also important is the fact that the thumb moves at right angles to the movement of the other fingers. The knuckles are located just in front of the folds underneath them on the inside of the palm. Pay attention to the curve along which the knuckles are located and that the curve becomes steeper the closer the knuckles are to the fingertips.

The middle finger is the key finger that determines the length of the palm. The length of this finger to the joint is slightly more than half the length of the palm. The width of the palm is slightly more than half its length on the inside. The index finger is almost level with the base of the middle finger nail. The ring finger is almost the same length as the index finger. The tip of the little finger is almost level with the last knuckle of the ring finger.

The figure shows how to correctly determine the position of the palm socket. Also pay attention to the curve of the back of the hand. The hands will not look natural, capable of grasping, until the artist masters these details. The hands in the picture are depicted as if they were holding some kind of object. The loud sound of applause is produced by a sharp compression of air between the hollows of the two palms. Poorly drawn hands will look incapable of clapping.

Women's hands

Women's hands differ from men's mainly in that they have smaller bones, less pronounced muscles and greater roundness of the planes. If the middle finger is made at least half the length of the palm, the hand will be more graceful and feminine. Long fingers, oval in shape, will add charm.

Man's hands

Babies hands

Children's hands are a good drawing exercise in themselves. The main difference from the hands of adults is that the palm is much thicker compared to small fingers. The muscles of the thumb and the base of the palm are very large, even small children can support their own weight. The knuckles on the back of the hand are hidden by the flesh and are visible by the dimples. The base of the palm is completely surrounded by folds; it is much thicker than the pads under the fingers.

Hands of children and teenagers

The proportions remain basically the same. At primary school age the difference between a boy's and a girl's hand is small, but in adolescence big changes appear. The boy's hand is larger and stronger, showing the development of bones and muscles. Girls' bones remain smaller, so they never develop large knuckles like boys. The base of the palms also develops more in boys; in girls it is much softer and smoother. Boys' nails, like their fingers, are slightly wider.

Children's hands are a cross between the hands of a baby and the hands of a teenager. This means that the muscles of the thumb and base of the palm are proportionally thicker than those of an adult, but thinner in proportion to the fingers than those of an infant. The proportions of the fingers to the palm are the same as those of adults. The hand is smaller overall, a little fuller, more dimpled, and the joints are of course more rounded.

Hands of elderly people

Once you have mastered the design of hands, you will enjoy drawing the hands of older people. In fact, they are easier to draw than young hands because the anatomy and structure of the hand is more noticeable. The basics of the design are still the same, but the fingers become thicker, the joints are larger, and the knuckles protrude more strongly. The skin becomes wrinkled, but this wrinkling needs to be emphasized only when viewed at close range.

Let's start ! Start drawing basic shapes and lines. This is useful so that you can maintain the shape of the hand and the proportions of the joints.

First, let's draw along the base line the upper and visible end of the forearm at the level of the wrist!

Now draw the basic shape of the index finger!

And now, along the base of the thumb, the lines and shape of it. The hand took shape quite quickly.

And now we draw the shape of the middle finger!

The next step is unnamed. The fingers are becoming less and less visible. But the joints line up and the proportion and beauty of the lines are noticeable.

And now your last finger in the basic shape is a drawing for the small finger - the little finger! And you did everything quickly on the basic shape of the hand from the first step!

Now draw your fingernails as you can see them on yourself or in photographs.

Draw small details of kinks in the joints and folds of the skin. They are on both sides. A hand in a relaxed state tends to clench.

Here are some small details that you also need to draw to make the drawing more realistic/

You did it! Now you have to apply the shadows and highlights yourself.

First, start drawing a hand with anatomical tips! Let's try to refresh or expand our knowledge about the structure of the human body. This is very useful because most beginning artists can have a hard time with their hands. Well, let's start with anatomy and you will better understand the drawing of a human hand!

Here is a slightly enlarged view of the anatomy of your fingers so you can see the bones better and remember their main parts. We will always use them for the basis of the hand drawing.

It may not seem important, but when you are drawing hands in larger sizes you will need help choosing the type of nails. You can choose the best ones for your character in the drawing!

Here's some extra help in the drawing so you can clearly see and compare the differences for your character's age and gender!

Here are some hand sketches to give you an idea of ​​the style of drawing realistic hands! You should start in any style based on their actual appearance.

And now options for hands from comic books or fairy-tale characters. These are just a few examples. You won't notice too much of a difference between realistic and comic book or fantasy style.

The cartoon style has more noticeable differences from realism. It's always helpful if you look closely at that particular detail in the cartoons you're watching, and then you can pick a style you like and start creating your own for that part of the drawing.

If you have animal characters, these examples will come in handy! Basically, when your animal character walks on two legs, his/her front arms or paws look more like real arms and hands, so you should draw them like human hands, just with some animal specificity and style.

And now, the last part of preparation for drawing the hand. These are the possible options, angles and positions of the hands and fingers. First, let's look at simpler options and understand the basic principle for the joints and proportions of the fingers and palms. For a woman's hand, you can increase flexibility, and for a man's hand, you can increase angularity.

Step 10

Now the drawings are a little more difficult, from a different point of view and angle! This is an expression of emotions, gestures accompanying words and actions.

This part of the preparation will be really difficult, but not impossible! When you start drawing hands more difficult than these, you will remember with a smile. We're looking at just the tip of the iceberg in terms of the base and shapes, and will start to build up to shading, shading, and color grading and editing. And now we are still just warming up!

1. You can fit several options for turning your hand at once. Mark them using a base oval and a guide line.

2. How to draw hands. Start drawing individual fingers.

3. The next step is to draw the contours in more detail.

4. Erase unnecessary lines, mark small folds of skin and nails.

5. How to draw hands. Use a TM pencil to shade the shadow on the brush, just try not to immediately darken it.

6. The next brush is oriented a little differently. This angle can be used quite often in drawings. Outline the general shape.

7. Refine the drawing of your fingertips. How to draw a cat.

8. Draw the nails with a sharp pencil.

9. Use a soft eraser to remove all unnecessary construction lines. How to draw a dragon.

10. Feel free to start working on the light and shade.

11. Now you can try to draw horizontal hands. Just like in the previous sketches, start by marking out the general shape.

12. Work out the contours of the hands in detail.

13. Using a soft pencil, you can add accents to the drawing to make it look natural.

14. Using a hard pencil, draw a shadow on the lower arm.

15. Do the same with the top one.

STEP 3. anime hands
Here is a typical anime/manga hand as it looks painted with the fingers open. Once painted you should finish with something like this.

STEP 4. anime hands
Let's start this first drawing step by drawing an inverted bell shape for the middle part of the arm. Once this is drawn, add five lines for the fingers. I've added some arrows to show you how far apart each finger should look.

STEP 5.
Now that you have drawn the frame of the hand, you can add three circles on each finger. These circles will help you draw anime/manga finger shapes. Before moving to the next step, draw a line for the wrist.

STEP 6.
In this sixth step we will start drawing the shape of the fingers and hand. Once that's done, let's add the shape of the right side of the wrist.

STEP 7. how to draw hands
In this step we will simply add the lines of the wrist joint and bones. Once this is done, start erasing all the instructions and shapes that you drew in the previous steps.

STEP 8.
This is what your hand should look like

STEP 10. draw anime hands
Start your clenched fist from the center of the square, this will help you draw individual fingers

STEP 12. how to draw anime hands
In this next step you will start adding lines for the fingers and knuckles. Once this is done, add a shaping line for the left side of the wrist.

STEP 14. learn to draw hands
Once you're done it should look like the picture I have. I hope you enjoyed this tutorial.

First, we should pay attention to our hands. They consist of three parts: the shoulder, forearm and hand. Each of them can be depicted as ovals, or you just need to learn how to draw a hand right away. If you are depicting a lowered hand, then the fingertips will reach the middle of the thigh, and the elbows will be level with the waist.

So we looked at the method with a simplified hand shape, now let’s improve it so that it looks more natural. When you draw hands, you don't want to draw them too straight. We start with the shoulder, it has a smooth bend, near the elbow the arm narrows a little and widens again in the place where the biceps is located.
The elbow will be somewhat difficult to draw, because it is not just a bend, it is a connection, a hinge.

Next is the brush. Let's imagine each of the segments as a cylinder, and now turn your hand over, palm up, and you will see three almost identical segments on each finger. Well, because all the fingers are different in length, the pads and folds that are between them do not line up in one line.

Let's start drawing the hand from the joints of the fingers from the bones. The first joint is the largest of all three. The second joint is located between the two (in the middle), it is smaller and shorter than the first, but longer than the third joint - the tip of the finger. It is not possible to draw all fingers using this method, since each finger has a different length.

On top of the phalanges of the fingers you need to draw straight lines, and on the side of the palm - rounded.

But let's not forget that a man's hand is slightly different from a woman's. A man's hand is more massive and more sinewy. There are three options for drawing a hand: Muscular, toned and weak hand.

Perhaps for sketching or to see some parts, I don’t know.:

No aspect of drawing is as difficult as . There is very little normal material on the topic. The biggest difficulties arise precisely with the search for suitable material. Your hands are the most excellent material available for study. Perhaps you've never looked at them under the light. In most cases, people learn to draw hands on their own. Any teacher can only point out the facts that are associated with your hands.

The study of hands, not including the study of anatomy, consists mainly of comparative analysis of measurements. The fingers have a certain length in relation to the palm; the space between the knuckles is specifically proportional to the entire finger. The palm is quite wide compared to its length. The distance between the knuckles of the back of the finger is greater than the similar distance between the folds on the back. The length of the longest finger from its tip to the third knuckle is equal to half the length of the hand from the pad of the finger to the wrist. The length of the thumb almost reaches the second joint of the first finger. The length of the palm is approximately equal to the length of the face from the chin to the hairline. You, like anyone else, can make similar comparative measurements.

The most mobile part of the body, it can adapt to an object of significant shape and weight. This mobility complicates the artist's work, because the hand can take a wide variety of positions. Thanks to certain technical parameters, the hands work constantly. The palm can form a kind of hollow, contracting and unclenching. When clenching the palm, the fingers are directed inward, towards the middle of the palm. The fingers have rather hard nails, which sometimes help a lot if you need to grab something. You grab the pin with your fingertips, and you grab the hammer with your fingers and palm. It is impossible to bend the fingers completely back due to the rigidity of the back of the hand.

This mechanism was invented by nature for pushing movements. As we know, the hand is the most perfect mechanism for performing an almost unlimited number of actions. Added to this perfect instrument is the fact that the brain is perhaps the most dependent on the brain for its operation. Most hand movements occur at the subconscious level. For example, typing on a computer or typewriter, as well as playing the piano.

In a cultural sense, man began to train his hands long before he began to train his brain. A newborn begins to use his hands effectively long before he learns to think. He may grab a burning match, not yet knowing that he may get burned. The history of human progress, since prehistoric times, can be closely associated with the development of the hand.

The fact is that hand movements do not require much skill. This may be the reason why there is very little knowledge on hand drawing. Now look at your hands, you will see them differently. Notice that before you take any object, your hands automatically take the appropriate shape. To draw a hand, you first need to take it, study its silhouette, look at its changes so that the hand fits the silhouette. Try picking up a ball, a peach, or an apple, and see what shape your fingers take before you pick up the object. The mechanical principles of the hands are a very important part of drawing.

Only by having knowledge of how the hands work can one learn how to draw hands.
The back of the hand is usually drawn in three plans: one is drawn for the thumb and for the lower knuckle of the index finger. The remaining two are for the back of the hand, capturing the wrist. In most cases, the back of the hand is wavy, and this phenomenon comes down to these three planes. The palm is usually presented in three blocks that surround the inner space of the palm - the arch, the thin base of the thumb, and the small tubercles that are located just under the fingers.

When the fingers are bent, the knuckles should be level with the thumb; when the fingers are extended, the knuckles should not stand out. One must be careful in the alignment of the nails because they are on their midline, which intersects with the midline of the finger. In other words, the nail can somehow change its position without us even noticing it.
Continue to study your hands to gain general knowledge. The muscles are so deeply located that they are no less important than external forms.

Of the bones accessible to the eye, we are presented with the knuckles and wrist bones on the back of the hand. If you involve the palm in various types of its activities, then the fingers join quite easily. Study the comparative lengths of the fingers and remember that the thumb almost always works at right angles to the other fingers. Get rid of the idea that hands are hard to draw. It's just difficult when you don't know how they work. Once understood, hands become charming.

Remember a very important fact that the palm is sunken and the back of the palm is convex. The tubercles on the palm are lined up so perfectly that they can even retain liquid. For ancient man, the palm became a cup. He put his two palms together so he could eat food that he couldn't grab with his fingers. The thumb muscle is undoubtedly the most important muscle in the palm. This muscle, together with the muscles of other fingers, gives a person the ability to grip very strongly. Thanks to this, a person can even support his own weight. This muscle gives a person the ability to hold a bat, club, bow, spear, etc. The life of an animal directly depends on the strength of its jaw muscles. Man depends on his own hands.

When you perfectly master the structural features and proportions of the hand, you can easily use this knowledge to display the specific features characteristic of women's, infants, children's hands, as well as the hands of older people.

1. The line delimiting the palm of the hand resembles a “flattened iron” in its shape. This is the perfect shape to start brush painting with. The outlines of the human hand literally amaze the imagination of beauties and the ideality of their forms.

2. By drawing a line from the wrist along the HAND, we separate the finger area. The auxiliary organ of the hand, the thumb, is bent in relation to the other fingers; without it, man's hand would be helpless.

3. A horizontal line drawn midway between the base of the hand and the end of the longest finger helps determine the position of the fingers in relation to the thumb and the rest of the palm.

4. A curved line drawn above the mid-hand line shows the base of the fingers. The little finger is the only finger whose base is below the midline. The remaining fingers start above this line. Distances 1 - 5 can be considered equal. The middle finger is the longest. Each finger is limited by the oval drawn at the beginning.

5. We already know the length of the middle finger. Fingers 1 and 3 can be the same length, but quite often finger 3 is slightly longer. The little finger (4) is shorter than the above fingers, and the thumb (5) ends slightly above the curved line of the base of the other four fingers.

6. We already know the length of the middle finger. Fingers 1 and 3 can be the same length, but quite often finger 3 is slightly longer. The little finger (4) is shorter than the above fingers, and the thumb (5) ends slightly above the curved line of the base of the other four fingers.

7. There is one feature at the base of the fingers: small wrinkles bend from the line of the fingers and go along the arc line depicting the base of the fingers.

8. When the hand is straightened and the thumb is placed together with the rest, the palmar wrinkle, shown in the figure above, goes into the line of the upper joint of the thumb. At the base of the thumb there is a clearly visible crease that transitions into a line depicting gathered skin, similar to an inverted "T".

9. Having determined the location of the finger joints (Figure b), you can depict them with double lines in the first row of joints if the hand is quite massive. The upper joints are usually depicted with single lines. If the hand is small, then the first row of joints is depicted with single lines. And on very small hands, the joints may not be visible at all.

10. If you look at the palm from the back, the fingers will appear longer. The boundary lines of the fingers will reach the dashes shown in the figure.

11. If you turn the straightened hand the other way around, then part of the thumb will become invisible. Areas of loose skin will become visible on all finger joints. They will be in the form of small ROUND areas. On the upper joints these areas are not as clearly visible as on the others. The protrusions of the lower joints take the shape of ellipses, so the areas of free skin above these joints also have the same shape. The bones and tendons of the hand are also visible in these places.